Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]
Dwyer, B. 2018. Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times. 159 (1943), pp. 109-118.Article
The “independent” condition: perspectives on Eastern Europe’s cultural sector
Morariu, V. 2016. The “independent” condition: perspectives on Eastern Europe’s cultural sector. Mezosfera.org.Article
Sheela-na-gigs and an ‘Aesthetics of Damage’
Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.Article
[Experimental and perfomative provocations]
Maude-Roxby, A. 2018. [Experimental and perfomative provocations]. Writing Photographs Conference. Tate Modern 13 Oct 2018Conference item
Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold
Maude-Roxby, A. and Seibold, S. 2017. Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold. MISS READ: Berlin Art Book Fair. Haus der Kulturen der Welt, Berlin 14 - 17 Jul 2017Conference item
"Anything for the Right Picture" a SLASHSTROKE workshop Commissioned by Barbican as part of THE VULGAR - FASHIONED REDEFINED Exhibition
Fine, L. and Poole, D. 2017. "Anything for the Right Picture" a SLASHSTROKE workshop Commissioned by Barbican as part of THE VULGAR - FASHIONED REDEFINED Exhibition. ANYTHING FOR THE RIGHT PICTURE. Barbican Centre, London, United Kingdom 21 Jan 2017Conference item
Workshop commissioned by Barbican for Basquait - "Boom For Real" as part of the "Too Young For What?" programme.
Fine, L. and Poole, D. 2017. Workshop commissioned by Barbican for Basquait - "Boom For Real" as part of the "Too Young For What?" programme. SLASHSTROKE "Too Young For What?". Barbican Centre, London, United Kingdom 07 Oct 2017Conference item
Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week
Vesty, R., Andrews, M., de la Fe, A., Hamilton, J., Hanne, B. and Di Giovanni, T. 2017. Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices. 8 (1), pp. 131-167. https://doi.org/10.1386/chor.8.1.131_1Article
Towards a British concept musical: the shows of Anthony Newley and Leslie Bricusse
Cottis, D. 2017. Towards a British concept musical: the shows of Anthony Newley and Leslie Bricusse. in: Gordon, R. and Jubin, O. (ed.) The Oxford Handbook of the British Musical New York Oxford University Press (OUP). pp. 309-330Book chapter
Words and dance
Vesty, R. 2017. Words and dance. Choreographic Practices. 8 (1), pp. 3-8. https://doi.org/10.1386/chor.8.1.3_2Article
Theatre: A Recipe for Sloe Gin (Clock Tower) [Review]
Cottis, D. 2018. Theatre: A Recipe for Sloe Gin (Clock Tower) [Review]. Wales Arts Review.Article
TV: BBC's King Lear [Review]
Cottis, D. 2018. TV: BBC's King Lear [Review]. Wales Arts Review.Article
The Boring Conference 2018
Cottis, D. 2018. The Boring Conference 2018. Wales Arts Review.Article
Improvisation: violin, tabla, guitar
Spinks, T., Chisht, I. and Mohsin, K. 2018. Improvisation: violin, tabla, guitar. RM Naeem studio, National College of Arts,Lahore 30 Jul 2018Performance
What they didn’t teach you in design school
Cleaver, P. 2014. What they didn’t teach you in design school. 2014 ilex.Book
The new digital interiorscape and the edited Airbnb interior
Murialdo, F. 2019. The new digital interiorscape and the edited Airbnb interior. in: Brooker, G., Harriss, H. and Walker, K. (ed.) Interior Futures : Vol.1 Habituated | Mediated Napa Valley California Crucible Press. pp. 176-190Book chapter
Piano Trio: for violin, cello and piano
Inglis, B. 2017. Piano Trio: for violin, cello and piano. Composers Edition.Composition
‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind
Inglis, B. 2020. ‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind. in: Boyce-Tillman, J. and Forbes, A. (ed.) Heart's ease: spirituality in the music of John Tavener Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.Book chapter
Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock)
Inglis, B. and Smith, B. 2019. Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock). London and New York Routledge.Book
[Presentation of photographic work]
Lakin, W. 2016. [Presentation of photographic work]. The Extraordinary Everyday: Film and Photography. Institute of Contemporary Arts, London, United Kingdom 24 Nov 2016Conference item
Martyn, Sean and Jacob, 2013
Lakin, W. 2014. Martyn, Sean and Jacob, 2013.Artefact
Bedrock
Lakin, W. 2016. Bedrock.Artefact
[Talk based on photographic project work]
Pleasants, P. 2014. [Talk based on photographic project work]. Exposure 1. An event and symposium at the Photographers’ Gallery. Photographers' Gallery, London, UK 26 Nov 2014Conference item
A glimmer of accountability
Lakin, W. 2017. A glimmer of accountability.Artefact
Good times for free
Lakin, W. 2018. Good times for free.Artefact
Feminist art manifestos/feminist politics
Deepwell, K. 2018. Feminist art manifestos/feminist politics. Cambridge Literary Review. 11.Article
Women artists and modernism
Deepwell, K. (ed.) 1998. Women artists and modernism. Manchester Manchester University Press.Book
Resist: be modern (again)
Maude-Roxby, A. and Seibold, S. 2019. Resist: be modern (again). John Hansard Gallery 25 May - 17 Aug 2019Show or exhibition
Image 1: Dark Dolores III Image 2: Little Pinks I
Slonims, N. 2016. Image 1: Dark Dolores III Image 2: Little Pinks I.Artefact
Image 1: Dora Damage I Image 2: Woman in White III
Slonims, N. 2017. Image 1: Dora Damage I Image 2: Woman in White III.Artefact
image 1: Dora Damage II image 2: Woman in White III
Slonims, N. 2016. image 1: Dora Damage II image 2: Woman in White III.Artefact
Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage
Beale, S. 2017. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage. Mixed Bill - Women and Comedy Symposium. Salford University, United Kingdom 19 Oct 2017Conference paper
Open data today and tomorrow: the present challenges and possibilities of open data
Drakopoulou, S. 2018. Open data today and tomorrow: the present challenges and possibilities of open data. International Journal of Electronic Governance. 10 (2), pp. 151-171. https://doi.org/10.1504/IJEG.2018.093836Article
Ayckbourn's Artificial People
McGrath, M. 2017. Ayckbourn's Artificial People. Foundation: The International Review of Science Fiction. 46 (128), pp. 60-72.Article
Alexandra Palace: war on the home front
Kerr, P. 2014. Alexandra Palace: war on the home front.Digital or visual media
Feminist contributions to artworks in Slide-Tape
Deepwell, K. 2018. Feminist contributions to artworks in Slide-Tape. in: White, M. (ed.) Slide / Tape Birmingham Vivid Projects. pp. 10-18Book chapter
n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies
Deepwell, K. 2019. n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies. in: Crimmins, G. (ed.) Strategies for resisting sexism in the academy UK, Australia Palgrave Macmillan.Book chapter
“A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’
Kerr, P. 2011. “A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’. in: McNally, K. (ed.) Billy Wilder, Movie-Maker: Critical Essays on the Films North Carolina McFarland. pp. 117-131Book chapter
The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton
Charlton, J. 2017. The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton. 3rd International Conference in Creative Writing (University of Western Macedonia). Corfu, Greece 06 - 08 Oct 2017 pp. 1226-1230Conference paper
Censored Realities / Changing New York
Maude-Roxby, A. and Seibold, S. 2018. Censored Realities / Changing New York. AustriaArtefact
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