Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Golem
Barritt, P., Andrade, S. and 1927 Theatre Company 2014. Golem. Salzburg State Theatre, Salzburg Festival, Salzburg, Austria 22 - 27 Aug 2014Performance
Parerga. Frames of Art/Institutional Critique (within Dissent and Certainty)
Siclodi, A., Morariu, V., Jarosch, D., Ausserdorfer, P., Brebenel, M., Grupa, F. and Freee Art Collective 2014. Parerga. Frames of Art/Institutional Critique (within Dissent and Certainty). Kunstpavillon Innsbruck 25 Oct 2013Show or exhibition
Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices
Melrose, S., Sachsenmaier, S. and Butcher, R. 2013. Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. Performance Studies International Conference (PSi 19). Stanford, CA, United States 26 - 30 Jun 2013Conference paper
Nigeria: the edge of the abyss
Barling, K. and Akinrinade, O. 1998. Nigeria: the edge of the abyss. The World Today. 54 (7), pp. 200-202.Article
Trip hazard
Sandiland, N. 2013. Trip hazard. The Dome, Brighton, UK 24 - 28 Sep 2013Show or exhibition
Remote dancing
Sandiland, N. and Lee, R. 2004. Remote dancing.Digital or visual media
Everything looks beautiful in slow motion.
Sandiland, N. and Dance digital 2010. Everything looks beautiful in slow motion. Sadlers Well's Theatre (smaller format, non-window installation) 2006Show or exhibition
Orbital
Sandiland, N., Parry, N. and Flexer, Y. 2010. Orbital. Stone Squid Gallery, Hastings 2010Show or exhibition
Semioethics, voluntarism and anti-humanism
Cobley, P. 2007. Semioethics, voluntarism and anti-humanism. New Formations: a journal of culture/theory/politics.Article
Siren song: the narrating voice in two films by Raúl Ruiz
Heinemann, D. 2013. Siren song: the narrating voice in two films by Raúl Ruiz. Cinema Comparat/ive Cinema. 1 (3), pp. 66-75.Article
Creative articulations process: a rhizomatic practice
Bacon, J. and Midgelow, V. 2014. Creative articulations process: a rhizomatic practice. Choreographic Practices 5(1), 1 April 2014 Intellect.Portfolio
(Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images
Machon, J. 2013. (Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images. in: Shaughnessy, N. (ed.) Affective performance and cognitive science Bloomsbury Methuen Drama.Book chapter
On being immersed: the pleasure of being: washing, feeding, holding
Machon, J. 2017. On being immersed: the pleasure of being: washing, feeding, holding. in: Frieze, J. (ed.) Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance Basingstoke, UK Palgrave Macmillan. pp. 29-42Book chapter
Punchdrunk
Machon, J. 2015. Punchdrunk. in: Tomlin, E. (ed.) British theatre companies: 1995-2014 Methuen Drama.Book chapter
(Syn)aesthetics: redefining visceral performance
Machon, J. 2011. (Syn)aesthetics: redefining visceral performance. Basingstoke, UK Palgrave Macmillan.Book
Codes and coding: Sebeok’s zoosemiotics and the dismantling of the fixed-code fallacy
Cobley, P. 2014. Codes and coding: Sebeok’s zoosemiotics and the dismantling of the fixed-code fallacy. Semiotica. 2014 (198), pp. 32-45. https://doi.org/10.1515/sem-2013-0100Article
Backbench
Cavusoglu, E. 2010. Backbench.Artefact
Another country XV
Timberlake, J. and Imperial War Museum 2001. Another country XV.Artefact
Ron Haselden / John Timberlake
Timberlake, J. and Haselden, R. 2012. Ron Haselden / John Timberlake. Paris, France 05 May - 23 Jun 2012Show or exhibition
Spontaneous combustion
Sachsenmaier, S., Lammers, C. and Franglen, N. 2011. Spontaneous combustion. Theatre Academy Helsinki Jan 2011Performance
Lichtung
Sachsenmaier, S., Lammers, C. and Imori, M. 2011. Lichtung. UniCredit Kunstraum am Viktualienmarkt, Munich Dec 2011Performance
Lichtspur
Sachsenmaier, S. and Lammers, C. 2012. Lichtspur. St. Paulskirche Munich Apr 2012Performance
Remote Collaboration
Sachsenmaier, S., Franglen, N. and Wragg, G. 2013. Remote Collaboration. Independent Dance, Siobhan Davies Studios, London Mar 2013Performance
On being unique: gender subversion in two graphic novels for young adults
Kahn, A. 2014. On being unique: gender subversion in two graphic novels for young adults. Journal of Graphic Novels and Comics. 5 (3), pp. 336-343. https://doi.org/10.1080/21504857.2014.908403Article
Felicity Sparrow: forming Circles
Deepwell, K. 2014. Felicity Sparrow: forming Circles. n.paradoxa: international feminist art journal. 34, pp. 86-95.Article
An atheist's guide to feminine jouissance: On Black Swan and the other satisfaction
Tyrer, B. 2014. An atheist's guide to feminine jouissance: On Black Swan and the other satisfaction. in: Piotrowska, A. (ed.) Embodied Encounters: New Approaches to Cinema and Psychoanalysis Routledge. pp. 131-146Book chapter
Book-Object-Art (2014 - 2020)
Cleaver, P. 2014. Book-Object-Art (2014 - 2020).Artefact
The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019)
Kenworth, J. and Charlton, J. 2014. The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019). Middlesex University Research Repository.Portfolio
Richard Billingham - Ray's a Laugh
Billingham, R., Ladd, J. and Cotton, C. 2014. Richard Billingham - Ray's a Laugh. New York Errata Editions.Edited Book
Handknitted prototype snood
Houghton, E. 2014. Handknitted prototype snood. London UK BAMFORD. 19 Mossop St. London SW3 2LY.Other
Revolution Farm - The Film
Kenworth, J. and Charlton, J. 2014. Revolution Farm - The Film. Newham, London, UKDigital or visual media
Contextualizing flow in games
Salisbury, J. and Tomlinson, P. 2014. Contextualizing flow in games. DiGRA 2014 conference: “the of game”. Utah, USA 03 - 06 Aug 2014 Digital Games Research Association. pp. 1-14Conference paper
Beauty and the Beast: capital forces and cultural production
Duman, A. 2014. Beauty and the Beast: capital forces and cultural production. The Architectural Review.Article
Guantanamo Bay: the hunger strikes - based on the personal statements of five detainees at Guantánamo prison camp
Hodgson, J. 2014. Guantanamo Bay: the hunger strikes - based on the personal statements of five detainees at Guantánamo prison camp. Art Journal. 73 (2), pp. 5-13. https://doi.org/10.1080/00043249.2014.949203Article
Feminist art manifestos: an anthology
Deepwell, K. (ed.) 2014. Feminist art manifestos: an anthology. London, UK KT Press.Book
Punchdrunk enrichment preliminary report. November 2014.
Machon, J. and Thompson, C. 2014. Punchdrunk enrichment preliminary report. November 2014. Middlesex University.Other
To be means to communicate
Cobley, P. 2014. To be means to communicate. The American Journal of Semiotics. 30 (3/4), pp. 229-246. https://doi.org/10.5840/ajs2014303/412Article
Enhancing survival by not enhancing survival: Sebeok’s semiotics and the ultimate paradox of modelling: 9th Sebeok Fellow Address
Cobley, P. 2014. Enhancing survival by not enhancing survival: Sebeok’s semiotics and the ultimate paradox of modelling: 9th Sebeok Fellow Address. The American Journal of Semiotics. 30 (3/4), pp. 191-204. https://doi.org/10.5840/ajs2014303/410Article
Re-viewing Vantage Point
Cobley, P. 2014. Re-viewing Vantage Point. in: Buckland, W. (ed.) Hollywood Puzzle Films New York Routledge. pp. 217-232Book chapter
Metaphysics of wickedness
Cobley, P. 2014. Metaphysics of wickedness. in: Thellefsen, T. and Bent, S. (ed.) Charles Sanders Peirce in His Own Words: 100 Years of Semiotics, Communication and Cognition Berlin De Gruyter Mouton.Book chapter
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