Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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The deaths of semiology and mythoclasm: Barthes and media studies
Cobley, P. 2015. The deaths of semiology and mythoclasm: Barthes and media studies. Signs and Media. https://doi.org/10.13760/b.cnki.sam.2015.01.001Article
Student choice in the curriculum: an investigation into existing practices in theatre and drama
de Senna, P. 2014. Student choice in the curriculum: an investigation into existing practices in theatre and drama. York, UK Higher Education Academy.Project report
Two launch pads
de Senna, P. 2015. Two launch pads. in: Svich, C. (ed.) Innovation in five acts: strategies for theatre and performance Theatre Communications Group.Book chapter
‘Nothing about us without us’: collaborations between disabled and non-disabled practitioners
de Senna, P., Bowditch, C. and Bower, D. 2015. ‘Nothing about us without us’: collaborations between disabled and non-disabled practitioners. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 221-235Book chapter
This blasted translation: or location, dislocation, relocation
de Senna, P. 2009. This blasted translation: or location, dislocation, relocation. Journal of Adaptation in Film & Performance. 2 (3), pp. 255-265. https://doi.org/10.1386/jafp.2.3.255/1Article
Gravity shift
Sandiland, N. 2010. Gravity shift. Otter Gallery, Chichester, UK 2009Show or exhibition
Trip hazard
Sandiland, N. 2013. Trip hazard. The Dome, Brighton, UK 24 - 28 Sep 2013Show or exhibition
Questions of agency and the artisan within Uzbekistan
Dick, E. 2014. Questions of agency and the artisan within Uzbekistan. 3rd International (Non)Western Fashion Conference The Global Politics of Fashion. University of Hong Kong 22 - 23 Nov 2014Conference paper
Making marks and memories – the body in recorded time
Butcher, R. and Sachsenmaier, S. 2015. Making marks and memories – the body in recorded time. Memory Sentiment Body Space Object Symposium. Coventry 15 May 2015Conference keynote
Between stage and literature: romantic ballet’s narrative strategies.
Bernkopf, A. 2011. Between stage and literature: romantic ballet’s narrative strategies. Working with stories: Narrative as a Meeting Place for Theory Analysis and Practice.Article
Dancing narratives: an analytical approach to the narrative of the ballet fantastique
Bernkopf, A. 2008. Dancing narratives: an analytical approach to the narrative of the ballet fantastique. Dance Today: the Dance Magazine of Israel. 14.Article
Site under construction: taking ‘reading performance’ literally
Bernkopf, A. 2007. Site under construction: taking ‘reading performance’ literally. 2007 Society of Dance History Scholars Conference: Re-Thinking Theory and Practice/Repenser pratique et theorie. Paris, France 21 - 24 Jun 2007 Society of Dance Historians. pp. 253-256Conference paper
Dramaturgy of desire: an analytical approach to dance narratives
Bernkopf, A. 2006. Dramaturgy of desire: an analytical approach to dance narratives. Choreologica. 2 (1), pp. 41-60.Article
Forlane for piano solo (part of ‘Le Tombeau de Rachmaninov’)
Fribbins, P. 2015. Forlane for piano solo (part of ‘Le Tombeau de Rachmaninov’).Composition
Concerto for Violin & Orchestra
Fribbins, P. 2015. Concerto for Violin & Orchestra.Composition
Productive misapprehensions – Artscross as a trans-cultural collaborative zone of contestation of performance practice
Sachsenmaier, S. 2014. Productive misapprehensions – Artscross as a trans-cultural collaborative zone of contestation of performance practice. PSi20 Avant-Garde, Tradition, Community. Shanghai, China 04 - 08 Jul 2014Conference paper
Through the window: Wing Chun as woman warrior
lok, s. and White, L. 2015. Through the window: Wing Chun as woman warrior. Martial Arts Studies. Cardiff University 10 - 12 Jun 2015Conference paper
Decoloniality and development
Graham, J. 2014. Decoloniality and development. Journal of Southern African Studies. 40 (4), pp. 891-893.Article
Review of Byron Caminero-Santangelo, Environment at the margins: environmental and literary studies in Africa. Ohio: Ohio UP, 2011
Graham, J. 2013. Review of Byron Caminero-Santangelo, Environment at the margins: environmental and literary studies in Africa. Ohio: Ohio UP, 2011. Postcolonial Text. 8 (1), pp. 1-3.Article
Unconsoled
Graham, J. 2013. Unconsoled. New Formations: a journal of culture/theory/politics.Article
Improvisation practices and dramaturgical consciousness: a workshop
Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Callison, D. and Hansen, P. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123Book chapter
Some fleshy thinking: improvisation, experience, perception
Midgelow, V. 2015. Some fleshy thinking: improvisation, experience, perception. in: George-Graves, N. (ed.) The Oxford Handbook of Dance and Theater New York Oxford University Press (OUP). pp. 109-122Book chapter
'Drift' Two Person Exhibition of Drawings with Evelyn Buchanan. Part of the Edinburgh Fringe Festival 2014
Mullaniff, K. 2015. 'Drift' Two Person Exhibition of Drawings with Evelyn Buchanan. Part of the Edinburgh Fringe Festival 2014. Edinburgh 07 Aug - 07 Sep 2015Show or exhibition
'Wave' Rituals and Relics, The Crypt Gallery, St Mary in the Castle
Mullaniff, K. 2014. 'Wave' Rituals and Relics, The Crypt Gallery, St Mary in the Castle.Artefact
'A Nunhead Garden' part of the exhibition 'On London' 100th anniversary of the London Group’s first exhibition
Mullaniff, K. 2014. 'A Nunhead Garden' part of the exhibition 'On London' 100th anniversary of the London Group’s first exhibition.Artefact
'Blue Plate' Coastal Currents Arts Festival
Mullaniff, K. 2015. 'Blue Plate' Coastal Currents Arts Festival.Artefact
'The journey to Rye on the train' The Crypt Gallery and Arts in Healthcare NHS East Sussex
Mullaniff, K. 2015. 'The journey to Rye on the train' The Crypt Gallery and Arts in Healthcare NHS East Sussex.Artefact
Blue lace: part of Draw II
Mullaniff, K. 2015. Blue lace: part of Draw II.Artefact
Spatiotemporal experience through the use of ICTs and smart devices: a comparative analysis of the theories of Bergson and Lefebvre
Drakopoulou, S. 2012. Spatiotemporal experience through the use of ICTs and smart devices: a comparative analysis of the theories of Bergson and Lefebvre. Space: From Theory to Practice. Birkbeck School of ArtsConference paper
Observing rhythms of everyday life in content made by smart devices and uploaded on electronic maps and social media. A methodological enquiry.
Drakopoulou, S. 2013. Observing rhythms of everyday life in content made by smart devices and uploaded on electronic maps and social media. A methodological enquiry. Spectacular /Ordinary /Contested Media City. University of HelsinkiConference paper
The ‘lived now’. Observing the changes in the spatiotemporal experience of everyday life through the use of ICTs.
Drakopoulou, S. 2013. The ‘lived now’. Observing the changes in the spatiotemporal experience of everyday life through the use of ICTs. Theorising the Web. The Graduate Center (CUNY) NYCConference paper
Collaboration, democracy and the total artwork
Kolb, A. 2015. Collaboration, democracy and the total artwork. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 51-74Book chapter
Not a straight line by a spiral: charting continuity and change in textiles informed by feminism
Kokoli, A. 2014. Not a straight line by a spiral: charting continuity and change in textiles informed by feminism. Image and Text. 23, pp. 110-129.Article
Athens as a hybrid city. An analysis and exploration of the rhythms of everyday life and the lived experience as documented in locative-mediated projects produced in Athens.
Drakopoulou, S. 2013. Athens as a hybrid city. An analysis and exploration of the rhythms of everyday life and the lived experience as documented in locative-mediated projects produced in Athens. in: Subtle Revolutions. Proceedings of the 2nd International Hybrid City Conference. Athens University Research Institute Of Applied Communication. pp. 85-91Book chapter
Citizen innovation: DIY design and the Thames water turbine
Leeson, L. and Light, A. 2014. Citizen innovation: DIY design and the Thames water turbine. Creative Citizens. Royal College of Art, London 18 - 19 Sep 2014Conference paper
Reflections on an art and politics of social engagement
Leeson, L. 2014. Reflections on an art and politics of social engagement. The Impossible Constellation. University of Lincoln 02 - 03 Jun 2014Conference paper
Re-thinking (e)valuation
Leeson, L. 2014. Re-thinking (e)valuation. Art, Recognition and Social Science: Re-Thinking (E)valuation. Central Library, Liverpool, UK 16 May 2014Conference paper
Art as a force for change
Leeson, L. 2014. Art as a force for change. Curating Community? The Relational and Agonistic Value of Participatory Arts in Superdiverse Localities. Centre For Creative Collaboration, London, UK 01 May 2014Conference paper
Experiments in ‘real world’ education
Leeson, L. 2014. Experiments in ‘real world’ education. Just What Is It That Makes Today's Art Schools So Different, So Appealing?. ICA, London 29 Mar 2014Conference paper
Some lessons learned on the art and politics of social engagement 1978 – 2013
Leeson, L. 2014. Some lessons learned on the art and politics of social engagement 1978 – 2013. The Tetley Feast. The Tetley, Leeds, UK 08 Jan - 12 Feb 2014Conference item
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