Faculty of Arts and Creative Industries
Title | Faculty of Arts and Creative Industries |
---|---|
Alternative | ACI |
University | Middlesex University London |
Campus | London |
Latest research outputs
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Ten Days in Tarbena: an evolutionary approach to moving through silence and sound to speech
Vesty, R. 2019. Ten Days in Tarbena: an evolutionary approach to moving through silence and sound to speech. in: Midgelow, V. (ed.) The Oxford Handbook of Improvisation in Dance Oxford University Press (OUP). pp. 366-382Book chapter
Tempting failure: London Biennial Festival of Live Art 2016 & 2018
Bacon, T. 2016. Tempting failure: London Biennial Festival of Live Art 2016 & 2018.Portfolio
Comparative analysis of risks for political independence of public service media across 19 European Union member states
Simunjak, M. 2016. Comparative analysis of risks for political independence of public service media across 19 European Union member states. Italy European University Institute.Working paper
Knowing/Unknowing
Dwyer, B. and Kindred, H. 2016. Knowing/Unknowing. Middlesex University London Mar 2016Performance
Dancing to another tune: classical music in nightclubs and other non-traditional venues
Haferkorn, J. 2018. Dancing to another tune: classical music in nightclubs and other non-traditional venues. in: Dromey, C. and Haferkorn, J. (ed.) The Classical Music Industry Abingdon, Oxon Routledge. pp. 148-171Book chapter
Playing and reality in the work of E J Major
Brown, C. 2016. Playing and reality in the work of E J Major. Photomonitor.Article
Case study: The apprentice’s sorcerer: television in/and the academy
Kerr, P. 2016. Case study: The apprentice’s sorcerer: television in/and the academy. in: Freeman, M. (ed.) Industrial Approaches to Media: A methodological gateway to industry studies Palgrave Macmillan. pp. 29-38Book chapter
Authorship, autobiography and the archive: Marilyn on Marilyn, television and documentary theory
Kerr, P. 2015. Authorship, autobiography and the archive: Marilyn on Marilyn, television and documentary theory. VIEW: Journal of European Television History and Culture. 4 (8), pp. 67-79. https://doi.org/10.18146/2213-0969.2015.jethc094Article
The framing of the global financial crisis 2005-2008: a cross-country comparison of the US, UK and Australia
Knowles, S. and Phillips, G. 2013. The framing of the global financial crisis 2005-2008: a cross-country comparison of the US, UK and Australia. Australian Journalism Review. 35 (2), pp. 59-72.Article
Neo-liberalism, mainstream financial journalism and the concurrent crisis in journalism
Knowles, S. 2016. Neo-liberalism, mainstream financial journalism and the concurrent crisis in journalism. Beyond the Crisis: The Media and Austerity. City University, London, United Kingdom 10 May 2016Conference paper
Financial capability, the financial crisis, and trust in news media
Schifferes, S. and Knowles, S. 2016. Financial capability, the financial crisis, and trust in news media. The 2016 Conference of the International Association of Media and Communication Research. Leicester, United KingdomConference paper
The UK news media and austerity: trends since the global financial crisis
Schifferes, S. and Knowles, S. 2016. The UK news media and austerity: trends since the global financial crisis. The 2016 Conference of the International Association of Media and Communication Research. Leicester, United KingdomConference paper
The British media and the 'first crisis of globalization'
Schifferes, S. and Knowles, S. 2014. The British media and the 'first crisis of globalization'. in: The Media and Financial Crises: Comparative and Historical Perspectives London Routledge. pp. 42-58Book chapter
Reporting the global financial crisis: a longitudinal tri-nation study of mainstream financial journalism
Knowles, S., Phillips, G. and Lidberg, J. 2017. Reporting the global financial crisis: a longitudinal tri-nation study of mainstream financial journalism. Journalism Studies. 18 (3), pp. 322-340. https://doi.org/10.1080/1461670X.2015.1058182Article
Joint attention, semiotic mediation and literary narrative
Lively, A. 2016. Joint attention, semiotic mediation and literary narrative. Poetics Today: International Journal for Theory and Analysis of Literature and Communication. 37 (4), pp. 517-538. https://doi.org/10.1215/03335372-3638042Article
#QC: Read My QR
Kokoli, A. 2016. #QC: Read My QR. Quilla Constance: #QC_Symposium. Toynbee Studios, Artsdmin, 28 Commercial Street, London E1 6AB 10 Mar 2016Conference paper
Semiotics
Cobley, P. and Machin, D. 2020. Semiotics. in: Bull, S. (ed.) A Companion to Photography WileyBlackwell. pp. 133-154Book chapter
Deely, John Nathaniel (1942-)
Cobley, P. 2016. Deely, John Nathaniel (1942-). in: Shook, J. (ed.) The Bloomsbury Encyclopedia of Philosophers in America: From 1600 to the Present Bloomsbury Academic. pp. 244-247Book chapter
Helpful feedback
Cobley, P. 2016. Helpful feedback. Cybernetics & Human Knowing. 23 (2), pp. 87-89.Article
Geopolitical reality: the thriller, global power, and the logic of revelation
Cobley, P. 2016. Geopolitical reality: the thriller, global power, and the logic of revelation. in: Pepper, A. and Schmid, D. (ed.) Globalization and the State in Contemporary Crime Fiction London Palgrave Macmillan. pp. 197-216Book chapter
Cultural Implications of Biosemiotics
Cobley, P. 2016. Cultural Implications of Biosemiotics. Springer.Book
Biosemiotics, politics and Th.A. Sebeok’s move from linguistics to semiotics
Cannizzaro, S. and Cobley, P. 2015. Biosemiotics, politics and Th.A. Sebeok’s move from linguistics to semiotics. in: Velmezova, E., Kull, K. and Cowley, S. (ed.) Biosemiotic Perspectives on Language and Linguistic Springer.Book chapter
Narrative
Cobley, P. 2016. Narrative. in: Moy, P. (ed.) Oxford Bibliographies in Communication Oxford University Press (OUP).Book chapter
Signs
Cobley, P. 2016. Signs. in: Jensen, K., Rothenbuhler, E., Pooley, J. and Craig, R. (ed.) The International Encyclopedia of Communication Theory and Philosophy Chichester John Wiley & Sons.Book chapter
Big money is moving in, Docklands community poster project and posters from the east London health project
Leeson, L. and Dunn, P. 2015. Big money is moving in, Docklands community poster project and posters from the east London health project.Artefact
Bred and born - a reflection
Leeson, L. 2016. Bred and born - a reflection. Four Corners - 40 Years of Film in the East End. Whitechapel Gallery 02 Jul 2016Conference item
In the mind’s ear
Spinks, T. 2016. In the mind’s ear. M2 Gallery, Peckham, London, UKShow or exhibition
The laboratory of sonic possibilities
Spinks, T. and Garrelfs, I. 2014. The laboratory of sonic possibilities. Wimbledon Space Wimbledon College of Art London Mar 2014Performance
Fluxus water scores
Spinks, T. 2015. Fluxus water scores. White Cube gallery, Bermondsey,Performance
Feminism reframed: reflections on art and difference
Kokoli, A., Heath, J., Hemus, R., Chase, A., Roulstone, K., Behm, A., Germann, J., Grant, C., Tate, S., Lauritis, B., Pollock, G. and Swartz, A. Kokoli, A. (ed.) 2008. Feminism reframed: reflections on art and difference. Cambridge Scholars Publishing.Book
Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism
Kokoli, A. 2015. Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism. House, work, artwork: feminism and Art History's new domesticities. University of Birmingham, Birmingham. United Kingdom 03 - 04 Jul 2015Conference paper
Uncanny domesticities in art informed by feminist anti-nuclear activism
Kokoli, A. 2016. Uncanny domesticities in art informed by feminist anti-nuclear activism. Artists’ Critical Interventions into Architecture and Urbanism. University of Warwick, United Kingdom 15 - 16 Jul 2016Conference keynote
Interview with Margaret Harrison and participation in roundtable discussion
Kokoli, A., Harrison, M., Farkas, R., Leeson, L. and Maple, S. 2016. Interview with Margaret Harrison and participation in roundtable discussion. The Practicing Feminist. Tate Britain 21 May 2016Conference item
Knitted hats for designers Meadham/Kirchoff catwalk show S/S 2014. London Fashion Week.
Houghton, E. 2013. Knitted hats for designers Meadham/Kirchoff catwalk show S/S 2014. London Fashion Week. Meadham / Kirchoff Designers. London..Artefact
New models and frontiers for photography collections in the digital age
Brown, C. 2016. New models and frontiers for photography collections in the digital age. Uncertain States Event: Keepers of Culture – Considering Photographic Collections. QUAD, Market Place, Cathedral Quarter, Derby. DE1 3AS. 10 Jun 2016 Uncertain States.Conference paper
Commissioned by TOPSHOP UNIQUE in collaboration with Simone Rocha to crochet a CYGNET jacket for their capsule collection at Dover Street Market, London
Houghton, E. 2005. Commissioned by TOPSHOP UNIQUE in collaboration with Simone Rocha to crochet a CYGNET jacket for their capsule collection at Dover Street Market, London. London TOPSHOP UNIQUE.Other
Commissioned by TOPSHOP UNIQUE, London to crochet / macrame a swimsuit and knotted / netted dress and bikini for their catwalk show for spring / summer 2008
Houghton, E. 2008. Commissioned by TOPSHOP UNIQUE, London to crochet / macrame a swimsuit and knotted / netted dress and bikini for their catwalk show for spring / summer 2008. London TOPSHOP UNIQUE.Other
Commissioned by TOPSHOP UNIQUE to handknit a cropped, puff sleeved boat necked sweater in strawberry pink mohair for press day
Houghton, E. 2008. Commissioned by TOPSHOP UNIQUE to handknit a cropped, puff sleeved boat necked sweater in strawberry pink mohair for press day. London TOPSHOP UNIQUE.Other
Commissioned by TOPSHOP UNIQUE, London to handknit a 3 colour mohair sweater in entrelac stitch for their A/W 2008/9 catwalk show
Houghton, E. 2008. Commissioned by TOPSHOP UNIQUE, London to handknit a 3 colour mohair sweater in entrelac stitch for their A/W 2008/9 catwalk show. London TOPSHOP UNIQUE.Other
Commissioned by TOPSHOP UNIQUE, London to handknit 3 identical angora & alpaca hooded garments for their Wonderland Collection catwalk show autumn/winter 2008/9
Houghton, E. 2008. Commissioned by TOPSHOP UNIQUE, London to handknit 3 identical angora & alpaca hooded garments for their Wonderland Collection catwalk show autumn/winter 2008/9. London TOPSHOP UNIQUE.Other
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