Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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The song of Margery Kempe
Inglis, B. 2009. The song of Margery Kempe.Composition
Sighted
Woodhouse, A. and Broadhead, C. 2009. Sighted. The Place, London 2009Show or exhibition
Umbilical
Dwyer, B. 2011. Umbilical.Composition
The jingle dress
Akinleye, A. 2011. The jingle dress.Performance
Skript: a micro installation
Midgelow, V. 2013. Skript: a micro installation.Artefact
Fantasias 2 for viola & piano
Fribbins, P. 2011. Fantasias 2 for viola & piano.Composition
Fantasias 1 for viola & piano
Fribbins, P. 2007. Fantasias 1 for viola & piano.Composition
The Zong affair (after Turner’s The slave ship)
Fribbins, P. 2011. The Zong affair (after Turner’s The slave ship).Composition
Dances and laments for violin & cello duo
Fribbins, P. 2010. Dances and laments for violin & cello duo.Composition
Concerto for piano and orchestra
Fribbins, P. 2011. Concerto for piano and orchestra.Composition
After Kaprow: The silent room; and, Book of journeys
Butcher, R. 2012. After Kaprow: The silent room; and, Book of journeys. The Place, London 15 - 17 Nov 2012Performance
Allan Kaprow's 18 happening in 6 parts
Butcher, R. 2010. Allan Kaprow's 18 happening in 6 parts. London, UK 26 - 28 Nov 2010Performance
Lapped translated lines
Butcher, R. 2010. Lapped translated lines. London, UK 23 Sep - 03 Oct 2010Performance
What are we making? The work-without-content in live computer music
Impett, J. 2011. What are we making? The work-without-content in live computer music. in: Adkins, M. and Isaacs, B. (ed.) International Computer Music Conference Proceedings International Computer Music Association.Book chapter
Immersive theatres: intimacy and immediacy in contemporary performance
Machon, J. 2013. Immersive theatres: intimacy and immediacy in contemporary performance. Basingstoke Palgrave Macmillan.Book
The Humber Estuary from South Ferriby to Burton Stather, a drawing to explore the wider context of the Alkborough Flats tidal defence scheme
Read, S. 2012. The Humber Estuary from South Ferriby to Burton Stather, a drawing to explore the wider context of the Alkborough Flats tidal defence scheme.Digital or visual media
Art school sluts: art, porn and aesthetics
Attwood, F. 2012. Art school sluts: art, porn and aesthetics. in: Hines, C. and Kerr, D. (ed.) Hard to swallow: reading pornography on screen Columbia University Press.Book chapter
Younger, paler, decidedly less straight: the new porn professionals
Attwood, F. 2010. Younger, paler, decidedly less straight: the new porn professionals. in: Attwood, F. (ed.) Porn.com: making sense of online pornography New York Peter Lang.Book chapter
We can have it all: the girlfriend flick
Winch, A. 2012. We can have it all: the girlfriend flick. Feminist Media Studies. 12 (1), pp. 69-82. https://doi.org/10.1080/14680777.2011.558349Article
Donald Rodney in retrospect
Piper, K. 2008. Donald Rodney in retrospect.Show or exhibition
A future museum of the present
Piper, K. 2010. A future museum of the present.Show or exhibition
Short treatise on art
Martin, S. 2011. Short treatise on art. in: Avanessian, A. and Skrebowski, L. (ed.) Aesthetics and contemporary art Berlin Sternberg Press.Book chapter
Capitalist life in Lukács
Martin, S. 2011. Capitalist life in Lukács. in: Bewes, T. and Hall, T. (ed.) Georg Lukacs: the fundamental dissonance of existence aesthetics, politics, literature London Continuum International Publishing Group Ltd.Book chapter
Visual culture or art?
Martin, S. 2008. Visual culture or art? in: Hemingway, A. and Schneider, N. (ed.) Bildwissenschaft und Visual Culture Studies in der Diskussion University of Osnabrück V&R unipress.Book chapter
Graphic design, the expansion of the public sphere and the mass market book in France after 1950: the visual identity of the livre de poche
Mac an Bhreithiun, B. 2012. Graphic design, the expansion of the public sphere and the mass market book in France after 1950: the visual identity of the livre de poche. in: Proot, G. (ed.) Jaarboek voor Nederlandse boekgeschiedenis 19/2012 Netherlands Uitgeverij Vantilt.Book chapter
Graphic design and the construction of gay masculinities in Kaiserin and Têtu
Mac an Bhreithiun, B. 2011. Graphic design and the construction of gay masculinities in Kaiserin and Têtu. in: Grandena, F. and Johnston, C. (ed.) New queer images: representations of homosexualities in contemporary francophone visual cultures Oxford Peter Lang.Book chapter
Babel's network narrative: packaging a globalized art cinema
Kerr, P. 2010. Babel's network narrative: packaging a globalized art cinema. Transnational Cinemas. 1 (1), pp. 37-51. https://doi.org/10.1386/trac.1.1.37/1Article
Rethinking transgression: disgust, affect, and sexuality in Charlotte Roche's Wetlands
Hester, H. 2013. Rethinking transgression: disgust, affect, and sexuality in Charlotte Roche's Wetlands. Journal of Lesbian Studies. 17 (3-4), pp. 240-252. https://doi.org/10.1080/10894160.2013.731862Article
Decentring bodies: postfeminist corporealities in dance
Midgelow, V. 2006. Decentring bodies: postfeminist corporealities in dance. in: Haas, B. (ed.) Der Postfeministische Diskurs Wurzburg, Germany Konigshausen & Neumann.Book chapter
Threshold: Fleshfold
Midgelow, V., O'Connor, B. and Wilsmore, R. 2004. Threshold: Fleshfold.Performance
Threshold: Fleshfold
Midgelow, V., O'Connor, B. and Wilsmore, R. 2005. Threshold: Fleshfold.Performance
Making a mark: the psychology of composition
Impett, J. 2008. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) Oxford handbook of music psychology Oxford Oxford University Press (OUP). pp. 403-412Book chapter
Constellations: the life and music of John Buckley
Dwyer, B. 2011. Constellations: the life and music of John Buckley. Carysfort Press.Book
Voice (a retracing): an emerging lexicon
Midgelow, V. and Williams, T. 2012. Voice (a retracing): an emerging lexicon. Journal of Artistic Research.Article
Artistic communism – a sketch
Martin, S. 2009. Artistic communism – a sketch. Third Text. 23 (4), pp. 481-494. https://doi.org/10.1080/09528820903007750Article
Modernity in London and Paris
Arnold, D. 2010. Modernity in London and Paris. Synergies.Article
Distorting mirrors: the Phoenix Park, Dublin (1832-49) and the ambiguities of empire
Arnold, D. 2003. Distorting mirrors: the Phoenix Park, Dublin (1832-49) and the ambiguities of empire. in: Dorrian, M. and Rose, G. (ed.) Deterritorialisations ... revisioning: landscapes and politics Artifice Books on Architecture.Book chapter
Unlearning the images of archaeology
Arnold, D. 2005. Unlearning the images of archaeology. in: Smiles, S. and Moser, S. (ed.) Envisioning the past: archaeology and the image Blackwell Publishing. pp. 92-114Book chapter
Once more, with feeling: recent photography from Colombia
Brown, C. and Oldfield, P. (ed.) 2008. Once more, with feeling: recent photography from Colombia. Bradford Impressions Gallery.Book
Jordan Baseman: dark is the night
Seltzer, G., Barrett, D., Brown, C. and Bonnell, P. (ed.) 2009. Jordan Baseman: dark is the night. UK ArtSway.Book
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