Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Woven splendour: Italian textiles from the Medici to the modern age.
Hendon, Z., Degl' Innocenti, D., Bridgeman, J. and Museum of Domestic Design & Architecture 2004. Woven splendour: Italian textiles from the Medici to the modern age. London Middlesex University Press.Book
Silver studio designated collection
Hoskins, L. and Hendon, Z. 2008. Silver studio designated collection. Museum of Domestic Design and Architecture, Middlesex University.Other
The suburban landscape: 200 years of gardens and gardening.
Lebas, E., Mullen, M. and Hendon, Z. 2008. The suburban landscape: 200 years of gardens and gardening. Museum of Domestic Design & ArchitectureShow or exhibition
The sublime in the work of Cornelia Parker
White, L. and Pajaczkowska, C. 2009. The sublime in the work of Cornelia Parker. in: White, L. and Pajaczkowska, C. (ed.) The Sublime Now. Newcastle Upon Tyne Cambridge Scholars Publishing. pp. 181-196Book chapter
The sublime now
White, L. and Pajaczkowska, C. White, L. and Pajaczkowska, C. (ed.) 2009. The sublime now. Newcastle Upon Tyne Cambridge Scholars Publishing.Book
A Haydn prelude
Fribbins, P. 2009. A Haydn prelude. Guild, Music Haven.Composition
Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS).
Bannerman, C. and Department of Culture, Media and Sport 2006. Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS). Department of Culture, Media and Sport.Project report
Women on the edge: twelve political film practices
Tay, S. 2009. Women on the edge: twelve political film practices. Basingstoke Palgrave Macmillan.Book
Undisclosed recipients: online digital art and global political imaginaries.
Tay, S. and Hudson, D. 2007. Undisclosed recipients: online digital art and global political imaginaries. Visible Evidence XIV. Ruhr-Universität, Bochum, Germany. 20 Dec 2007Conference paper
Undisclosed recipients: documentary in an era of digital convergence
Tay, S. and Hudson, D. 2008. Undisclosed recipients: documentary in an era of digital convergence. Studies in Documentary Film. 2 (1), pp. 79-88. https://doi.org/10.1386/sdf.2.1.79_1Article
Ubuntu kuqala.
Tay, S. and Hudson, D. 2008. Ubuntu kuqala. Ithaca College, New YorkShow or exhibition
Throbs and pulsations: Les LeVeque and the digitization of desire
Tay, S. and Zimmermann, P. 2007. Throbs and pulsations: Les LeVeque and the digitization of desire. Afterimage. 34 (4), pp. 12-16.Article
Sustaining the cinematic bitch from hell: the politics of Dolores Claiborne within a feminist genealogy
Tay, S. 2004. Sustaining the cinematic bitch from hell: the politics of Dolores Claiborne within a feminist genealogy. in: Schubart, R. and Gjelsvik, A. (ed.) Femme fatalities: representations of strong women in the media Göteborg Nordicom. pp. 219-230Book chapter
Stunning simplicity: Abbas Kiarostami, visions of the artist
Tay, S. 2005. Stunning simplicity: Abbas Kiarostami, visions of the artist. Afterimage. 33 (2), pp. 47-48.Article
Sally Potter
Tay, S. 2001. Sally Potter. in: Allon, Y., Cullen, D. and Patterson, H. (ed.) Contemporary British and Irish film directors: a Wallflower critical guide London Wallflower. pp. 271-273Book chapter
How to theorise the cinematic bitches from hell: the genealogy from abjection to resistance.
Tay, S. 2003. How to theorise the cinematic bitches from hell: the genealogy from abjection to resistance. Screen Studies Conference. Glasgow University, Scotland 06 Jul 2003Conference paper
Psychogeography, locative media, and performativity.
Tay, S. 2008. Psychogeography, locative media, and performativity. Visible Evidence XV. University of Lincoln, UK 05 Aug 2008Conference paper
Gendering the auteur: time, narrative, and intertextuality in scenes from a marriage and faithless
Tay, S. 2006. Gendering the auteur: time, narrative, and intertextuality in scenes from a marriage and faithless. in: Thomson, C. (ed.) Northern constellations: new readings in Nordic cinema Norwich Norvik Press.Book chapter
Digitising desire: sustaining the throb and pulsation of desire in film theory.
Tay, S. 2004. Digitising desire: sustaining the throb and pulsation of desire in film theory. The Spectacle and the Spectacular Conference. Buckinghamshire Chilterns University College, High Wycombe 24 Apr 2004Conference paper
Deleuze meets Hitchcock; and the horror thereafter.
Tay, S. 2002. Deleuze meets Hitchcock; and the horror thereafter. Screen Studies Conference. Glasgow University, Scotland. 30 Jun 2002Conference paper
Digitising desire in documentary: image, contingency, theory, and copyright
Tay, S. and Zimmermann, P. 2005. Digitising desire in documentary: image, contingency, theory, and copyright. Visible Evidence XII. Concordia University, Montreal, Canada, 23 Aug 2005Conference paper
Contingencies: an introduction to the exhibition.
Tay, S. and Simmermsnn, P. 2003. Contingencies: an introduction to the exhibition. Substation.Article
Constructing a feminist cinematic genealogy: the gothic woman's film beyond psychoanalysis
Tay, S. 2003. Constructing a feminist cinematic genealogy: the gothic woman's film beyond psychoanalysis. Women: a cultural review. 14 (3), pp. 263-280.Article
Conceiving Ada: the weaving of a feminist imperative into the cinematic new mediascape.
Tay, S. 2005. Conceiving Ada: the weaving of a feminist imperative into the cinematic new mediascape. Cinema and Technology International Conference. Lancaster University, UK, 07 Apr 2005Conference paper
Conceiving Ada: conceiving feminist possibilities in the new mediascape
Tay, S. 2007. Conceiving Ada: conceiving feminist possibilities in the new mediascape. Women: a cultural review. 18 (2), pp. 182-198.Article
Cinema on the pulse: the 52nd London film festival
Tay, S. 2009. Cinema on the pulse: the 52nd London film festival. Afterimage. 36 (4), pp. 4-5.Article
Bodily traces in digital encounters: materializing virtualities for the political documentary
Tay, S. 2009. Bodily traces in digital encounters: materializing virtualities for the political documentary. Afterimage. 36 (4), pp. 20-22.Article
Activating the future: political documentaries and media activism.
Tay, S. 2006. Activating the future: political documentaries and media activism. in: VanMeenen, K. (ed.) Afterimage : the journal of media arts and the cultural activism vol. 34, nos. 1 & 2 New York Visual Studies Workshop.. pp. 46-47Book chapter
Abbas Kiarostami: new waves, authorship, and the politics of the festival circuit
Tay, S. 2002. Abbas Kiarostami: new waves, authorship, and the politics of the festival circuit. in: Tasker, Y. (ed.) Fifty Contemporary Filmmakers London Routledge. pp. 203-210Book chapter
Sound cuts
Sherwin, G. and Loo, L. 2007. Sound cuts.Digital or visual media
Mobius loops
Sherwin, G. and Loo, L. 2007. Mobius loops.Digital or visual media
On installation
Bird, J. and Garb, T. 2001. On installation. Oxford Art Journal. 24 (2).Article
Hubert Damisch
Bird, J. 2005. Hubert Damisch. Oxford Art Journal. 28 (2), pp. 151-288.Article
Hans Haacke
Bird, J., Grasskamp, W. and Nesbit, M. 2004. Hans Haacke. London Phaidon.Book
Unscrambling Hans Haacke's "mixed messages"
Bird, J. 2004. Unscrambling Hans Haacke's "mixed messages". in: Grasskamp, W., Nesbit, M. and Bird, J. (ed.) Hans Haacke. London Phaidon.Book chapter
The murmur of things. [essay]
Bird, J. 2005. The murmur of things. [essay]. in: Raffaela Mariniello [catalogue of an exhibition] Cardifff Ffotogallery.Book chapter
Olivo Barbieri: through a glass darkly.
Bird, J. 2001. Olivo Barbieri: through a glass darkly. in: Tognon, P. (ed.) Olivo Barbieri: virtual truths Milan Silvana.Book chapter
Nancy Spero: The Drawing Center & Galerie Lelong.
Bird, J. and Strauss, D. 2006. Nancy Spero: The Drawing Center & Galerie Lelong. Brooklyn Rail.Article
Memory's touch: the art of Louise Bourgeois
Bird, J. 2000. Memory's touch: the art of Louise Bourgeois. in: Green, D. and Seddon, P. (ed.) History painting reassessed: the representation of history in contemporary art. Manchester Manchester University Press.Book chapter
Massimo Vitali
Bird, J. 2000. Massimo Vitali. in: Vitali, M. (ed.) Beach & disco Göttingen Steidl.Book chapter
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