Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Improvisation: violin, tabla, guitar
Spinks, T., Chisht, I. and Mohsin, K. 2018. Improvisation: violin, tabla, guitar. RM Naeem studio, National College of Arts,Lahore 30 Jul 2018Performance
What they didn’t teach you in design school
Cleaver, P. 2014. What they didn’t teach you in design school. 2014 ilex.Book
The contemporary musician and the production of knowledge: practice, research, and responsibility
Impett, J. 2017. The contemporary musician and the production of knowledge: practice, research, and responsibility. in: Impett, J. (ed.) Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute Leuven, BE Leuven University Press. pp. 221-238Book chapter
The new digital interiorscape and the edited Airbnb interior
Murialdo, F. 2019. The new digital interiorscape and the edited Airbnb interior. in: Brooker, G., Harriss, H. and Walker, K. (ed.) Interior Futures : Vol.1 Habituated | Mediated Napa Valley California Crucible Press. pp. 176-190Book chapter
‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind
Inglis, B. 2020. ‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind. in: Boyce-Tillman, J. and Forbes, A. (ed.) Heart's ease: spirituality in the music of John Tavener Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.Book chapter
[Presentation of photographic work]
Lakin, W. 2016. [Presentation of photographic work]. The Extraordinary Everyday: Film and Photography. Institute of Contemporary Arts, London, United Kingdom 24 Nov 2016Conference item
Making a mark: the psychology of composition
Impett, J. 2016. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) The Oxford Handbook of Music Psychology, Second Edition Oxford Oxford University Press (OUP). pp. 651-666Book chapter
Axiom; performance machine
Lane, K. and Wild, J. 2017. Axiom; performance machine. Wimbledon College of Arts 20 - 25 Feb 2017Show or exhibition
Martyn, Sean and Jacob, 2013
Lakin, W. 2014. Martyn, Sean and Jacob, 2013.Artefact
Bedrock
Lakin, W. 2016. Bedrock.Artefact
[Talk based on photographic project work]
Pleasants, P. 2014. [Talk based on photographic project work]. Exposure 1. An event and symposium at the Photographers’ Gallery. Photographers' Gallery, London, UK 26 Nov 2014Conference item
A glimmer of accountability
Lakin, W. 2017. A glimmer of accountability.Artefact
Good times for free
Lakin, W. 2018. Good times for free.Artefact
Feminist art manifestos/feminist politics
Deepwell, K. 2018. Feminist art manifestos/feminist politics. Cambridge Literary Review. 11.Article
Image 1: Dark Dolores III Image 2: Little Pinks I
Slonims, N. 2016. Image 1: Dark Dolores III Image 2: Little Pinks I.Artefact
Image 1: Dora Damage I Image 2: Woman in White III
Slonims, N. 2017. Image 1: Dora Damage I Image 2: Woman in White III.Artefact
image 1: Dora Damage II image 2: Woman in White III
Slonims, N. 2016. image 1: Dora Damage II image 2: Woman in White III.Artefact
Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage
Beale, S. 2017. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage. Mixed Bill - Women and Comedy Symposium. Salford University, United Kingdom 19 Oct 2017Conference paper
Open data today and tomorrow: the present challenges and possibilities of open data
Drakopoulou, S. 2018. Open data today and tomorrow: the present challenges and possibilities of open data. International Journal of Electronic Governance. 10 (2), pp. 151-171. https://doi.org/10.1504/IJEG.2018.093836Article
Printed forms
Mumberson, S. 2018. Printed forms. Printmaking Today. 27 (3), pp. 30 -30.Article
Ayckbourn's Artificial People
McGrath, M. 2017. Ayckbourn's Artificial People. Foundation: The International Review of Science Fiction. 46 (128), pp. 60-72.Article
Alexandra Palace: war on the home front
Kerr, P. 2014. Alexandra Palace: war on the home front.Digital or visual media
Feminist contributions to artworks in Slide-Tape
Deepwell, K. 2018. Feminist contributions to artworks in Slide-Tape. in: White, M. (ed.) Slide / Tape Birmingham Vivid Projects. pp. 10-18Book chapter
3D prints - Wharepuke Editions, New Zealand
Mumberson, S. 2018. 3D prints - Wharepuke Editions, New Zealand.Artefact
n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies
Deepwell, K. 2019. n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies. in: Crimmins, G. (ed.) Strategies for resisting sexism in the academy UK, Australia Palgrave Macmillan.Book chapter
“A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’
Kerr, P. 2011. “A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’. in: McNally, K. (ed.) Billy Wilder, Movie-Maker: Critical Essays on the Films North Carolina McFarland. pp. 117-131Book chapter
Light Cycles
Sherwin, G. 2016. Light Cycles. Christine Park Gallery, LondonShow or exhibition
Paper Landscape #2
Sherwin, G. 2017. Paper Landscape #2. Studio Kura Japan 01 Oct 2016Performance
Paper Shadows
Sherwin, G. 2016. Paper Shadows. , Itoshima International Art Festival 2016, Studio Kura, Japan 22 - 30 Oct 2016Show or exhibition
A year of multi-tasking
Kokoli, A. 2018. A year of multi-tasking. Various 13 2018 - 12 Sep 2019Public performance
The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton
Charlton, J. 2017. The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton. 3rd International Conference in Creative Writing (University of Western Macedonia). Corfu, Greece 06 - 08 Oct 2017 pp. 1226-1230Conference paper
Cartoon in Osten - 50th World Gallery of Cartons, Skopje Macedonia.
Mumberson, S. 2018. Cartoon in Osten - 50th World Gallery of Cartons, Skopje Macedonia.Artefact
Shopping as a “networked experience”: an emerging framework in the retail industry
Pantano, E. and Gandini, A. 2018. Shopping as a “networked experience”: an emerging framework in the retail industry. International Journal of Retail & Distribution Management. 46 (7), pp. 690-704. https://doi.org/10.1108/ijrdm-01-2018-0024Article
Divine Cargo
Neofetou, D. 2018. Divine Cargo. South London Gallery, London, UK 11 Aug 2018Show or exhibition
Conference report: Bruce Lee’s cultural legacies
White, L. 2018. Conference report: Bruce Lee’s cultural legacies.Design
Artworks in Off the wall: RWS & RE Summer Exhibition 2018, Bankside Gallery, London
Mumberson, S. 2018. Artworks in Off the wall: RWS & RE Summer Exhibition 2018, Bankside Gallery, London.Artefact
23rd Mercosur International Cartoon contest - Tango - Diogenes Taborda 2018 Argentina
Mumberson, S. 2018. 23rd Mercosur International Cartoon contest - Tango - Diogenes Taborda 2018 Argentina.Artefact
'Sunday School' in 'Temporalities, curated by Steven Ball, Lethaby Gallery, UAL/CSM, London
Robinson, A. 2018. 'Sunday School' in 'Temporalities, curated by Steven Ball, Lethaby Gallery, UAL/CSM, London.Digital or visual media
Inspiral London: collaborative artists' walking project
Robinson, A., Fox, C. and Smith, G. 2015. Inspiral London: collaborative artists' walking project. London and KentPerformance
Common Birds
Robinson, A. 2017. Common Birds.Artefact
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