Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Threshold: Fleshfold
Midgelow, V., O'Connor, B. and Wilsmore, R. 2004. Threshold: Fleshfold.Performance
Threshold: Fleshfold
Midgelow, V., O'Connor, B. and Wilsmore, R. 2005. Threshold: Fleshfold.Performance
Transformational ostinati in Gyorgy Ligeti’s sonatas for solo cello and colo viola
Dwyer, B. 2011. Transformational ostinati in Gyorgy Ligeti’s sonatas for solo cello and colo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti: of foreign sands and strange sounds Woodbridge, Suffolk Boydell Press. pp. 19-50Book chapter
Constellations: the life and music of John Buckley
Dwyer, B. 2011. Constellations: the life and music of John Buckley. Carysfort Press.Book
Voice (a retracing): an emerging lexicon
Midgelow, V. and Williams, T. 2012. Voice (a retracing): an emerging lexicon. Journal of Artistic Research.Article
Artistic communism – a sketch
Martin, S. 2009. Artistic communism – a sketch. Third Text. 23 (4), pp. 481-494. https://doi.org/10.1080/09528820903007750Article
Once more, with feeling: recent photography from Colombia
Brown, C. and Oldfield, P. (ed.) 2008. Once more, with feeling: recent photography from Colombia. Bradford Impressions Gallery.Book
Jordan Baseman: dark is the night
Seltzer, G., Barrett, D., Brown, C. and Bonnell, P. (ed.) 2009. Jordan Baseman: dark is the night. UK ArtSway.Book
Nomadism and ethics in/as improvised movement practices
Midgelow, V. 2012. Nomadism and ethics in/as improvised movement practices. Critical Studies in Improvisation / Études Critiques en Improvisation. 8 (1).Article
Fruits of Sorabji's Indian summer: ‘Il tessuto d'arabeschi’ and ‘Fantasiettina atematica’
Inglis, B. 2010. Fruits of Sorabji's Indian summer: ‘Il tessuto d'arabeschi’ and ‘Fantasiettina atematica’. Tempo. 64 (254), pp. 41-49. https://doi.org/10.1017/S0040298210000410Article
Sensualities: experiencing/dancing/writing
Midgelow, V. 2013. Sensualities: experiencing/dancing/writing. New Writing: The International Journal for the Practice and Theory of Creative Writing. 10 (1), pp. 3-17. https://doi.org/10.1080/14790726.2012.693098Article
Sanja Iveković: we don't need another heroine
Deepwell, K. 2013. Sanja Iveković: we don't need another heroine. Twenty three percent*. London, UK 25 Jan 2013Conference item
Strange encounters with the work of Anne Hardy
Brown, C. 2013. Strange encounters with the work of Anne Hardy. Photomonitor.Article
Phil Cleaver [Arcadian Bembo]
Cleaver, P. 2013. Phil Cleaver [Arcadian Bembo]. in: Briem, G. (ed.) The Briem report: letterforms 2012 Operina. pp. 48-49Book chapter
Liminal crossing
Cavusoglu, E. 2009. Liminal crossing.Digital or visual media
Dryden Goodwin: cast
Goodwin, D., Bode, S., Brown, C. and Chandler, D. Chandler, D. (ed.) 2009. Dryden Goodwin: cast. Steidl.Book
What shall we do with the drunken sailor
Ward, C. and Charlton, J. 2011. What shall we do with the drunken sailor.Digital or visual media
Academic
Charlton, J. 2011. Academic.Digital or visual media
Coward
Charlton, J. 2012. Coward. The Met, Bury 02 Jun 2012Performance
Fellow creature
Charlton, J. 2009. Fellow creature. Arcola Theatre, London 18 Oct 2009Performance
Sally Mann: the family and the land
Brown, C. 2010. Sally Mann: the family and the land. London, UK 2010Show or exhibition
Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009
Wang, C., Bannerman, C., Xu, R., Pan, L., Mu, Y., Jin, H., Tong, Y., Qing, Q., Liu, C., Zhang, P., Claid, E., Hutera, D., O'Shea, J., Rae, P., Mezur, K., Inata, N., Wang, M., Liu, Y., Wang, Z., Wang, Y., Zhao, Z., Guo, T., Jiang, Q., Liu, J. and Beijing Dance Academy 2011. Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009. Journal of Beijing Dance Academy.Article
A Snapshot of the Pierrot Ensemble Today
Dromey, C. 2013. A Snapshot of the Pierrot Ensemble Today. Proceedings of the Third International Meeting for Chamber Music.Article
Kung-fu cinema's Shaolin heroes in the Longue Durée of Chinese revolt
White, L. 2012. Kung-fu cinema's Shaolin heroes in the Longue Durée of Chinese revolt. Riot, Revolt, Revolution. University of Brighton 05 - 07 Sep 2012Conference paper
Vicissitudes of violence: Hong Kong martial arts cinema and the 1966/7 unrest
White, L. 2012. Vicissitudes of violence: Hong Kong martial arts cinema and the 1966/7 unrest. Genre Beyond Hollywood. University of Southampton 08 Jul 2012Conference paper
SacrumProfanum
Dwyer, B., Griffith, D., Campanello, K. and Creasy, J. 2013. SacrumProfanum.Portfolio
'Richard Billingham' text by Sue Hubbard (Pages 18-19) and 'Richard Billingham' text by Richard Billingham (Page 96)
Billingham, R. 2013. 'Richard Billingham' text by Sue Hubbard (Pages 18-19) and 'Richard Billingham' text by Richard Billingham (Page 96). in: Photoworks Annual: Issue 20: Family Politics UK Photoworks. pp. 18-19, 96Book chapter
Corporeal cartography: developing and navigating an expressive system for dance, improvisation and sonic art
Salazar, D. and Salgado Llopis, M. 2013. Corporeal cartography: developing and navigating an expressive system for dance, improvisation and sonic art. Researching music as process: methods and approaches. Oxford, UK 21 - 21 Nov 2013Conference paper
Film Noir doesn't exist: A Lacanian topology
Tyrer, B. 2013. Film Noir doesn't exist: A Lacanian topology. in: Henderson, D. (ed.) Psychoanalysis, Culture and Society Cambridge Scholars Publishing. pp. 127-143Book chapter
Film Noir as Point de Capiton: Double indemnity, structure and temporality
Tyrer, B. 2013. Film Noir as Point de Capiton: Double indemnity, structure and temporality. Film-Philosophy. 17 (1), pp. 96-114. https://doi.org/10.3366/film.2013.0006Article
Photographic work included in 'Seduced by Art: Photography Past and Present', The National Gallery, London, touring to CaixaForum Barcelona and CaixaForum Madrid
Billingham, R. 2013. Photographic work included in 'Seduced by Art: Photography Past and Present', The National Gallery, London, touring to CaixaForum Barcelona and CaixaForum Madrid.Artefact
On curation: the development of Danscross and walking with Zhuangzi, ResCen Website, ResCen Research Centre
Bannerman, C. 2013. On curation: the development of Danscross and walking with Zhuangzi, ResCen Website, ResCen Research Centre. ResCen Website.Article
Economic development in Africa: international efforts, issues and prospects
Akinrinade, O. and Barling, K. (ed.) 2013. Economic development in Africa: international efforts, issues and prospects. UK Bloomsbury Academic.Edited Book
Theories and models of communication
Cobley, P. and Schulz, P. (ed.) 2013. Theories and models of communication. De Gruyter.Edited Book
Narrative. 2nd ed.
Cobley, P. 2013. Narrative. 2nd ed. Routledge.Authored Book
The voice as uncanny index in Susan Hiller's The Last Silent Movie
Kokoli, A. 2013. The voice as uncanny index in Susan Hiller's The Last Silent Movie. Art Journal. 72 (2), pp. 6-15. https://doi.org/10.1080/00043249.2013.10791027Article
Sisters
Kokoli, A. 2012. Sisters. in: Dickson, R. (ed.) Judy Chicago Lund Humphries. pp. 169-177Book chapter
How to play the penny whistle
Landor, G. and Cleaver, P. 1980. How to play the penny whistle. Music Sales Ltd.Book
Vitrine
Cavusoglu, E. 2000. Vitrine. Transit Space, LondonShow or exhibition
Entanglement
Cavusoglu, E. 2004. Entanglement. Dundee Contemporary Arts 22 Aug - 03 Oct 2004Show or exhibition
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