Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Babel's network narrative: packaging a globalized art cinema
Kerr, P. 2010. Babel's network narrative: packaging a globalized art cinema. Transnational Cinemas. 1 (1), pp. 37-51. https://doi.org/10.1386/trac.1.1.37/1Article
Rethinking transgression: disgust, affect, and sexuality in Charlotte Roche's Wetlands
Hester, H. 2013. Rethinking transgression: disgust, affect, and sexuality in Charlotte Roche's Wetlands. Journal of Lesbian Studies. 17 (3-4), pp. 240-252. https://doi.org/10.1080/10894160.2013.731862Article
Decentring bodies: postfeminist corporealities in dance
Midgelow, V. 2006. Decentring bodies: postfeminist corporealities in dance. in: Haas, B. (ed.) Der Postfeministische Diskurs Wurzburg, Germany Konigshausen & Neumann.Book chapter
Threshold: Fleshfold
Midgelow, V., O'Connor, B. and Wilsmore, R. 2004. Threshold: Fleshfold.Performance
Threshold: Fleshfold
Midgelow, V., O'Connor, B. and Wilsmore, R. 2005. Threshold: Fleshfold.Performance
Making a mark: the psychology of composition
Impett, J. 2008. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) Oxford handbook of music psychology Oxford Oxford University Press (OUP). pp. 403-412Book chapter
Constellations: the life and music of John Buckley
Dwyer, B. 2011. Constellations: the life and music of John Buckley. Carysfort Press.Book
Voice (a retracing): an emerging lexicon
Midgelow, V. and Williams, T. 2012. Voice (a retracing): an emerging lexicon. Journal of Artistic Research.Article
Artistic communism – a sketch
Martin, S. 2009. Artistic communism – a sketch. Third Text. 23 (4), pp. 481-494. https://doi.org/10.1080/09528820903007750Article
Modernity in London and Paris
Arnold, D. 2010. Modernity in London and Paris. Synergies.Article
Distorting mirrors: the Phoenix Park, Dublin (1832-49) and the ambiguities of empire
Arnold, D. 2003. Distorting mirrors: the Phoenix Park, Dublin (1832-49) and the ambiguities of empire. in: Dorrian, M. and Rose, G. (ed.) Deterritorialisations ... revisioning: landscapes and politics Artifice Books on Architecture.Book chapter
Unlearning the images of archaeology
Arnold, D. 2005. Unlearning the images of archaeology. in: Smiles, S. and Moser, S. (ed.) Envisioning the past: archaeology and the image Blackwell Publishing. pp. 92-114Book chapter
Once more, with feeling: recent photography from Colombia
Brown, C. and Oldfield, P. (ed.) 2008. Once more, with feeling: recent photography from Colombia. Bradford Impressions Gallery.Book
Jordan Baseman: dark is the night
Seltzer, G., Barrett, D., Brown, C. and Bonnell, P. (ed.) 2009. Jordan Baseman: dark is the night. UK ArtSway.Book
Rural urbanism: London’s West End
Arnold, D. 2009. Rural urbanism: London’s West End. in: Ballantyne, A. (ed.) Rural and urban: architecture between two cultures Routledge. pp. 42-55Book chapter
Making London’s modernity: capital, memory and nature
Arnold, D. 2010. Making London’s modernity: capital, memory and nature. in: Cordua, C. (ed.) Manifestoes and transformations in the early modernist city Ashgate. pp. 165-178Book chapter
En foüllant à l’aveugle: discovering the Villa of the Papyri in the 18th century
Arnold, D. 2010. En foüllant à l’aveugle: discovering the Villa of the Papyri in the 18th century. in: Zarmakoupi, M. (ed.) The Villa of the Papyri at Herculaneum: archaeology, reception, and digital reconstruction Walter de Gruyter. pp. 139-154Book chapter
Ambivalent geographies: the British concession in Tianjin, China 1860-1946
Arnold, D. 2012. Ambivalent geographies: the British concession in Tianjin, China 1860-1946. in: Codell, J. (ed.) Transculturation in British Art, 1770–1930 Ashgate. pp. 143-155Book chapter
SKETCH 2013: open sketchbook drawing prize
Mumberson, S. 2013. SKETCH 2013: open sketchbook drawing prize. Marlborough, UK 16 Sep - 12 Oct 2013Show or exhibition
Nomadism and ethics in/as improvised movement practices
Midgelow, V. 2012. Nomadism and ethics in/as improvised movement practices. Critical Studies in Improvisation / Études Critiques en Improvisation. 8 (1).Article
Biennale internazionale dell'umorismo nell'arte
Mumberson, S. 2013. Biennale internazionale dell'umorismo nell'arte. Tolentino, Italy 12 Jul - 06 Oct 2013Show or exhibition
Behind the eyes; making pictures
Adams, L., Fortnum, R., Harland, B., Hulson, M. and Love, J. 2013. Behind the eyes; making pictures. Newcastle upon Tyne, UK 25 Jan - 01 Mar 2013Show or exhibition
The imagination of children
Fortnum, R. 2011. The imagination of children. London, UK 15 Oct 2011 - 05 Feb 2012Show or exhibition
Absurd impositions
Fortnum, R. 2011. Absurd impositions. London, UK 09 Apr - 09 Oct 2011Show or exhibition
Fruits of Sorabji's Indian summer: ‘Il tessuto d'arabeschi’ and ‘Fantasiettina atematica’
Inglis, B. 2010. Fruits of Sorabji's Indian summer: ‘Il tessuto d'arabeschi’ and ‘Fantasiettina atematica’. Tempo. 64 (254), pp. 41-49. https://doi.org/10.1017/S0040298210000410Article
Let's dance architecture: improvisation, technology and form
Impett, J. 2010. Let's dance architecture: improvisation, technology and form. Leonardo Music Journal. 20, pp. 85-88. https://doi.org/10.1162/LMJ_a_00017Article
Sensualities: experiencing/dancing/writing
Midgelow, V. 2013. Sensualities: experiencing/dancing/writing. New Writing: The International Journal for the Practice and Theory of Creative Writing. 10 (1), pp. 3-17. https://doi.org/10.1080/14790726.2012.693098Article
Self contained
Fortnum, R. 2013. Self contained. London, UK 06 Mar - 26 May 2013Show or exhibition
The cultural politics of celebrity
Drake, P. and Miah, A. 2010. The cultural politics of celebrity. Cultural Politics: an International Journal. 6 (1), pp. 49-64. https://doi.org/10.2752/175174310X12549254318746Article
Prime
Mumberson, S. 2013. Prime.Artefact
Television, deregulation and the reshaping of leisure
Drake, P. and Haynes, R. 2010. Television, deregulation and the reshaping of leisure. in: Bramham, P. and Wagg, S. (ed.) The new politics of leisure and pleasure Palgrave Macmillan.Book chapter
Reputational capital, creative conflict and Hollywood independence: the case of Hal Ashby
Drake, P. 2012. Reputational capital, creative conflict and Hollywood independence: the case of Hal Ashby. in: King, G., Molloy, C. and Tzioumakis, Y. (ed.) American independent cinema: indie, indiewood and beyond Routledge. pp. 140-152Book chapter
Lights, camera, election: celebrity, performance and the 2010 UK general election leadership debates
Drake, P. and Higgins, M. 2012. Lights, camera, election: celebrity, performance and the 2010 UK general election leadership debates. The British Journal of Politics & International Relations. 14 (3), pp. 375-391. https://doi.org/10.1111/j.1467-856X.2011.00504.xArticle
Strange encounters with the work of Anne Hardy
Brown, C. 2013. Strange encounters with the work of Anne Hardy. Photomonitor.Article
Phil Cleaver [Arcadian Bembo]
Cleaver, P. 2013. Phil Cleaver [Arcadian Bembo]. in: Briem, G. (ed.) The Briem report: letterforms 2012 Operina. pp. 48-49Book chapter
Liminal crossing
Cavusoglu, E. 2009. Liminal crossing.Digital or visual media
Dryden Goodwin: cast
Goodwin, D., Bode, S., Brown, C. and Chandler, D. Chandler, D. (ed.) 2009. Dryden Goodwin: cast. Steidl.Book
What is interior design?
Brooker, G. and Stone, S. 2010. What is interior design? Rotovision.Book
Through the looking glass? Sexual agency and subjectification in cyberspace
Attwood, F. 2011. Through the looking glass? Sexual agency and subjectification in cyberspace. in: New femininities : postfeminism, neoliberalism and subjectivity Basingstoke Palgrave Macmillan. pp. 203-214Book chapter
deepthroatfucker and Discerning Adonis: men and cybersex
Attwood, F. 2009. deepthroatfucker and Discerning Adonis: men and cybersex. International Journal of Cultural Studies. 12 (3), pp. 279-294. https://doi.org/10.1177/1367877908101573Article
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