Faculty of Arts and Creative Industries
Title | Faculty of Arts and Creative Industries |
---|---|
Alternative | ACI |
University | Middlesex University London |
Campus | London |
Latest research outputs
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Practice-as-research
Midgelow, V. 2019. Practice-as-research. in: Dodds, S. (ed.) The Bloomsbury Companion to Dance Studies Bloomsbury. pp. 111-144Book chapter
Diversity in the discipline working group: chair’s report 2015-17
de Senna, P. 2018. Diversity in the discipline working group: chair’s report 2015-17. SCUDD.Project report
Lecture "German Video Art in the Russian Museum: Akiko Hada"
Lutschinger, S. 2016. Lecture "German Video Art in the Russian Museum: Akiko Hada". German Video Art in the Russian Museum. The State Russian Museum, Saint Petersburg 01 Sep 2016Conference item
RAF Museum Project Sweetheart Brooches Project
Tanner, A., Bradley, M. and Lovell-Davis, S. 2017. RAF Museum Project Sweetheart Brooches Project.Digital or visual media
Don Favareau - congenor
Cobley, P. 2017. Don Favareau - congenor. in: Kull, K. and Cobley, P. (ed.) Biosemiotics in the Community: Essays in Honour of Donald Favareau Tartu University of Tartu Press. pp. 123-129Book chapter
Discussion: integrationism, anti-humanism and the suprasubjective
Cobley, P. 2017. Discussion: integrationism, anti-humanism and the suprasubjective. in: Pablé, A. (ed.) Critical Humanist Perspectives: The Integrational Turn in Philosophy of Language and Communication London Routledge. pp. 267-284Book chapter
The outsourcing of memory
Cobley, P. 2017. The outsourcing of memory. in: Thellefsen, T. and Sørensen, B. (ed.) Umberto Eco in His Own Words Berlin De Gruyter Mouton.Book chapter
Platform - conversations: Carte Blanche students 2017 - EN
Mekouar, M., Selley, G., Shlyk, A., Billerbeck, L., Lakin, W. and Marcilhacy, V. 2017. Platform - conversations: Carte Blanche students 2017 - EN. Paris Photo: The Platform conversations. Grand Palais, Paris 09 - 12 Nov 2017Conference item
Community futures and utopia - an exhibition of architectural strategies for the use and re-use of Hornsey Town Hall
Evans, G., Murialdo, F. and House, N. 2016. Community futures and utopia - an exhibition of architectural strategies for the use and re-use of Hornsey Town Hall. Hornsey Town Hall, London, United Kingdom 10 - 19 Jun 2016Show or exhibition
Scratch: a choreographic conversation
Midgelow, V. and Bacon, J. 2016. Scratch: a choreographic conversation. Nottingham 01 Dec 2016Performance
Financial journalists, the financial crisis and the 'crisis' in journalism
Knowles, S. 2018. Financial journalists, the financial crisis and the 'crisis' in journalism. in: Basu, L., Schifferes, S. and Knowles, S. (ed.) The media and austerity: comparative perspectives London Routledge. pp. 183-195Book chapter
The UK news media and austerity: trends since the global financial crisis
Schifferes, S. and Knowles, S. 2018. The UK news media and austerity: trends since the global financial crisis. in: Basu, L., Schifferes, S. and Knowles, S. (ed.) The Media and Austerity: Comparative perspectives London Routledge. pp. 15-29Book chapter
Malevich - a suprematist board game
Lutschinger, S. 2014. Malevich - a suprematist board game. perceptionWars. Week of Contemporary Art. Center for Urban History of East Central Europe 30 Aug - 03 Sep 2014Conference item
Open pedagogy and student wellbeing: academic confidence building with Wikipedia assignments
Lutschinger, S. 2017. Open pedagogy and student wellbeing: academic confidence building with Wikipedia assignments. #OER17: The Politics of Open. Resource for London 05 - 06 Apr 2017Conference paper
Cultures of work
Lutschinger, S. 2014. Cultures of work. Tanzquartier Wien. Centre for contemporary choreography and performance, Vienna 01 Mar 2014Performance
Transient Hole (Variations) VII
Felch, A. and Lutschinger, S. 2018. Transient Hole (Variations) VII. Die Zentrale, Vienna 04 - 05 Sep 2018Show or exhibition
Transcendence Interrupted: Composing 'Scenes from Crow'
Dwyer, B. 2014. Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. https://doi.org/DIAC017Other
The stain upon the silence
Dwyer, B. 2019. The stain upon the silence. Farpoint Records.Other
Umbilical—the story of Oedipus, the story of Jocasta…
Dwyer, B. 2017. Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.Other
[Art work featured in group exhibition: Dark Frame / Deep Field (Caroline Corbasson, Dan Holdsworth, Philippe Pleasants, Sophy Rickett, Vintage NASA Photographs, We Colonised the Moon)]
Pleasants, P. 2015. [Art work featured in group exhibition: Dark Frame / Deep Field (Caroline Corbasson, Dan Holdsworth, Philippe Pleasants, Sophy Rickett, Vintage NASA Photographs, We Colonised the Moon)].Artefact
Mute records: artists, business, history
Beaven, Z., O'Dair, M. and Osborne, R. (ed.) 2018. Mute records: artists, business, history. New York and London Bloomsbury Academic.Book
Campaign for fashion activism - Slashstroke interactive gallery take over & publication
Fine, L. and Poole, D. 2014. Campaign for fashion activism - Slashstroke interactive gallery take over & publication. Slashstroke website Slashstroke / Fashion Space Gallery.Other
Dances and Laments
Fribbins, P. 2013. Dances and Laments.Digital or visual media
Dances & Laments
Fribbins, P. 2015. Dances & Laments. Music Haven, London.Composition
Sonata for solo violin
Fribbins, P. 2017. Sonata for solo violin. Music Haven, London.Composition
An Art of Change - photomontage 1977-2017
Leeson, L. 2018. An Art of Change - photomontage 1977-2017. Photomontage Then and Now. Four Corners, 121 Roman Road London E2 0QN 20 Sep 2018Conference item
Dances, elegies and epitaphs: the music of Peter Fribbins
Fribbins, P. and Royal Scottish National Orchestra 2017. Dances, elegies and epitaphs: the music of Peter Fribbins.Digital or visual media
Fast Fashion 2D mix Fix - a Slashstroke project
Fine, L. and Poole, D. 2014. Fast Fashion 2D mix Fix - a Slashstroke project. Fast Fashion 2d mix Fix. Ram Place London 19 Jul 2014Conference item
DNA SWAP Exhibition & Live interactive program Led by Slashstroke
Fine, L. and Poole, D. 2015. DNA SWAP Exhibition & Live interactive program Led by Slashstroke. The Grad Gallery London 04 - 11 Jun 2015Show or exhibition
Observership, 'knowing' and semiosis
Cobley, P. 2018. Observership, 'knowing' and semiosis. Cybernetics & Human Knowing. 25 (1), pp. 23-47.Article
Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]
Hussein, N. 2017. Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]. Theatre Research International. 42 (3), pp. 353-355. https://doi.org/10.1017/S0307883317000669Article
Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]
Dwyer, B. 2018. Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times. 159 (1943), pp. 109-118.Article
The “independent” condition: perspectives on Eastern Europe’s cultural sector
Morariu, V. 2016. The “independent” condition: perspectives on Eastern Europe’s cultural sector. Mezosfera.org.Article
Sheela-na-gigs and an ‘Aesthetics of Damage’
Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.Article
[Experimental and perfomative provocations]
Maude-Roxby, A. 2018. [Experimental and perfomative provocations]. Writing Photographs Conference. Tate Modern 13 Oct 2018Conference item
Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold
Maude-Roxby, A. and Seibold, S. 2017. Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold. MISS READ: Berlin Art Book Fair. Haus der Kulturen der Welt, Berlin 14 - 17 Jul 2017Conference item
"Anything for the Right Picture" a SLASHSTROKE workshop Commissioned by Barbican as part of THE VULGAR - FASHIONED REDEFINED Exhibition
Fine, L. and Poole, D. 2017. "Anything for the Right Picture" a SLASHSTROKE workshop Commissioned by Barbican as part of THE VULGAR - FASHIONED REDEFINED Exhibition. ANYTHING FOR THE RIGHT PICTURE. Barbican Centre, London, United Kingdom 21 Jan 2017Conference item
Workshop commissioned by Barbican for Basquait - "Boom For Real" as part of the "Too Young For What?" programme.
Fine, L. and Poole, D. 2017. Workshop commissioned by Barbican for Basquait - "Boom For Real" as part of the "Too Young For What?" programme. SLASHSTROKE "Too Young For What?". Barbican Centre, London, United Kingdom 07 Oct 2017Conference item
Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week
Vesty, R., Andrews, M., de la Fe, A., Hamilton, J., Hanne, B. and Di Giovanni, T. 2017. Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices. 8 (1), pp. 131-167. https://doi.org/10.1386/chor.8.1.131_1Article
Towards a British concept musical: the shows of Anthony Newley and Leslie Bricusse
Cottis, D. 2017. Towards a British concept musical: the shows of Anthony Newley and Leslie Bricusse. in: Gordon, R. and Jubin, O. (ed.) The Oxford Handbook of the British Musical New York Oxford University Press (OUP). pp. 309-330Book chapter
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