Faculty of Arts and Creative Industries
Title | Faculty of Arts and Creative Industries |
---|---|
Alternative | ACI |
University | Middlesex University London |
Campus | London |
Latest research outputs
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The Storyteller: No 1.
Mullaniff, K. 2002. The Storyteller: No 1. Centro Brasileiro Britanico, São Paulo, Brasil. 2002Show or exhibition
The amateur creator.
Moar, M. and Boyd Davis, S. 2005. The amateur creator. in: Creativity and Cognition Conference, London, 12-15 April, 2005 Creativity and Cognition Studios. pp. 158-165Book chapter
'Ere be dragons: heart and health.
Boyd Davis, S., Moar, M., Jacobs, R., Watkins, M., Riddoch, C. and Cooke, K. 2006. 'Ere be dragons: heart and health. Strang, T., Cahill, V. and Quigley, A. (ed.) 3rd International Workshop on Pervasive Gaming Applications in conjunction with the 4th International Conference on Pervasive Computing.. Dublin, Ireland 07 May 2006 Springer. pp. 157-164Conference paper
The VERTEX Project: designing and populating shared 3D virtual worlds in the primary (elementary) classroom
Moar, M. and Bailey, F. 2003. The VERTEX Project: designing and populating shared 3D virtual worlds in the primary (elementary) classroom. Computers and Graphics. 27 (3), pp. 353-359. https://doi.org/10.1016/S0097-8493(03)00030-XArticle
Children's creation of shared 3D worlds
Moar, M. and Bailey, F. 2001. Children's creation of shared 3D worlds. in: Vince, J. and Earnshaw, R. (ed.) Digital Content Creation London Springer. pp. 304-315Book chapter
'Ere be dragons: heartfelt gaming
Boyd Davis, S., Moar, M., Jacobs, R., Watkins, M., Riddoch, C. and Cooke, K. 2006. 'Ere be dragons: heartfelt gaming. Digital Creativity. 17 (3), pp. 157-162. https://doi.org/10.1080/14626260600882430Article
Egg and spoon.
Bendon, H. 2007. Egg and spoon.Digital or visual media
Being there: detailing the city experience.
Bendon, H. and Thom, J. 2006. Being there: detailing the city experience. Hoopers Gallery, London and Urbis, ManchesterShow or exhibition
Synthetic Geographies.
Piper, K. 2004. Synthetic Geographies. Der Black Atlantic, Haus Der Kulturen Der Welt, Berlin, Germany.Show or exhibition
Crusade.
Piper, K. 2004. Crusade. Contemporary Art Museum, St Louis, USA, 2004.Show or exhibition
The Mechanoid's Bloodline/Robot Bodies III.
Piper, K. 2001. The Mechanoid's Bloodline/Robot Bodies III. Regina Gouger Miller Gallery, Carnegie Mellon University, Pittsburgh, USA. Apr 2001Show or exhibition
Landscapes: 2001-2003
Billingham, R. 2008. Landscapes: 2001-2003. London, UK Dewi Lewis.Authored Book
Photographic work included in two group shows 'Ruination: Photographs of Rome', Nottingham University, Nottingham, and 'Responding to Rome: British Artists in Rome, 1995-2005', Estorick Collection, London
Billingham, R. 2008. Photographic work included in two group shows 'Ruination: Photographs of Rome', Nottingham University, Nottingham, and 'Responding to Rome: British Artists in Rome, 1995-2005', Estorick Collection, London.Artefact
Performing thrill: designing telemetry systems and spectator interfaces for amusement rides
Schnädelbach, H., Rennick Egglestone, S., Reeves, S., Benford, S., Walker, B. and Wright, M. 2008. Performing thrill: designing telemetry systems and spectator interfaces for amusement rides. in: Proceeding of the twenty-sixth annual CHI conference on Human factors in computing systems - CHI '08 New York ACM. pp. 1167-1176Book chapter
Cyberfem: feminism on the electronic landscape: Katy Deepwell interviews Ana Martinez-Collado
Deepwell, K. 2007. Cyberfem: feminism on the electronic landscape: Katy Deepwell interviews Ana Martinez-Collado. n.paradoxa: international feminist art journal. 19, pp. 68-72.Article
Social feminism and the question of difference, Fran Cottell
Deepwell, K. 2007. Social feminism and the question of difference, Fran Cottell. n.paradoxa: international feminist art journal. 19, pp. 90-93.Article
'Constable' - solo exhibition of photographic work responding to Constable's open air oil sketches and Constable Country, Town Hall Galleries, Ipswich
Billingham, R. 2007. 'Constable' - solo exhibition of photographic work responding to Constable's open air oil sketches and Constable Country, Town Hall Galleries, Ipswich. Town Hall Galleries, Ipswich, UK 05 May - 16 Jun 2007Show or exhibition
Zoo
Billingham, R. 2007. Zoo. VIVID.Authored Book
Family Photographs 1990 - 2007
Billingham, R. 2007. Family Photographs 1990 - 2007. The Ethics of Photography. Yale Center for British Art, New Haven, CT, USA 10 Feb 2007Conference keynote
'Richard Billingham: People, Places, Animals' - survey show of work 1990 - 2007, Australian Centre for Contemporary Art, Melbourne
Billingham, R. 2007. 'Richard Billingham: People, Places, Animals' - survey show of work 1990 - 2007, Australian Centre for Contemporary Art, Melbourne. Australian Centre for Contemporary Art, Melbourne 20 Dec 2007 - 24 Feb 2008Show or exhibition
Ideal homes/artificial horizons
White, L. and Museum of Domestic Design & Architecture 2007. Ideal homes/artificial horizons. Museum of Domestic Design & Architecture.Other
Performance and technology: practices of virtual embodiment and interactivity
Broadhurst, S. and Machon, J. (ed.) 2006. Performance and technology: practices of virtual embodiment and interactivity. Basingstoke, UK Palgrave Macmillan.Book
Bodies without bodies
Melrose, S. 2006. Bodies without bodies. in: Broadhurst, S. and Machon, J. (ed.) Performance and Technology: Practices of Virtual Embodiment and Interactivity Basingstoke Palgrave Macmillan. pp. 1-12Book chapter
Curatorial strategies and feminist politics: part 1: an interview with Rosa Martinez, part 2: an interview with Maria Lind
Deepwell, K. 2006. Curatorial strategies and feminist politics: part 1: an interview with Rosa Martinez, part 2: an interview with Maria Lind. n.paradoxa: international feminist art journal. 18, pp. 5-15.Article
KISSS revealed: Deej Fabyc, Paula Roush and Camilla Brueton on Kinship International Strategy on Surveillance and Suppression (KISSS)
Deepwell, K. 2006. KISSS revealed: Deej Fabyc, Paula Roush and Camilla Brueton on Kinship International Strategy on Surveillance and Suppression (KISSS). n.paradoxa: international feminist art journal. 17, pp. 36-43.Article
Gendernaja teorija i iskusstvo: antologija: 1970-2000
Deepwell, K. and Bredikhina, M. (ed.) 2005. Gendernaja teorija i iskusstvo: antologija: 1970-2000. Moscow, Russia Rossiyskaya politicheskaya entsiklopediya.Edited Book
Jane Prophet's Imaginary Organs of a Cyborg
Deepwell, K. 2005. Jane Prophet's Imaginary Organs of a Cyborg. n.paradoxa: international feminist art journal. 15, pp. 89-92.Article
Dialogues: Women Artists from Ireland
Deepwell, K. 2004. Dialogues: Women Artists from Ireland. London I.B. Tauris.Authored Book
Black Country
Billingham, R. 2004. Black Country. West Bromwich, UK The Public.Authored Book
'Black Country' - 9 solo exhibitions, inclusion in 6 group exhibitions and one survey show of the artists work
Billingham, R. 2004. 'Black Country' - 9 solo exhibitions, inclusion in 6 group exhibitions and one survey show of the artists work. The New Art Gallery, Walsall, UK 2006Show or exhibition
'New Forest Images' - solo exhibition of photographic and moving image work, Artsway, New Forest, and inclusion in one group exhibition, Palazzo Zenobio, Venice
Billingham, R. 2004. 'New Forest Images' - solo exhibition of photographic and moving image work, Artsway, New Forest, and inclusion in one group exhibition, Palazzo Zenobio, Venice. Artsway, New Forest, UK 03 Feb - 18 Apr 2004Show or exhibition
Musing on myths
Deepwell, K. 2003. Musing on myths. Paletten. 64 (3-4), pp. 48-51.Article
Performing provocation: Katy Deepwell interviews Karen Finley
Deepwell, K. 2003. Performing provocation: Katy Deepwell interviews Karen Finley. n.paradoxa: international feminist art journal. 12, pp. 82-89.Article
Farewell to brass tacks
Cobley, P. 2003. Farewell to brass tacks. Semiotica. 147 (1-4), pp. 473-484. https://doi.org/10.1515/semi.2003.104Article
Sharing the process: a consideration of interauthorship in the performing arts
Boddington, G. and Bannerman, C. 2003. Sharing the process: a consideration of interauthorship in the performing arts. Digital Creativity. 15 (2), pp. 76-80. https://doi.org/10.1080/14626260408520168Article
Curating New Narratives interviews Ute Meta Bauer
Deepwell, K. 2002. Curating New Narratives interviews Ute Meta Bauer. n.paradoxa: international feminist art journal. 10, pp. 65-74.Article
Working notes: conversation with Katy Deepwell
Connor, M. and Deepwell, K. 2002. Working notes: conversation with Katy Deepwell. Art Journal. 61 (2), pp. 32-42. https://doi.org/10.1080/00043249.2002.10792116Article
A stranger to this place
Mullaniff, K. 2002. A stranger to this place. Bankfield Museum, Halifax 28 Sep 2002 - 12 Jan 2003Show or exhibition
Beauty Matters
Deepwell, K. 2001. Beauty Matters. caa.reviews. https://doi.org/10.3202/caa.reviews.2001.89Article
On The Tent and working in dialogue: an interview with Lea Kantonen
Deepwell, K. 2001. On The Tent and working in dialogue: an interview with Lea Kantonen. n.paradoxa: international feminist art journal. 7, pp. 6-17.Article
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