Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Art and technology for health
Boyd Davis, S., Moar, M., Jacobs, R., Watkins, M., Shackford, R., Oppermann, L. and Capra, M. 2009. Art and technology for health. in: Dwivedi, A. (ed.) Handbook of research on information technology management and clinical data administration in healthcare Hershey, PA, USA IGI Global. pp. 616-630Book chapter
Mapping inside out.
Boyd Davis, S., Moar, M., Jacobs, R., Watkins, M., Capra, M., Shackford, R. and Oppermann, L. 2007. Mapping inside out. in: Magerkurth, C. and Röcker, C. (ed.) Pervasive gaming applications: a reader for pervasive gaming research. Aachen Shaker.Book chapter
Creative writing research degrees: range and rigour.
Butt, M. 2009. Creative writing research degrees: range and rigour. New Writing: The International Journal for the Practice and Theory of Creative Writing. 6 (1), pp. 53-56. https://doi.org/10.1080/14790720802617637Article
Return to the playground: location based gaming.
Drakopoulou, S. 2006. Return to the playground: location based gaming. in: Santorineos, M. and Dimitriadi, N. (ed.) Gaming realities: a challenge for digital culture. Athens FOURNOS Centre for Digital Culture. pp. 123-130Book chapter
Kino phone: location, broadcast and autonomy.
Drakopoulou, S. and RMIT University 2006. Kino phone: location, broadcast and autonomy. Communication, Politics & Culture. 38 (3), pp. 97-111.Article
Damien Hirst's diamond skull and the capitalist sublime
White, L. 2009. Damien Hirst's diamond skull and the capitalist sublime. in: White, L. and Pajaczkowska, C. (ed.) The Sublime Now Newcastle Upon Tyne Cambridge Scholars Publishing. pp. 155-171Book chapter
Beyond the wall lies the ocean [and] Bussard Ramjet
Timberlake, J. and Artis Den Bosch (gallery) 2009. Beyond the wall lies the ocean [and] Bussard Ramjet. Artis Den Bosch, s-Hertogenbosch, Holland 11 Jan - 15 Feb 2009Show or exhibition
Sensualities/textualities and technologies: writings of the body in 21st Century performance
Broadhurst, S. and Machon, J. (ed.) 2010. Sensualities/textualities and technologies: writings of the body in 21st Century performance. Basingstoke Palgrave Macmillan.Book
Messages
Sherwin, G. and LUX London Cook, B. (ed.) 2010. Messages. London LUX.Book
Optical sound films 1971-2007
Sherwin, G., Hegarty, S. and LUX London Cook, B. (ed.) 2007. Optical sound films 1971-2007. London LUX.Book
Reading between the lines: the subversion of authority in two graphic novels for young adults
Kahn, A. 2010. Reading between the lines: the subversion of authority in two graphic novels for young adults. in: Carrington, B. and Harding, J. (ed.) Going graphic: comics and graphic novels for young people Pied Piper Publishing. pp. 87-101Book chapter
Between Eros and Thanatos: death and desire in the short fiction of Koren Shadmi and Rutu Modan
Kahn, A. 2010. Between Eros and Thanatos: death and desire in the short fiction of Koren Shadmi and Rutu Modan. International Journal of Comic Art. 12 (1), pp. 157-182.Article
Beyond the surface: articulating the power of the performer
Salgado Llopis, M. 2010. Beyond the surface: articulating the power of the performer. Embodying Power: Work over time. Seattle, United States 18 2010 - 21 Nov 2012Conference paper
Between subject and object: Classical Ballet, Foucault and the dancing body
Salgado Llopis, M. 2010. Between subject and object: Classical Ballet, Foucault and the dancing body. 1st Annual International Conference on Fine and Performing Arts. Athens, Greece 07 - 10 Jun 2010Conference paper
'New Work': 3 solo exhibitions at Anthony Reynolds Gallery, London; La Fabrica, Madrid and Guernsey Photography Festival 2011
Billingham, R. 2010. 'New Work': 3 solo exhibitions at Anthony Reynolds Gallery, London; La Fabrica, Madrid and Guernsey Photography Festival 2011. Anthony Reynolds Gallery, London 09 Apr - 26 May 2010Show or exhibition
From the Celtic to the abstract: shifting perspectives in the music of John Buckley
Dwyer, B. 2010. From the Celtic to the abstract: shifting perspectives in the music of John Buckley. The Musical Times. 151 (1913), pp. 7-21.Article
Art history: contemporary perspectives on method
Arnold, D. (ed.) 2010. Art history: contemporary perspectives on method. WileyBlackwell.Edited Book
The spectacle of silence and stillness
Main, L. 2010. The spectacle of silence and stillness. in: Pierce, K. (ed.) Dance & Spectacle”, The 2010 SDHS conference July 9–11, 2010, University of Surrey, U.K. Society of Dance History Scholars. pp. 169-176Book chapter
Ephemeral
Massey, A. 2010. Ephemeral. Interior Wor(l)ds. Faculty of Architecture, Milan opOlytechnic Oct 2010 Torino Umberto Allemandi & C.. pp. 161-165Conference paper
I curse your preoccupation with your record collection: The Fall on vinyl 1978-83
Osborne, R. 2010. I curse your preoccupation with your record collection: The Fall on vinyl 1978-83. in: Goddard, M. and Halligan, B. (ed.) Mark E. Smith and The Fall: art, music and politics Farnham, UK Ashgate. pp. 67-75Book chapter
An ethnographic and linguistic investigation into the construction of an individual’s ‘unpopularity’ on the debating floor of the Northern Ireland Assembly
Shaw, S. 2010. An ethnographic and linguistic investigation into the construction of an individual’s ‘unpopularity’ on the debating floor of the Northern Ireland Assembly. Political speech – Il parlato politico. University Roma Tre, Rome, Italy 10 - 12 Nov 2010Conference paper
Building relationships with the invisible in the digital (global) economy (BRIDGE)
Lloyd, A., Barnard, Y. and Bradley, M.D. 2010. Building relationships with the invisible in the digital (global) economy (BRIDGE). 5th Cambridge Workshop on Universal Access and Assistive Technologies (CWUAAT 2010). Fitzwilliam College, CambridgeConference poster
Building the BRIDGE: closing the gap on digital exclusion
Lloyd, A., Hosking, I. and Bradley, M.D. 2010. Building the BRIDGE: closing the gap on digital exclusion. Mapping the Impact of Online Information on the Political, Economic and Social Sphere, Google, London. Royal Holloway College, University of London 01 Mar 2010Conference poster
Building relationships with the invisible in the digital economy
Lloyd, A., Barnard, Y. and Bradley, M.D. 2010. Building relationships with the invisible in the digital economy. Clarkson, J., Langdon, P. and Robinson, P. (ed.) 5th Cambridge Workshop on Universal Access and Assistive Technology (CWUAAT 2010). Cambridge, UK 22 - 25 Mar 2010 University of Cambridge.Conference poster
Heterodox
Mumberson, S. 2009. Heterodox. UWE-BristolShow or exhibition
Can virtual environments enhance the learning of historical chronology?
Foreman, N., Boyd Davis, S., Moar, M., Korallo, L. and Chappell, E. 2008. Can virtual environments enhance the learning of historical chronology? Instructional Science. 36 (2), pp. 155-173. https://doi.org/10.1007/s11251-007-9024-7Article
The sublime in the work of Cornelia Parker
White, L. and Pajaczkowska, C. 2009. The sublime in the work of Cornelia Parker. in: White, L. and Pajaczkowska, C. (ed.) The Sublime Now. Newcastle Upon Tyne Cambridge Scholars Publishing. pp. 181-196Book chapter
The sublime now
White, L. and Pajaczkowska, C. White, L. and Pajaczkowska, C. (ed.) 2009. The sublime now. Newcastle Upon Tyne Cambridge Scholars Publishing.Book
A Haydn prelude
Fribbins, P. 2009. A Haydn prelude. Guild, Music Haven.Composition
Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS).
Bannerman, C. and Department of Culture, Media and Sport 2006. Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS). Department of Culture, Media and Sport.Project report
Women on the edge: twelve political film practices
Tay, S. 2009. Women on the edge: twelve political film practices. Basingstoke Palgrave Macmillan.Book
Undisclosed recipients: online digital art and global political imaginaries.
Tay, S. and Hudson, D. 2007. Undisclosed recipients: online digital art and global political imaginaries. Visible Evidence XIV. Ruhr-Universität, Bochum, Germany. 20 Dec 2007Conference paper
Undisclosed recipients: documentary in an era of digital convergence
Tay, S. and Hudson, D. 2008. Undisclosed recipients: documentary in an era of digital convergence. Studies in Documentary Film. 2 (1), pp. 79-88. https://doi.org/10.1386/sdf.2.1.79_1Article
Ubuntu kuqala.
Tay, S. and Hudson, D. 2008. Ubuntu kuqala. Ithaca College, New YorkShow or exhibition
Throbs and pulsations: Les LeVeque and the digitization of desire
Tay, S. and Zimmermann, P. 2007. Throbs and pulsations: Les LeVeque and the digitization of desire. Afterimage. 34 (4), pp. 12-16.Article
Sustaining the cinematic bitch from hell: the politics of Dolores Claiborne within a feminist genealogy
Tay, S. 2004. Sustaining the cinematic bitch from hell: the politics of Dolores Claiborne within a feminist genealogy. in: Schubart, R. and Gjelsvik, A. (ed.) Femme fatalities: representations of strong women in the media Göteborg Nordicom. pp. 219-230Book chapter
Stunning simplicity: Abbas Kiarostami, visions of the artist
Tay, S. 2005. Stunning simplicity: Abbas Kiarostami, visions of the artist. Afterimage. 33 (2), pp. 47-48.Article
Sally Potter
Tay, S. 2001. Sally Potter. in: Allon, Y., Cullen, D. and Patterson, H. (ed.) Contemporary British and Irish film directors: a Wallflower critical guide London Wallflower. pp. 271-273Book chapter
How to theorise the cinematic bitches from hell: the genealogy from abjection to resistance.
Tay, S. 2003. How to theorise the cinematic bitches from hell: the genealogy from abjection to resistance. Screen Studies Conference. Glasgow University, Scotland 06 Jul 2003Conference paper
Psychogeography, locative media, and performativity.
Tay, S. 2008. Psychogeography, locative media, and performativity. Visible Evidence XV. University of Lincoln, UK 05 Aug 2008Conference paper
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