Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Commissioned by TOPSHOP UNIQUE to handknit a multi-yarn, open knitted cobweb garment for catwalk show, spring / summer collection 2009
Houghton, E. 2009. Commissioned by TOPSHOP UNIQUE to handknit a multi-yarn, open knitted cobweb garment for catwalk show, spring / summer collection 2009. London TOPSHOP UNIQUE.Other
Commissioned by TOPSHOP UNIQUE, London to handknit a shawl-collared, camel-coloured cotton cardigan with folk-inspired applied embroidery for spring / summer catwalk show
Houghton, E. 2009. Commissioned by TOPSHOP UNIQUE, London to handknit a shawl-collared, camel-coloured cotton cardigan with folk-inspired applied embroidery for spring / summer catwalk show. London TOPSHOP UNIQUE.Other
Commissioned by TOPSHOP UNIQUE, London to handknit a cotton camel-coloured poncho with folk-inspired hand embroidery for catwalk show for spring / summer 2009/10.
Houghton, E. 2009. Commissioned by TOPSHOP UNIQUE, London to handknit a cotton camel-coloured poncho with folk-inspired hand embroidery for catwalk show for spring / summer 2009/10. London TOPSHOP UNIQUE.Other
Commissioned by GUCCI Menswear, Milan, Italy to handknit a military tunic-inspired cashmere cable-knit sweater for catwalk show, Milan autumn / winter collection 2005/6
Houghton, E. 2005. Commissioned by GUCCI Menswear, Milan, Italy to handknit a military tunic-inspired cashmere cable-knit sweater for catwalk show, Milan autumn / winter collection 2005/6. Milan, Italy. GUCCI Design.Other
Commissioned by GUCCI Menswear, Milan, Italy to handknit elaborate garments for their catwalk shows
Houghton, E. 2005. Commissioned by GUCCI Menswear, Milan, Italy to handknit elaborate garments for their catwalk shows. Italy GUCCI Design.Other
Commissioned by GUCCI Menswear, Milan, Italy to knit a Henri Lartique-inspired sweater for their spring / summer catwalk show
Houghton, E. 2006. Commissioned by GUCCI Menswear, Milan, Italy to knit a Henri Lartique-inspired sweater for their spring / summer catwalk show. London GUCCI.Other
Commissioned by TOPMAN Design to produce 12 pairs chunky socks for catwalk show, Natural History Museum, London as part of London Fashion Week
Houghton, E. 2009. Commissioned by TOPMAN Design to produce 12 pairs chunky socks for catwalk show, Natural History Museum, London as part of London Fashion Week. London TOPMAN Design.Other
Commissioned by TOPMAN Design to knit 2 chunky handknitted garments of A/W catwalk show, Natural History Museum. London Fashion Week, London
Houghton, E. 2009. Commissioned by TOPMAN Design to knit 2 chunky handknitted garments of A/W catwalk show, Natural History Museum. London Fashion Week, London. London TOPMAN Design.Other
Commissioned by TOPMAN to handknit a canary yellow aran, hooded, kangaroo-pouch top designed by designer Kim Jones for them for the Kim Jones capsule collection sold exclusively in The Void, flagshipe TOPMAN store, Oxford St. London
Houghton, E. 2003. Commissioned by TOPMAN to handknit a canary yellow aran, hooded, kangaroo-pouch top designed by designer Kim Jones for them for the Kim Jones capsule collection sold exclusively in The Void, flagshipe TOPMAN store, Oxford St. London. London TOPMAN.Other
Fragile learning: the influence of anxiety. By David Mathew [Book Review]
Dines, M. 2016. Fragile learning: the influence of anxiety. By David Mathew [Book Review]. British Journal of Educational Studies. 64 (3), pp. 405-407. https://doi.org/10.1080/00071005.2016.1173918Article
Synaesthetic colour responses to text: an investigation through fine art textiles
Fereday, G. 2013. Synaesthetic colour responses to text: an investigation through fine art textiles. 9th Colour Conference / IX Conferenza del Colore. Florence University 19 - 20 Sep 2013 Maggioli. pp. 375-383Conference paper
Grapheme synaesthesia - a coloured alphabet
Fereday, G. 2013. Grapheme synaesthesia - a coloured alphabet. 12th International Conference AIC2013 Colour Conference - Gateshead. The Sage, Gateshead, Newcastle 02 - 08 Jul 2013Conference poster
Collaborative art activism – a UK perspective
Leeson, L. 2016. Collaborative art activism – a UK perspective. Public Exposures: the art - activism of Condé + Beveridge (1976-2016) - Symposium. OCAD University, Toronto, Canada 27 - 29 May 2016Conference item
Conceptualism/feminism/cultural activism
Leeson, L. 2016. Conceptualism/feminism/cultural activism. The Practicing Feminist. Tate Britain 21 May 2016Conference item
Getting into character: encounters with 'tricksterism' in contemporary depictions of the American slave plantation
Piper, K. 2013. Getting into character: encounters with 'tricksterism' in contemporary depictions of the American slave plantation. Art Across the Black Diaspora: Visualizing Slavery in America. Rothermere American Institute and the Art History Department, University of Oxford 24 Jul 2013Conference item
Cultural policy of the GLC
Leeson, L. 2015. Cultural policy of the GLC. A Greater London: the GLC story 1981-8. The Rag Factory 02 Dec 2015Conference item
Lost luggage
Fernandes, G., Parker, O. and Thomas, P. 2016. Lost luggage. GLAD conference 2016: Creative Pedagogies Across Disciplines. Birmingham, United Kingdom 26 Feb 2016Conference poster
Active energy - London: capital / climate / culture
Leeson, L. 2015. Active energy - London: capital / climate / culture. Deadline@Tate. Tate Modern 04 - 06 Dec 2015Conference item
Now, then, and again: between anniversary and HERitage
Kokoli, A. 2015. Now, then, and again: between anniversary and HERitage. Day + Gluckman.Other
The feminist uncanny in theory and art practice
Kokoli, A. 2016. The feminist uncanny in theory and art practice. London Bloomsbury Academic.Book
What Bear Grylls can’t do: survivalist mediascapes in austerity Britain
Kokoli, A. and Winter, A. 2015. What Bear Grylls can’t do: survivalist mediascapes in austerity Britain. In Media Res: A Media Commons Project Media Commons (http://mediacommons.futureofthebook.org/).Other
Trend prediction of double & single knitted jersey fabrics for the International Wool Secretariat
Houghton, E. 1985. Trend prediction of double & single knitted jersey fabrics for the International Wool Secretariat. International Wool Secretariat.Other
Active Energy: Three mills - hydrocitizenship open workshop
Leeson, L. 2016. Active Energy: Three mills - hydrocitizenship open workshop. Hydrocitizenship.Other
New types of Shakespeare
Lewis, C. 2016. New types of Shakespeare.Artefact
(Un)touched
Woodhouse, A. and Rackowe, N. 2016. (Un)touched. Lobby One Canada Square, Canary Wharf 09 Feb 2016Performance
Sighted at Saatchi for Collect 15
Woodhouse, A. and Broadhead, C. 2015. Sighted at Saatchi for Collect 15.Artefact
(Un)touched...research phase 2
Woodhouse, A. and Rackowe, N. 2015. (Un)touched...research phase 2. Inside Out Festival, G11, Oxo Tower Wharf, South Bank, London, UK 20 - 21 Oct 2015Show or exhibition
(Un)touched phase 1
Woodhouse, A. and Rackowe, N. 2014. (Un)touched phase 1. Lakeside Gallery, Nottingham 26 - 30 Jul 2014Show or exhibition
Sighted (2009) collaboration, boundaries, performance, and audience
Woodhouse, A. and Broadhead, C. 2016. Sighted (2009) collaboration, boundaries, performance, and audience. Beyond Jewellery: Performing the Body Symposium. Birmingham City University, United Kingdom 17 Mar 2016Conference paper
Sighted (2009) Audience as Performer
Woodhouse, A. and Broadhead, C. 2016. Sighted (2009) Audience as Performer. Audience, Experience, Desire: interactivity and participation in contemporary performance & the cultural industries. University of Exeter, United Kingdom 29 - 30 Jan 2016Conference paper
Vistas for organized global semiotics
Cobley, P. and Bankov, K. 2016. Vistas for organized global semiotics. Semiotica. 2016 (211), pp. 9-18. https://doi.org/10.1515/sem-2016-0093Article
Photographic work exhibited in 'Counterpoints: Photography Through the Lens of Toronto Collections', Art Museum, University of Toronto Art Centre, Toronto
Billingham, R. 2016. Photographic work exhibited in 'Counterpoints: Photography Through the Lens of Toronto Collections', Art Museum, University of Toronto Art Centre, Toronto.Artefact
Ensaio.Hamlet: adaptation as rehearsal as essay
de Senna, P. 2017. Ensaio.Hamlet: adaptation as rehearsal as essay. in: Reilly, K. (ed.) Contemporary Approaches to Adaptation in Theatre Palgrave Macmillan UK. pp. 331-347Book chapter
Laying siege to Carthage
de Senna, P. 2016. Laying siege to Carthage. in: Jarman (All This Maddening Beauty) and Other Plays Bristol Intellect. pp. 81-98Book chapter
Weighting
Sandiland, N. 2015. Weighting. Emporium, BrightonShow or exhibition
Watching, attending, sense-making: spectatorship in immersive theatres
Machon, J. 2016. Watching, attending, sense-making: spectatorship in immersive theatres. Journal of Contemporary Drama in English. 4 (1), pp. 34-48. https://doi.org/10.1515/jcde-2016-0004Article
Competitions: Classical and Popular
Dromey, C. 2014. Competitions: Classical and Popular. in: Thompson, W. (ed.) Music in the Social and Behavioral Sciences: An Encyclopedia Sage.Book chapter
Hierarchical organization
Dromey, C. 2014. Hierarchical organization. in: Thompson, W. (ed.) Music in the Social and Behavioral Sciences: An Encyclopedia Sage.Book chapter
Dorothy Dorow
Dromey, C. 2015. Dorothy Dorow. in: Grove Music Online (Oxford Music Online) Oxford University Press (OUP).Book chapter
So You Want to Write An Opera?
Dromey, C. 2015. So You Want to Write An Opera? The Works: Magazine of the British Academy of Songwriters, Composers and Authors.Article
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