Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Introduction: what is sociosemiotics?
Cobley, P. and Randviir, A. 2009. Introduction: what is sociosemiotics? Semiotica. 2009 (173), pp. 1-39. https://doi.org/10.1515/SEMI.2009.001Article
Interview with Mirjam Westen, curator of REBELLE: Kunst & Feminisme, 1969-2009
Deepwell, K. 2009. Interview with Mirjam Westen, curator of REBELLE: Kunst & Feminisme, 1969-2009. n.paradoxa: international feminist art journal. 24, pp. 22-29.Article
Active energy
Leeson, L. and SPACE 2009. Active energy. SPACE Studios.Other
Piano Trio.
Fribbins, P. 2004. Piano Trio.Composition
String Quartet No. 2.
Fribbins, P. 2006. String Quartet No. 2.Composition
Zemlinsky's string quartets: a composer's view
Fribbins, P. 2007. Zemlinsky's string quartets: a composer's view. in: Zemlinsky Studies Hendon, London Middlesex University Press. pp. 100-113Book chapter
Proximity, wisdom and creativity.
Bannerman, C. 2008. Proximity, wisdom and creativity. in: Craft, A., Gardner, H. and Claxton, G. (ed.) Creativity, wisdom and trusteeship: exploring the role of education California Corwin Press. pp. 23-37Book chapter
Navigating the unknown: the creative process in contemporary performing arts
Bannerman, C., Sofaer, J. and Watt, J. 2006. Navigating the unknown: the creative process in contemporary performing arts. Hendon, London Middlesex University Press / ResCen Publications.Book
rescen.net
Bannerman, C. 2007. rescen.net.Design
Critique of relational aesthetics
Martin, S. 2007. Critique of relational aesthetics. Third Text. 21 (4), pp. 386-396. https://doi.org/10.1080/09528820701433323Article
W. G. Sebald and the modern art of memory
Martin, S. 2005. W. G. Sebald and the modern art of memory. in: Cunningham, D., Fisher, A. and Mays, S. (ed.) Photography and Literature in the Twentieth Century Cambridge Scholars Publishing. pp. 180-202Book chapter
Literature and the modern system of the arts: sources of criticism in Adorno
Martin, S. 2006. Literature and the modern system of the arts: sources of criticism in Adorno. in: Cunningham, D. and Mapp, N. (ed.) Adorno and Literature Continuum International Publishing Group Ltd. pp. 9-25Book chapter
Silver solders or brazing alloys and their use.
Johns, P. 2006. Silver solders or brazing alloys and their use.Patent
The properties and applications of Argentium (TM) Sterling Silver.
Johns, P. and Davis, S. 2007. The properties and applications of Argentium (TM) Sterling Silver. 31st IPMI Conference (International Precious Metals Institute)2007.. pp. CDROMConference paper
Process for making finished or semi-finished articles of silver alloy comprising copper and germanium.
Johns, P. 2008. Process for making finished or semi-finished articles of silver alloy comprising copper and germanium.Patent
A method of joining metals together by a diffusion process using silver/germanium alloys.
Johns, P. 2001. A method of joining metals together by a diffusion process using silver/germanium alloys.Patent
Court
Broadhead, C. and Woodhouse, A. 2003. Court. Court toured to 13 venues across the UK including: Angel Row Gallery, Nottingham 13-18 January, 2005; Yorkshire Sculpture Park 16-20 November 2005; Sadlers Wells Theatre, London 16,17,18 November 2006. 26 Jun 2003Show or exhibition
Benchmark.
Sandiland, N. 2006. Benchmark. ArtsDepot arts centre, North Finchley, London. https://doi.org/DVDOther
Lost Vitrines.
Piper, K. 2007. Lost Vitrines. Victoria and Albert Museum. 2007Show or exhibition
Purl.
Mullaniff, K. and Langley, J. 2004. Purl. Museum of Domestic Architecture, Middlesex University 2004Show or exhibition
Traces.
Mullaniff, K. 2003. Traces. Wolsey Art Gallery, Christchurch Mansion, Ipswich. 2003Show or exhibition
The Storyteller: No 1.
Mullaniff, K. 2002. The Storyteller: No 1. Centro Brasileiro Britanico, São Paulo, Brasil. 2002Show or exhibition
The amateur creator.
Moar, M. and Boyd Davis, S. 2005. The amateur creator. in: Creativity and Cognition Conference, London, 12-15 April, 2005 Creativity and Cognition Studios. pp. 158-165Book chapter
'Ere be dragons: heart and health.
Boyd Davis, S., Moar, M., Jacobs, R., Watkins, M., Riddoch, C. and Cooke, K. 2006. 'Ere be dragons: heart and health. Strang, T., Cahill, V. and Quigley, A. (ed.) 3rd International Workshop on Pervasive Gaming Applications in conjunction with the 4th International Conference on Pervasive Computing.. Dublin, Ireland 07 May 2006 Springer. pp. 157-164Conference paper
The VERTEX Project: designing and populating shared 3D virtual worlds in the primary (elementary) classroom
Moar, M. and Bailey, F. 2003. The VERTEX Project: designing and populating shared 3D virtual worlds in the primary (elementary) classroom. Computers and Graphics. 27 (3), pp. 353-359. https://doi.org/10.1016/S0097-8493(03)00030-XArticle
Children's creation of shared 3D worlds
Moar, M. and Bailey, F. 2001. Children's creation of shared 3D worlds. in: Vince, J. and Earnshaw, R. (ed.) Digital Content Creation London Springer. pp. 304-315Book chapter
'Ere be dragons: heartfelt gaming
Boyd Davis, S., Moar, M., Jacobs, R., Watkins, M., Riddoch, C. and Cooke, K. 2006. 'Ere be dragons: heartfelt gaming. Digital Creativity. 17 (3), pp. 157-162. https://doi.org/10.1080/14626260600882430Article
Egg and spoon.
Bendon, H. 2007. Egg and spoon.Digital or visual media
Being there: detailing the city experience.
Bendon, H. and Thom, J. 2006. Being there: detailing the city experience. Hoopers Gallery, London and Urbis, ManchesterShow or exhibition
Synthetic Geographies.
Piper, K. 2004. Synthetic Geographies. Der Black Atlantic, Haus Der Kulturen Der Welt, Berlin, Germany.Show or exhibition
Crusade.
Piper, K. 2004. Crusade. Contemporary Art Museum, St Louis, USA, 2004.Show or exhibition
The Mechanoid's Bloodline/Robot Bodies III.
Piper, K. 2001. The Mechanoid's Bloodline/Robot Bodies III. Regina Gouger Miller Gallery, Carnegie Mellon University, Pittsburgh, USA. Apr 2001Show or exhibition
Landscapes: 2001-2003
Billingham, R. 2008. Landscapes: 2001-2003. London, UK Dewi Lewis.Authored Book
Photographic work included in two group shows 'Ruination: Photographs of Rome', Nottingham University, Nottingham, and 'Responding to Rome: British Artists in Rome, 1995-2005', Estorick Collection, London
Billingham, R. 2008. Photographic work included in two group shows 'Ruination: Photographs of Rome', Nottingham University, Nottingham, and 'Responding to Rome: British Artists in Rome, 1995-2005', Estorick Collection, London.Artefact
Performing thrill: designing telemetry systems and spectator interfaces for amusement rides
Schnädelbach, H., Rennick Egglestone, S., Reeves, S., Benford, S., Walker, B. and Wright, M. 2008. Performing thrill: designing telemetry systems and spectator interfaces for amusement rides. in: Proceeding of the twenty-sixth annual CHI conference on Human factors in computing systems - CHI '08 New York Association for Computing Machinery (ACM). pp. 1167-1176Book chapter
Cyberfem: feminism on the electronic landscape: Katy Deepwell interviews Ana Martinez-Collado
Deepwell, K. 2007. Cyberfem: feminism on the electronic landscape: Katy Deepwell interviews Ana Martinez-Collado. n.paradoxa: international feminist art journal. 19, pp. 68-72.Article
Social feminism and the question of difference, Fran Cottell
Deepwell, K. 2007. Social feminism and the question of difference, Fran Cottell. n.paradoxa: international feminist art journal. 19, pp. 90-93.Article
'Constable' - solo exhibition of photographic work responding to Constable's open air oil sketches and Constable Country, Town Hall Galleries, Ipswich
Billingham, R. 2007. 'Constable' - solo exhibition of photographic work responding to Constable's open air oil sketches and Constable Country, Town Hall Galleries, Ipswich. Town Hall Galleries, Ipswich, UK 05 May - 16 Jun 2007Show or exhibition
Zoo
Billingham, R. 2007. Zoo. VIVID.Authored Book
Family Photographs 1990 - 2007
Billingham, R. 2007. Family Photographs 1990 - 2007. The Ethics of Photography. Yale Center for British Art, New Haven, CT, USA 10 Feb 2007Conference keynote
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