Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Black Rice Trio, improvising live at Iklecktik
Nagle, P., Spinks, T. and Kraft, R. 2018. Black Rice Trio, improvising live at Iklecktik. Iklectik artlab, London, UK 27 Sep 2016Public performance
RAF Museum knowledge transfer collaboration
Slonims, N., Moore, A., Khan, S., Skidan, A., Royal, A., Carwardine, H., Mata, H., Misirlioglu, I., Pryor, J., Hill, L., Radkiewicz, W. and Campbell, F. 2018. RAF Museum knowledge transfer collaboration.Design
Censored Realities / Changing New York
Maude-Roxby, A. and Seibold, S. 2018. Censored Realities / Changing New York. AustriaArtefact
(Un)touched - floor piece at the National Museum of Belgrade as part of IFTR 2018
Woodhouse, A. and Rackowe, N. 2018. (Un)touched - floor piece at the National Museum of Belgrade as part of IFTR 2018. IFTR 2018: World Congress, National Museum of Belgrade 09 - 12 Jul 2018Show or exhibition
["Cartoon artefacts" in MIKS - 4th International Cartoon Exhibition 2018]
Mumberson, S. 2018. ["Cartoon artefacts" in MIKS - 4th International Cartoon Exhibition 2018].Artefact
Foreword to Darkness Over Germany Audiobook
Barling, K. 2018. Foreword to Darkness Over Germany Audiobook. in: Darkness over Germany: A Warning from History Audible Studios.Book chapter
Is our curriculum too white? Don't BAME me....
Barling, K. 2018. Is our curriculum too white? Don't BAME me.... HEA Annual Conference 2018,Teaching in the spotlight: Learning from global communities. University of Aston, Birmingham 03 - 05 Jul 2018Conference item
Experiential learning: is critical reflection a bridge from practice to theory?
Barling, K. 2018. Experiential learning: is critical reflection a bridge from practice to theory? AJE Annual Conference 2018. Canterbury Christ Church University 29 Jun 2018Conference paper
Dust Breeding (2018), Installation view, Galleria d’Arte Moderna Milano (GAM)
Cavusoglu, E. 2018. Dust Breeding (2018), Installation view, Galleria d’Arte Moderna Milano (GAM). Galleria d'Arte Moderna (GAM), Milan 11 Apr - 17 Jun 2018Show or exhibition
Water power: creativity and the unlocking of community knowledge
Leeson, L. 2018. Water power: creativity and the unlocking of community knowledge. in: Roberts, L. and Phillips, K. (ed.) Water, Creativity and Meaning: Multidisciplinary understandings of human-water relationships Routledge. pp. 23-35Book chapter
Into the magenta haze: notes of making art in the arc of opportunity
Duman, A. 2018. Into the magenta haze: notes of making art in the arc of opportunity. in: Duman, A., Hancox, D., James, M. and Minton, A. (ed.) Regeneration Songs: Sounds of Investment and Loss from East London London, UK Repeater Books. pp. 163-190Book chapter
Rosemary Butcher: after Kaprow – a visual journey
Butcher, R. and Sachsenmaier, S. 2018. Rosemary Butcher: after Kaprow – a visual journey. in: Clarke, P., Jones, S., Kaye, N. and Linsley, J. (ed.) Artists in the Archive: Creative and Curatorial Engagements with Documents of Art and Performance Abingdon Routledge. pp. 72-77Book chapter
Cultural democracy [Blog post]
Leeson, L. 2018. Cultural democracy [Blog post]. MDX Minds Middlesex University.Blog
An exploration of the sub-register of chemical engineering research papers published in English
Zacharof, M. and Charalambidou, A. 2018. An exploration of the sub-register of chemical engineering research papers published in English. https://doi.org/10.20944/preprints201803.0270.v1Pre-print
Landscape and the Science Fiction Imaginary
Timberlake, J. 2018. Landscape and the Science Fiction Imaginary. Bristol Intellect.Authored Book
More than window dressing: visual merchandising and austerity in London’s West End, 1945–50
Bide, B. 2018. More than window dressing: visual merchandising and austerity in London’s West End, 1945–50. Business History. 60 (7), pp. 983-1003. https://doi.org/10.1080/00076791.2017.1400531Article
Transmissions in dance: contemporary staging practices
Main, L. (ed.) 2018. Transmissions in dance: contemporary staging practices. Palgrave Macmillan.Edited Book
Experience as art: fine art social practice at Middlesex University
Leeson, L. and Duman, A. 2018. Experience as art: fine art social practice at Middlesex University. in: Sholette, G., Bass, C. and Social Practice Queens (ed.) Art as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art New York Allworth Press. pp. 223-228Book chapter
The dialectics of appropriation
Brooker, G. 2018. The dialectics of appropriation. in: Marinic, G. (ed.) The Interior Architecture Theory Reader London, UK Taylor & Francis (Routledge).Book chapter
Cultural intermediaries in place branding: Who are they and how do they construct legitimacy for their work and for themselves?
Warren, G. and Dinnie, K. 2018. Cultural intermediaries in place branding: Who are they and how do they construct legitimacy for their work and for themselves? Tourism Management. 66, pp. 302-314. https://doi.org/10.1016/j.tourman.2017.12.012Article
5th International Open Printmaking Show, Art at Wharepuke, New Zealand 2017-2018
Mumberson, S. 2017. 5th International Open Printmaking Show, Art at Wharepuke, New Zealand 2017-2018.Artefact
The Best Humor Artist award 2017 Beijing China
Mumberson, S. 2017. The Best Humor Artist award 2017 Beijing China.Artefact
Small picture show Bankside Gallery London
Mumberson, S. 2017. Small picture show Bankside Gallery London.Artefact
Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance
Kokoli, A. 2018. Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance. Hypatia: A Journal of Feminist Philosophy. 33 (3), pp. 485-499. https://doi.org/10.1111/hypa.12399Article
XIX international Open Cartoon contest - Money 2017 Zielona Gora, Poland
Mumberson, S. 2017. XIX international Open Cartoon contest - Money 2017 Zielona Gora, Poland.Artefact
Partecipazione
Graziano, V. 2017. Partecipazione. Education_ART/Contest, Artissima Fair, 2016. Turin, Italy Oct 2016 Prinp.Conference item
Partisan Welfare - group phantasy as social infrastructure
Graziano, V. 2017. Partisan Welfare - group phantasy as social infrastructure. in: Solidarity Poiesis: I Will Come and Steal You Berlin b_books.Book chapter
29th Biennale Internazionale dell'Umorismo nell'arte (29th Festival of Humour in Art)
Mumberson, S. 2017. 29th Biennale Internazionale dell'Umorismo nell'arte (29th Festival of Humour in Art).Artefact
5th International Open Printmaking Show
Mumberson, S. 2017. 5th International Open Printmaking Show.Artefact
Investigation of Lakanal House Fire
Barling, K. 2017. Investigation of Lakanal House Fire.Design
Urge to Paint
Barling, K. 2017. Urge to Paint. Goldsmiths UniversityShow or exhibition
Keeping Sketchbooks 2017
Mumberson, S. 2017. Keeping Sketchbooks 2017.Artefact
Cultural democracy
Jacques, J., Leeson, L., Wainwright, H. and Mahamdallie, H. 2017. Cultural democracy. Resonance FM - Suite (212).Other
For Walls with Tongues
Leeson, L. 2017. For Walls with Tongues. For Walls with Tongues. Whitechapel Gallery 01 Nov 2017Conference item
Masters of Caricature, Plovdiv
Mumberson, S. 2017. Masters of Caricature, Plovdiv.Artefact
11th International Zagreb Car Cartoon Exhibit 2017
Mumberson, S. 2017. 11th International Zagreb Car Cartoon Exhibit 2017.Artefact
International Satirical Picture Competition, Karpik, Niemodlin, Poland
Mumberson, S. 2017. International Satirical Picture Competition, Karpik, Niemodlin, Poland.Artefact
Innovation in consumer-computer-interaction in smart retail settings
Pantano, E. and Gandini, A. 2017. Innovation in consumer-computer-interaction in smart retail settings. Computers in Human Behavior. 77, pp. 365-366. https://doi.org/10.1016/j.chb.2017.08.037Article
The Masters - 'One Off'- Bankside London
Mumberson, S. 2017. The Masters - 'One Off'- Bankside London.Artefact
The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach
Robinson, A. 2018. The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach. Journal of Contemporary Painting. 4 (1), pp. 199-217. https://doi.org/10.1386/jcp.4.1.199_1Article
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