Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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(Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images
Machon, J. 2013. (Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images. in: Shaughnessy, N. (ed.) Affective performance and cognitive science Bloomsbury Methuen Drama.Book chapter
On being immersed: the pleasure of being: washing, feeding, holding
Machon, J. 2017. On being immersed: the pleasure of being: washing, feeding, holding. in: Frieze, J. (ed.) Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance Basingstoke, UK Palgrave Macmillan. pp. 29-42Book chapter
Punchdrunk
Machon, J. 2015. Punchdrunk. in: Tomlin, E. (ed.) British theatre companies: 1995-2014 Methuen Drama.Book chapter
(Syn)aesthetics: redefining visceral performance
Machon, J. 2011. (Syn)aesthetics: redefining visceral performance. Basingstoke, UK Palgrave Macmillan.Book
Codes and coding: Sebeok’s zoosemiotics and the dismantling of the fixed-code fallacy
Cobley, P. 2014. Codes and coding: Sebeok’s zoosemiotics and the dismantling of the fixed-code fallacy. Semiotica. 2014 (198), pp. 32-45. https://doi.org/10.1515/sem-2013-0100Article
Backbench
Cavusoglu, E. 2010. Backbench.Artefact
Another country XV
Timberlake, J. and Imperial War Museum 2001. Another country XV.Artefact
Ron Haselden / John Timberlake
Timberlake, J. and Haselden, R. 2012. Ron Haselden / John Timberlake. Paris, France 05 May - 23 Jun 2012Show or exhibition
Spontaneous combustion
Sachsenmaier, S., Lammers, C. and Franglen, N. 2011. Spontaneous combustion. Theatre Academy Helsinki Jan 2011Performance
Lichtung
Sachsenmaier, S., Lammers, C. and Imori, M. 2011. Lichtung. UniCredit Kunstraum am Viktualienmarkt, Munich Dec 2011Performance
Lichtspur
Sachsenmaier, S. and Lammers, C. 2012. Lichtspur. St. Paulskirche Munich Apr 2012Performance
Remote Collaboration
Sachsenmaier, S., Franglen, N. and Wragg, G. 2013. Remote Collaboration. Independent Dance, Siobhan Davies Studios, London Mar 2013Performance
On being unique: gender subversion in two graphic novels for young adults
Kahn, A. 2014. On being unique: gender subversion in two graphic novels for young adults. Journal of Graphic Novels and Comics. 5 (3), pp. 336-343. https://doi.org/10.1080/21504857.2014.908403Article
Felicity Sparrow: forming Circles
Deepwell, K. 2014. Felicity Sparrow: forming Circles. n.paradoxa: international feminist art journal. 34, pp. 86-95.Article
Book-Object-Art (2014 - 2020)
Cleaver, P. 2014. Book-Object-Art (2014 - 2020).Artefact
The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019)
Kenworth, J. and Charlton, J. 2014. The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019). Middlesex University Research Repository.Portfolio
Richard Billingham - Ray's a Laugh
Billingham, R., Ladd, J. and Cotton, C. 2014. Richard Billingham - Ray's a Laugh. New York Errata Editions.Edited Book
Handknitted prototype snood
Houghton, E. 2014. Handknitted prototype snood. London UK BAMFORD. 19 Mossop St. London SW3 2LY.Other
Revolution Farm - The Film
Kenworth, J. and Charlton, J. 2014. Revolution Farm - The Film. Newham, London, UKDigital or visual media
Contextualizing flow in games
Salisbury, J. and Tomlinson, P. 2014. Contextualizing flow in games. DiGRA 2014 conference: “the of game”. Utah, USA 03 - 06 Aug 2014 Digital Games Research Association. pp. 1-14Conference paper
Beauty and the Beast: capital forces and cultural production
Duman, A. 2014. Beauty and the Beast: capital forces and cultural production. The Architectural Review.Article
Guantanamo Bay: the hunger strikes - based on the personal statements of five detainees at Guantánamo prison camp
Hodgson, J. 2014. Guantanamo Bay: the hunger strikes - based on the personal statements of five detainees at Guantánamo prison camp. Art Journal. 73 (2), pp. 5-13. https://doi.org/10.1080/00043249.2014.949203Article
Feminist art manifestos: an anthology
Deepwell, K. (ed.) 2014. Feminist art manifestos: an anthology. London, UK KT Press.Book
Punchdrunk enrichment preliminary report. November 2014.
Machon, J. and Thompson, C. 2014. Punchdrunk enrichment preliminary report. November 2014. Middlesex University.Other
To be means to communicate
Cobley, P. 2014. To be means to communicate. The American Journal of Semiotics. 30 (3/4), pp. 229-246. https://doi.org/10.5840/ajs2014303/412Article
Enhancing survival by not enhancing survival: Sebeok’s semiotics and the ultimate paradox of modelling: 9th Sebeok Fellow Address
Cobley, P. 2014. Enhancing survival by not enhancing survival: Sebeok’s semiotics and the ultimate paradox of modelling: 9th Sebeok Fellow Address. The American Journal of Semiotics. 30 (3/4), pp. 191-204. https://doi.org/10.5840/ajs2014303/410Article
Re-viewing Vantage Point
Cobley, P. 2014. Re-viewing Vantage Point. in: Buckland, W. (ed.) Hollywood Puzzle Films New York Routledge. pp. 217-232Book chapter
Metaphysics of wickedness
Cobley, P. 2014. Metaphysics of wickedness. in: Thellefsen, T. and Bent, S. (ed.) Charles Sanders Peirce in His Own Words: 100 Years of Semiotics, Communication and Cognition Berlin De Gruyter Mouton.Book chapter
Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities
Leeson, L. 2014. Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities. Women Environmental Artists Directory. (7).Article
What the humanities are for - A semiotic perspective
Cobley, P. 2014. What the humanities are for - A semiotic perspective. The American Journal of Semiotics. 30 (3-4), pp. 205-228. https://doi.org/10.5840/ajs2014303/411Article
Damien Hirst: the capitalism sublime?
White, L. 2012. Damien Hirst: the capitalism sublime? Marxism in Culture. Institute of Historical Research, University College London 01 Jun 2012Conference paper
Ten decades: careers of ten women artists born 1897-1906
Deepwell, K. Checketts, L. (ed.) 1992. Ten decades: careers of ten women artists born 1897-1906. Norwich Norwich Gallery, Norwich School of Art & Design.Book
New feminist art criticism: critical strategies
Deepwell, K. (ed.) 1995. New feminist art criticism: critical strategies. Manchester Manchester University Press.Book
Beatrice Cussol: feminist not feminine
Deepwell, K. 2013. Beatrice Cussol: feminist not feminine. in: Sundberg, M. (ed.) Beatrice Cussol: Rude Girls Stockholm Art and Theory Publishing: Spritmuseum and Absolut Art Collection. pp. 25-35Book chapter
We don't need another heroine: Sanja Ivekovic's counter-narratives
Deepwell, K. 2013. We don't need another heroine: Sanja Ivekovic's counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - a Reader London Calvert 22 Foundation. pp. 110-113Book chapter
Cairo: my city, my revolution
Hussein, N. 2013. Cairo: my city, my revolution. in: Solga, K. and Hopkins, D. (ed.) Performance and the global city Basingstoke, UK Palgrave Macmillan. pp. 223-243Book chapter
Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train
Machon, J. 2013. Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train. in: Jenzen, O. and Munt, S. (ed.) The Ashgate research companion to paranormal cultures Ashgate. pp. 241-254Book chapter
The Art of Intervention
Maude-Roxby, A. 2009. The Art of Intervention. Fleur Gallery, Kyoto, Japan; UKShow or exhibition
12 Approaches to 12 Shooters
Maude-Roxby, A. 2009. 12 Approaches to 12 Shooters. in: Maizlish, J. (ed.) Marcia Farquhar's 12 shooters London Live Art Development Agency. pp. 177-189Book chapter
Performing memory
Maude-Roxby, A. 2010. Performing memory. Kunstraum Niederösterreich, Vienna, AustriaShow or exhibition
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