Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Supporting arts and enterprise skills in communities through creative engagement with the local area
Haywood, P. and Ingleson, S. 2011. Supporting arts and enterprise skills in communities through creative engagement with the local area. International Journal of the Arts in Society. 5 (6), pp. 211-224.Article
Brands, markets and charitable ethics: MTVs EXIT campaign
Arthurs, J. 2009. Brands, markets and charitable ethics: MTVs EXIT campaign. Participations: Journal of Audience and Reception Studies. 6 (2), pp. 301-319.Article
Distant suffering, proper distance: cosmopolitan ethics in the film portrayal of trafficked women
Arthurs, J. 2012. Distant suffering, proper distance: cosmopolitan ethics in the film portrayal of trafficked women. International Journal of Media & Cultural Politics. 8 (2), pp. 141-158. https://doi.org/10.1386/macp.8.2-3.141_1Article
Deliciously consumable: the uses and abuses of irony in sex trafficking campaign films
Arthurs, J. 2011. Deliciously consumable: the uses and abuses of irony in sex trafficking campaign films. in: Ross, K. (ed.) The handbook of gender, sex and media WileyBlackwell. pp. 470-486Book chapter
Celebrity, gender and reputation management at the BBC
Arthurs, J. 2013. Celebrity, gender and reputation management at the BBC. in: Daymon, C. and Demetrious, K. (ed.) Gender and public relations: critical perspectives on voice, image and identity Routledge. pp. 132-155Book chapter
Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production
Kerr, P. 2013. Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production. Historical Journal of Film, Radio and Television. 33 (3), pp. 434-453. https://doi.org/10.1080/01439685.2013.823028Article
Feminism meets the big exhibition: 2005 onwards
Robinson, H. 2013. Feminism meets the big exhibition: 2005 onwards. Anglo Saxonica. 3 (6).Article
Robert Cohan teaching: body of knowledge
Bannerman, C. and Donnelly, A. 2013. Robert Cohan teaching: body of knowledge.Design
New events in historic venues: a case of London
Evans, G. 2010. New events in historic venues: a case of London. Rivista di Scienze del Turismo. 2, pp. 149-166.Article
The invisible expert practitioner: theorising performer expertise in contemporary performance-making
Sachsenmaier, S. 2010. The invisible expert practitioner: theorising performer expertise in contemporary performance-making. PhD thesis Middlesex UniversityPhD thesis
On curation: The development of Danscross and walking with Zhuangzi
Bannerman, C. 2013. On curation: The development of Danscross and walking with Zhuangzi. ResCen Research Centre.Other
Intuition
Sachsenmaier, S. Intuition.Other
Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance
Sachsenmaier, S. 2012. Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance. in: Behrens, C., Burkhard, H., Fleischle-Braun, C. and Obermaier, K. (ed.) Tanzerfahrung und Weltkenntnis Leipzig Henschel Verlag. pp. 95-107Book chapter
Reinventing the past: Rosemary Butcher encounters Allan Kaprow's 18 happenings in 6 parts
Sachsenmaier, S. 2013. Reinventing the past: Rosemary Butcher encounters Allan Kaprow's 18 happenings in 6 parts. Choreographic Practices. 4 (2), pp. 223-244. https://doi.org/10.1386/chor.4.2.223_1Article
Beyond Allan Kaprow: an interview with Rosemary Butcher
Sachsenmaier, S. 2012. Beyond Allan Kaprow: an interview with Rosemary Butcher. Journal of Dance and Somatic Practices. 4 (2), pp. 267-281. https://doi.org/10.1386/jdsp.4.2.267_1Article
Becoming women: Irigaray, Ireland and visual representation
Robinson, H. 2003. Becoming women: Irigaray, Ireland and visual representation. in: Bhreathnach-Lynch, S. and Cusack, T. (ed.) Art, Gender and Nation: Ethnic Landscapes, Myths and Mother-Figures Aldershot Ashgate. pp. 113-127Book chapter
The pedagogic significance of 20th Century modern dance training on the 21st Century dancing body, with reference to Doris Humphrey’s dance technique and movement philosophy
Main, L. 2009. The pedagogic significance of 20th Century modern dance training on the 21st Century dancing body, with reference to Doris Humphrey’s dance technique and movement philosophy. in: Randall, T. (ed.) Global perspectives on dance pedagogy: research and practice : special conference, 25-27 June 2009, The Centre for Excellence in Performance Arts, De Montfort University, Leicester, UK Congress on Research in Dance. pp. 47-53Book chapter
Defining the problem: women artists, feminism and globalization (English title of Russian text)
Deepwell, K. 2013. Defining the problem: women artists, feminism and globalization (English title of Russian text). in: Kamenetskaya, N., Loshak, M. and Turkina, O. (ed.) Celebrating International Women’s Day (8 March): Feminism: from avant-garde to present day (English title of Russian exhibition catalogue) Moscow Manege. pp. 23-29Book chapter
When creation, translation and adaptation meet: SignDance Collective's New gold
de Senna, P. 2013. When creation, translation and adaptation meet: SignDance Collective's New gold. in: Krebs, K. (ed.) Translation and adaptation in theatre and film Routledge.Book chapter
Voice (a retracing)
Williams, T., Midgelow, V. and Halliday, T. 2012. Voice (a retracing).Digital or visual media
Points of view
Sandiland, N. 2011. Points of view. London, UK 03 - 09 Oct 2011Performance
'I am not an Honourable Lady': gender and language in the National Assembly for Wales
Shaw, S. 2011. 'I am not an Honourable Lady': gender and language in the National Assembly for Wales. Journal of Applied Linguistics and Professional Practice. 8 (3), pp. 275-294.Article
Hepworth and her critics
Deepwell, K. 1998. Hepworth and her critics. in: Deepwell, K. (ed.) Women Artists and Modernism Manchester Manchester University Press. pp. 97-111Book chapter
It's time for action (there's no option): about feminism
Jones, A., Bunz, M., Buszek, M. and Deepwell, K. Munder, H. (ed.) 2007. It's time for action (there's no option): about feminism. Zurich, Switzerland J. P. Ringier.Book
Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis
Diedrich, A. 2013. Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis. Modern Drama. 56 (3), pp. 374-398. https://doi.org/10.3138/md.0356Article
Half a penny & The other side of the coin
de Senna, P. and Signdance Collective International 2012. Half a penny & The other side of the coin. Croydon, UK Apr 2012Performance
ArtsCross Beijing 2012: light and water
Bannerman, C., Beijing Dance Academy (BDA), ResCen Research Centre, Middlesex University (ResCen) and School of Dance, Taipei National University of the Arts (TNUA) 2012. ArtsCross Beijing 2012: light and water. Beijing, China 2012Performance
A tragédia de Ismene, princesa de Tebas
de Senna, P. 2013. A tragédia de Ismene, princesa de Tebas. Mobile Editorial.Book
Interaction, simulation, and invention
Impett, J. 2013. Interaction, simulation, and invention. in: Carayannis, E. (ed.) Encyclopedia of creativity, invention, innovation and entrepreneurship Springer.Book chapter
West's world: the extraordinary life of Dame Rebecca West
Gibb, L. 2013. West's world: the extraordinary life of Dame Rebecca West. Macmillan.Book
The last slave (2007): the genealogy of a British television history programme
Kerr, P. 2009. The last slave (2007): the genealogy of a British television history programme. Historical Journal of Film, Radio and Television. 29 (3), pp. 381-397. https://doi.org/10.1080/01439680903145629Article
Yours truly (aka Head over heels)
Parker, O., Gouldstone, I., McKinnon, M., Hill, L. and Bisineer, M. 2006. Yours truly (aka Head over heels).Digital or visual media
Women artists between the wars: a fair field and no favour
Deepwell, K. 2010. Women artists between the wars: a fair field and no favour. Manchester University Press.Book
Wonderland: the trouble with love and sex
Hodgson, J. 2011. Wonderland: the trouble with love and sex.Digital or visual media
The woman artist as curatorial effect
Kokoli, A. 2013. The woman artist as curatorial effect. in: Dimitrakaki, A. and Perry, L. (ed.) Politics in a glass case: feminism, exhibition cultures and curatorial transgressions Liverpool University Press.Book chapter
On probation: Tracey Emin as sign
Kokoli, A. 2010. On probation: Tracey Emin as sign. Wasafiri. 25 (1), pp. 33-40. https://doi.org/10.1080/02690050903425342Article
Ar seiz breur, linguistic hegemony, and graphic resistance in Brittany
Mac an Bhreithiun, B. 2011. Ar seiz breur, linguistic hegemony, and graphic resistance in Brittany. Contemporary French Civilization. 35 (1), pp. 111-142. https://doi.org/10.3828/cfc.2011.35.1.7Article
Susan Hiller: the provisional texture of reality: selected talks and texts, 1977–2007
Hiller, S. Kokoli, A. (ed.) 2008. Susan Hiller: the provisional texture of reality: selected talks and texts, 1977–2007. JRP|Ringier.Book
Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–)
Kokoli, A. 2012. Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–). Performance Research. 17 (5), pp. 24-30. https://doi.org/10.1080/13528165.2012.728436Article
Angelica [film/video]
Cowan, J. 2013. Angelica [film/video].Digital or visual media
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