Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Whose journey is this? A radical approach to the question of the 'journey' taken in scripts.
Charlton, J. 2007. Whose journey is this? A radical approach to the question of the 'journey' taken in scripts. in: Butt, M. (ed.) Story: the heart of the matter. London Greenwich Exchange. pp. 111-123Book chapter
Sites and interventions.
Spinks, T. and Kassianidou, M. 2011. Sites and interventions. The Practice Exchange. Chelsea College of Art, Green Room. 02 Mar 2011Conference paper
Philosophy, politics and homage in Tears of the Black Tiger
Sutton, D. 2012. Philosophy, politics and homage in Tears of the Black Tiger. in: Martin-Jones, D. and Brown, W. (ed.) Deleuze and film Edinburgh Edinburgh University Press.Book chapter
Deleuze reframed: a guide for the arts student
Sutton, D. and Martin-Jones, D. 2008. Deleuze reframed: a guide for the arts student. London, UK I.B.Tauris.Book
Cinema by design: Hollywood as network neighbourhood
Sutton, D. 2009. Cinema by design: Hollywood as network neighbourhood. in: Julier, G. and Moor, L. (ed.) Design and Creativity: policy, management and practice. Oxford Berg. pp. 174-190Book chapter
Immanent images: photography after mobility
Sutton, D. 2009. Immanent images: photography after mobility. in: Rodowick, D. (ed.) Afterimages of Gilles Deleuze’s film philosophy. Minneapolis, MN, USA University of Minnesota Press.Book chapter
Delay: notes on photography as non-representational thinking
Sutton, D. 2010. Delay: notes on photography as non-representational thinking. in: Mah, S. (ed.) PhotoEspaña 2010 catalogue: time expanded Madrid La Fabrica. pp. 145-151Book chapter
The platonic photographer: the role of political portraiture and the task of the photographer as author
Sutton, D. 2010. The platonic photographer: the role of political portraiture and the task of the photographer as author. Athens Dialogues E-Journal.Article
Interior [Part of Fabric: reinterpreting the house exhibition]
Mullaniff, K. 2002. Interior [Part of Fabric: reinterpreting the house exhibition]. Abbot Hall Art Gallery, Kendal, CumbriaShow or exhibition
In a walled garden
Mullaniff, K. and Andrea Harari. Jaggedart. London. 2009. In a walled garden. Jaggedart. Elliott House 28A Devonshire Street London W1G 6PS 08 May - 06 Jun 2009Show or exhibition
Empire (after Andy Warhol) [at Fundación Proa]
Cavusoglu, E. 2011. Empire (after Andy Warhol) [at Fundación Proa]. Fundación Proa, Buenos Aires, Argentina 22 Jan 2011Show or exhibition
From 'Marginalia' to 'Monalisa': an interview with Ida Appelbroog
Deepwell, K. 2011. From 'Marginalia' to 'Monalisa': an interview with Ida Appelbroog. n.paradoxa: international feminist art journal. 28, pp. 48-56.Article
Questioning the gender order: feminist interventions in aesthetics and cultural politics
Deepwell, K. 2011. Questioning the gender order: feminist interventions in aesthetics and cultural politics. in: Artistic Production and the Feminist Theory of Art: New Debates III Vitoria-Gasteiz, Spain Centro Cultural Montehermoso Kulturunea.Book chapter
'The relationship between big and small things': Tsaplya and Gluklya, Factory of Found Clothes: interview by Katy Deepwell
Deepwell, K. 2011. 'The relationship between big and small things': Tsaplya and Gluklya, Factory of Found Clothes: interview by Katy Deepwell. n.paradoxa: international feminist art journal. 27, pp. 81-92.Article
Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola
Dwyer, B. 2011. Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti: of Foreign Lands and Strange Sounds Woodbridge Boydell Press. pp. 19-50Book chapter
Ocean liner posters
Cadringher, G. and Massey, A. 2011. Ocean liner posters. Antique Collectors' Club.Book
Acting out trauma in the theatre of embarassment: George Tabori's Shylock improvisations
Diedrich, A. 2011. Acting out trauma in the theatre of embarassment: George Tabori's Shylock improvisations. Performance Research. 16 (1), pp. 142-152. https://doi.org/10.1080/13528165.2011.562040Article
Story of a rude gal
Thompson, C. 2011. Story of a rude gal.Performance
Beyond borders: David Greig's transpersonal dramaturgy
Thompson, C. 2011. Beyond borders: David Greig's transpersonal dramaturgy. in: Muller, A. and Wallace, C. (ed.) Cosmotopia: transnational identities in David Greig's theatre Litteraria Pragensia. pp. 103-117Book chapter
Colonial film: moving images of the British Empire
Osborne, R. 2011. Colonial film: moving images of the British Empire. [Author].Report
Chair
Massey, A. 2011. Chair. London Reaktion Books Ltd.Book
Dust breeding [Solo exhibition]
Cavusoglu, E. 2011. Dust breeding [Solo exhibition]. The Pavilion Downtown Dubai 2011Show or exhibition
Older user errors in handheld touchscreen devices: to what extent is prediction possible?
Bradley, M.D., Langdon, P. and Clarkson, P. 2011. Older user errors in handheld touchscreen devices: to what extent is prediction possible? Stephanidis, C. (ed.) UAHCI 2011: 6th International Conference on Universal Access in Human-Computer Interaction. Orlando, FL, USA 09 - 14 Jul 2011 Berlin, Germany Springer. pp. 131-139 https://doi.org/10.1007/978-3-642-21663-3_14Conference paper
A touchscreen mobile for seniors: in the dock
Hosking, I. and Bradley, M.D. 2011. A touchscreen mobile for seniors: in the dock. Senior Market Mobile. London, UK 20 Sep 2011Conference item
Workshop D: meet the driver: designing for “invisible users” and the elderly
Bradley, M.D. and Barnard, Y. 2011. Workshop D: meet the driver: designing for “invisible users” and the elderly. 2nd International Conference Automotive Cockpit HMI. Darmstadt, Germany 28 - 30 Sep 2011Conference item
India on film, 1939-1947
Osborne, R. 2011. India on film, 1939-1947. in: Grieveson, L. and MacCabe, C. (ed.) Film and the end of empire London Palgrave Macmillan. pp. 55-72Book chapter
Q&A: how today's tech alienates the elderly
Bradley, M.D. and Mitchell, S. 2011. Q&A: how today's tech alienates the elderly. PC Pro Magazine (online).Article
After London.
Timberlake, J., Sleeman, J. and Waterworth, D. 2011. After London. Stephen Lawrence Gallery, SE10 9LS 03 Mar - 02 Apr 2011Show or exhibition
The desert and the sea: the Sapphic sublime of Frederick Sommer.
Timberlake, J. 2011. The desert and the sea: the Sapphic sublime of Frederick Sommer. Philosophy of Photography. 2 (1), pp. 115-128.Article
Nature moving naturally in succession: an exploration of Doris Humphrey’s water study
Main, L. 2011. Nature moving naturally in succession: an exploration of Doris Humphrey’s water study. in: Carter, A. and Fensham, R. (ed.) Dancing naturally: nature, neo-classicism and modernity in early twentieth-century dance London, UK Palgrave Macmillan. pp. 98-109Book chapter
Stephen Mumberson and Chris Pig: etchings and relief prints.
Mumberson, S. and Pig, C. 2010. Stephen Mumberson and Chris Pig: etchings and relief prints. Art at Wharepuke, Kerikeri, New ZealandShow or exhibition
Caught in the light.
Sherwin, G. 2010. Caught in the light. Holy Trinity Church, Berwick Upon Tweed 17 Sep 2010Performance
Adorno and the problem of philosophy.
Martin, S. 2002. Adorno and the problem of philosophy. PhD thesis Middlesex UniversityPhD thesis
Photography, cinema, memory: the crystal image of time
Sutton, D. 2009. Photography, cinema, memory: the crystal image of time. University of Minnesota Press.Book
Bestiarium: one man show of sixty computer graphics works from the last ten years.
Mumberson, S. 2010. Bestiarium: one man show of sixty computer graphics works from the last ten years. Galerie Foto & Art Berlin, Berlin, Germany 18 Sep - 30 Oct 2010Show or exhibition
Cybersemiotics and human modelling
Cobley, P. 2010. Cybersemiotics and human modelling. Entropy. 12 (9), pp. 2045-2066. https://doi.org/10.3390/e12092045Article
Etchings of Stephen Mumberson 2004-2009.
Mumberson, S. 2010. Etchings of Stephen Mumberson 2004-2009. Wharrpuke Print Studio, Kerikeri, New Zealand. 23 Jul - 22 Aug 2010Show or exhibition
Live cinema.
Sherwin, G. and Loo, L. 2008. Live cinema.Digital or visual media
Performance as knowledge.
Bannerman, C., Smith, C., Melrose, S., Alston, R., Baxter, G., Adawole, F. and Davis, J. 2006. Performance as knowledge. Performance as knowledge seminar. Somerset house, London 03 May 2006Conference item
Persistence of vision.
Mumberson, S. 2004. Persistence of vision. Alte Feuerwache Loschwitz, Dresden , Germany. 10 May - 06 Jun 2004Show or exhibition
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