Faculty of Arts and Creative Industries
Title | Faculty of Arts and Creative Industries |
---|---|
Alternative | ACI |
University | Middlesex University London |
Campus | London |
Latest research outputs
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Dios los cría...
Dwyer, B. 2014. Dios los cría... Music & Literature.Article
Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran
Dwyer, B. 2014. Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran. Colony.Article
Different voices: Irish music and music in Ireland
Dwyer, B. 2014. Different voices: Irish music and music in Ireland. Germany Wolke.Book
PERCEPTION:Lab
Bacon, T. 2015. PERCEPTION:Lab. Mobius Inc., Boston USA 20 Jun 2015Public installation
The punk & the princess
Evans, F. 1992. The punk & the princess.Digital or visual media
A fistful of fingers
Evans, F. 1994. A fistful of fingers.Digital or visual media
Pervirella
Evans, F. 1997. Pervirella.Digital or visual media
Hitman
Evans, F. 1997. Hitman.Digital or visual media
Sudden fury
Evans, F. 1998. Sudden fury.Digital or visual media
The 3 kings
Evans, F. 1999. The 3 kings.Digital or visual media
Martyr
Evans, F. 2006. Martyr.Digital or visual media
Game over
Evans, F. 2014. Game over.Digital or visual media
Barry Gray centenary concert
Evans, F. 2008. Barry Gray centenary concert. Royal Festival Hall, South Bank Centre, LondonShow or exhibition
Listening perspectives: the composition & assessment of electroacoustic music
Evans, F. 2004. Listening perspectives: the composition & assessment of electroacoustic music. Leeds College of Music International Music & Technology Conference. Leeds College of Music, Leeds 2004Conference paper
Rhythmic structures & synchronicity in Sir William Walton’s Agincourt sequence from Olivier’s ‘Henry V’ (1944)
Evans, F. 2005. Rhythmic structures & synchronicity in Sir William Walton’s Agincourt sequence from Olivier’s ‘Henry V’ (1944). 11th Bradford International Film Festival. Bradford, UK 2005Conference paper
Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006)
Evans, F. 2006. Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006). Middlesex University Music Research Symposium. Middlesex University, London 2006 pp. 1-12Conference paper
Incorporating spectral composition techniques in film
Evans, F. 2009. Incorporating spectral composition techniques in film. Film Music Conference. University of LeedsConference paper
Deus ex machina: psychodynamics of identity in sound streams
Evans, F. 2005. Deus ex machina: psychodynamics of identity in sound streams. 17th International Conference on systems research, Infomatics & cybernetics (The 7th Symposium on Systems Research in the Arts: Music, Environmental Design and the Choreography of Space). Baden-Baden, Germany 01 - 07 Aug 2005 International Institute for Advanced Studies in Systems Research and Cybernetics.Conference paper
The beseeching tone: The 'Musifex' of Barry Gray and their implications for composers
Evans, F. 2014. The beseeching tone: The 'Musifex' of Barry Gray and their implications for composers. Music for Audio Visual Media. University of Leeds 04 - 06 Sep 2014 pp. 1-7Conference paper
Naomi Wallace and the politics of desire
Machon, J. 2013. Naomi Wallace and the politics of desire. in: Stevens Abbit, E. and Palmer, S. (ed.) The innovative theatre of Naomi Wallace: embodied dialogues Palgrave Macmillan.Book chapter
Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark
Machon, J. 2014. Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark. Theatre in the Dark.. University of Surrey, SeedPOD Nodus Centre. 12 Jul 2014Conference keynote
Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl
Machon, J., Lundahl, C. and Seitl, M. 2017. Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl. in: Alston, A. and Welton, M. (ed.) Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre London Bloomsbury Methuen Drama. pp. 147-168Book chapter
Audience improvisation in the immersive experiences: the sensuous world of the body in the work of Lundahl & Seitl
Machon, J. 2019. Audience improvisation in the immersive experiences: the sensuous world of the body in the work of Lundahl & Seitl. in: Midgelow, V. (ed.) The Oxford Handbook of Improvisation in Dance Oxford University Press (OUP). pp. 671-686Book chapter
Love triangles: the hidden mechanisms of the independent group
Massey, A. 2015. Love triangles: the hidden mechanisms of the independent group. Behind the Scenes: The hidden mechanisms of design and architectural culture. University for the Creative Arts, Canterbury, United Kingdom 10 - 11 Jun 2015Conference paper
The deaths of semiology and mythoclasm: Barthes and media studies
Cobley, P. 2015. The deaths of semiology and mythoclasm: Barthes and media studies. Signs and Media. https://doi.org/10.13760/b.cnki.sam.2015.01.001Article
Winning and losing the ‘battle for number 10’: a linguistic analysis of the Paxman vs Cameron/Miliband election interviews
Shaw, S. 2015. Winning and losing the ‘battle for number 10’: a linguistic analysis of the Paxman vs Cameron/Miliband election interviews. in: Jackson, D. and Thorsen, E. (ed.) UK Election Analysis 2015: Media, Voters and the Campaign: Early reflections from leading UK academics Poole, England Centre for the Study of Journalism, Culture and Community Bournemouth University. pp. 22Book chapter
Student choice in the curriculum: an investigation into existing practices in theatre and drama
de Senna, P. 2014. Student choice in the curriculum: an investigation into existing practices in theatre and drama. York, UK Higher Education Academy.Project report
Two launch pads
de Senna, P. 2015. Two launch pads. in: Svich, C. (ed.) Innovation in five acts: strategies for theatre and performance Theatre Communications Group.Book chapter
‘Nothing about us without us’: collaborations between disabled and non-disabled practitioners
de Senna, P., Bowditch, C. and Bower, D. 2015. ‘Nothing about us without us’: collaborations between disabled and non-disabled practitioners. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 221-235Book chapter
This blasted translation: or location, dislocation, relocation
de Senna, P. 2009. This blasted translation: or location, dislocation, relocation. Journal of Adaptation in Film & Performance. 2 (3), pp. 255-265. https://doi.org/10.1386/jafp.2.3.255/1Article
Gravity shift
Sandiland, N. 2010. Gravity shift. Otter Gallery, Chichester, UK 2009Show or exhibition
Trip hazard
Sandiland, N. 2013. Trip hazard. The Dome, Brighton, UK 24 - 28 Sep 2013Show or exhibition
/seconds. at Sharjah Art Foundation
Cowan, J. 2014. /seconds. at Sharjah Art Foundation.Artefact
Choreography in retrospect - Routledge Performance Archive
Butcher, R. Choreography in retrospect - Routledge Performance Archive. Routledge.Design
Secrets of the open sea
Butcher, R. 2015. Secrets of the open sea. Nottingham Contemporary Gallery 05 - 07 Mar 2015Performance
Moving in time: making marks and memories an exhibition from Rosemary Butcher’s archive
Butcher, R. and David Ellis/Why Not Associates 2015. Moving in time: making marks and memories an exhibition from Rosemary Butcher’s archive. Bohunk Gallery Nottingham 05 - 15 Mar 2015Show or exhibition
New Work / The Test Pieces
Butcher, R. 2014. New Work / The Test Pieces. Kunstbau at Lenbachhaus Munich, Germany 28 - 30 Aug 2014Performance
Corpse, spectacle, illusion: the body as abject and object
Glynn, B. and Kim, J. 2009. Corpse, spectacle, illusion: the body as abject and object. in: Byers, M. and Johnson, V. (ed.) The CSI Effect: Television Crime and Governance New York Lexington. pp. 93-110Book chapter
The conquests of Henry VIII: masculinity, sex and the national past in the Tudors’
Glynn, B. 2012. The conquests of Henry VIII: masculinity, sex and the national past in the Tudors’. in: Glynn, B., Johnson, B. and Aston, J. (ed.) Television, Sex and Society: Analyzing Contemporary Representations New York Continuum. pp. 157-173Book chapter
‘”Oppa”-tunity knocks: Psy, Gangnam Style and the critical reception of K-pop in Britain.’
Glynn, B. and Kim, J. 2013. ‘”Oppa”-tunity knocks: Psy, Gangnam Style and the critical reception of K-pop in Britain.’. Situations: Cultural Studies in the East Asian Context. 7 (1), pp. 1-20.Article
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