Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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(De-)personalization of mediated political communication: comparative analysis of Yugoslavia, Croatia and the UK from 1945 to 2015
Simunjak, M. 2017. (De-)personalization of mediated political communication: comparative analysis of Yugoslavia, Croatia and the UK from 1945 to 2015. European Journal of Communication. 32 (5), pp. 473-489. https://doi.org/10.1177/0267323117725972Article
The first time for everything: political advertising in a new member state
Simunjak, M. and Milanović, L. 2017. The first time for everything: political advertising in a new member state. in: Holtz-Bacha, C., Novelli, E. and Rafter, K. (ed.) Political Advertising in the 2014 European Parliament Elections Palgrave Macmillan. pp. 153-168Book chapter
Leadership for sustainability: leading for equality and the future in teaching
Dick, E. and O'Loughlin, M. 2014. Leadership for sustainability: leading for equality and the future in teaching. CREATE/Feminisms Conference 2014. Middlesex University London 22 Jul 2014Conference item
The ambiguous ambivalence of feminist textiles
Kokoli, A. 2017. The ambiguous ambivalence of feminist textiles. in: Ford, S. (ed.) CUT CLOTH: Contemporary Textiles and Feminism PO Publishing. pp. 60-65Book chapter
Is equitable remuneration equitable? Performers' rights in the UK
Osborne, R. 2017. Is equitable remuneration equitable? Performers' rights in the UK. Popular Music and Society. 40 (5), pp. 573-591. https://doi.org/10.1080/03007766.2017.1348660Article
Associating places: strategies for live, site specific, sound art performance
Spinks, T. 2015. Associating places: strategies for live, site specific, sound art performance. PhD thesis University of the Arts London London College of CommunicationPhD thesis
Film work exhibited in 'On aime l’art…!!', Collection Lambert, Avignon
Billingham, R. 2017. Film work exhibited in 'On aime l’art…!!', Collection Lambert, Avignon.Artefact
"We can remember it for you": location, memory, and commodification in social networking sites
Drakopoulou, S. 2017. "We can remember it for you": location, memory, and commodification in social networking sites. SAGE Open. 7 (3), pp. 1-13. https://doi.org/10.1177/2158244017712026Article
Introduction: collaborative production in the creative industries
Graham, J. and Gandini, A. 2017. Introduction: collaborative production in the creative industries. in: Graham, J. and Gandini, A. (ed.) Collaborative Production in the Creative Industries London University of Westminster Press. pp. 1-14Book chapter
The cultural economy of auteurship in independent publishing: the symbolic success of the photobook Ponte City
Graham, J. 2017. The cultural economy of auteurship in independent publishing: the symbolic success of the photobook Ponte City. in: Graham, J. and Gandini, A. (ed.) Collaborative Production in the Creative Industries London University of Westminster Press. pp. 69-85Book chapter
Collaborative production in the creative industries
Graham, J. and Gandini, A. (ed.) 2017. Collaborative production in the creative industries. London University of Westminster Press.Book
Foreword to Darkness Over Germany
Barling, K. 2017. Foreword to Darkness Over Germany. in: Darkness over Germany: A Warning from History by E. Amy Buller London Arcadia Books. pp. vii-xxxivBook chapter
Arnold Schoenberg’s Pierrot lunaire: man, music, legacy
Dromey, C. 2016. Arnold Schoenberg’s Pierrot lunaire: man, music, legacy. 57th Little Missenden Festival: Post-interval talk. Little Missenden, United Kinkdom 07 - 10 Oct 2016Conference item
A century (and a bit) of Pierrot Ensembles: perspectives on Barcelona, London and São Paulo
Dromey, C. 2017. A century (and a bit) of Pierrot Ensembles: perspectives on Barcelona, London and São Paulo. Musical Modernism and the Commedia dell'arte. City, University of London, United Kingdom Jun 2017Conference paper
DRAFT Three
Murialdo, F., Fern, D., House, N., Bodnar, K., Bonazza, R., Evans, G., Jensen, S., King, S., Morris, L., Mundia, P., Thomas, P., Yeung, W., Church, C. and Vidal Gomez, P. 2017. DRAFT Three. London, UK Middlesex University.Other
Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism
Kokoli, A. 2017. Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism. Oxford Art Journal. 40 (1), pp. 153-168. https://doi.org/10.1093/oxartj/kcx004Article
The Hum: Audio App and related Films
Sandiland, N., Houston, W., Oshodi, M., Hutera, D., Phillips, P. and Keane, J. 2017. The Hum: Audio App and related Films.Portfolio
The Hum
Sandiland, N., Houston, W., Oshodi, M., Hutera, D., Phillips, P. and Keane, J. 2017. The Hum. Brighton Festival, Brighton 06 - 28 May 2017Performance
History or not: addressing omissions in the retelling of art's stories (roundtable discussion)
Kokoli, A., Allen, F., Boyce, S., Budd, A., Hiller, S., Hudek, A. and Sainsbury, A. 2017. History or not: addressing omissions in the retelling of art's stories (roundtable discussion). History or Not: Addressing Omissions in the Retelling of Art's Stories. Raven Row, London, United Kingdom 18 Mar 2017Conference item
Lines in the Landscape Residency 2017 - Sidney Nolan Trust
Bacon, T. 2017. Lines in the Landscape Residency 2017 - Sidney Nolan Trust. United Kingdom Sidney Nolan Trust.Blog
Our Land: creative approaches to the redevelopment of London’s Docklands
Leeson, L. 2019. Our Land: creative approaches to the redevelopment of London’s Docklands. International Journal of Heritage Studies. 25 (4), pp. 365-379. https://doi.org/10.1080/13527258.2018.1485166Article
Exploring the dimensions of place branding: an application of the ICON model to the branding of Toronto
Warren, G. and Dinnie, K. 2017. Exploring the dimensions of place branding: an application of the ICON model to the branding of Toronto. International Journal of Tourism Cities. 3 (1), pp. 56-68. https://doi.org/10.1108/IJTC-10-2016-0035Article
Sapphic Modernists - Re-visiting Elizabeth McCausland and Berenice Abbott’s Changing New York
Maude-Roxby, A., Seibold, S. and Goldsmiths University in conjunction with Tate Modern 2016. Sapphic Modernists - Re-visiting Elizabeth McCausland and Berenice Abbott’s Changing New York. Urban Encounters Conference. Goldsmiths University and Tate Modern 03 - 06 Nov 2016Conference item
Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller
Kokoli, A. Kokoli, A. (ed.) 2017. Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller. Tate Research Publication.Book
Work-based learning for the creative industries: a case study of the development of BA (Hons) web design and social media
Riley, T. 2017. Work-based learning for the creative industries: a case study of the development of BA (Hons) web design and social media. Higher Education, Skills and Work-based Learning. 7 (1), pp. 79-91. https://doi.org/10.1108/HESWBL-08-2016-0063Article
On ‘A Piece for Two (Lovers)’ - an unrehearsed performance piece
Vesty, R. and de la Fe, A. 2017. On ‘A Piece for Two (Lovers)’ - an unrehearsed performance piece. Research in Drama Education: The Journal of Applied Theatre and Performance. 22 (1), pp. 166-171. https://doi.org/10.1080/13569783.2016.1262252Article
A Celtic Knot: educating for a future in corporate film-making - a practitioner's perspective
McCaffrey, E. 2016. A Celtic Knot: educating for a future in corporate film-making - a practitioner's perspective. DProf thesis Middlesex University Institute for Work Based LearningDProf thesis
The Docklands Community Poster Project and other creative approaches to regeneration
Leeson, L. 2016. The Docklands Community Poster Project and other creative approaches to regeneration. Top down meets bottom up in post-industrial regeneration: Good practice and challenges in participatory approaches to community engagement in city planning. Riverside Museum, Glasgow 20 - 21 Jan 2017Conference paper
'That's me in the spotlight': audiences and musicians on screen
Osborne, R. 2016. 'That's me in the spotlight': audiences and musicians on screen. in: Tsioulakis, I. and Hytönen-Ng, E. (ed.) Musicians and their Audiences: Performance, Speech and Mediation Abingdon Routledge. pp. 134-150Book chapter
Active Energy
Leeson, L. 2016. Active Energy. Feeding the Insatiable: a creative summit. Dartington Hall, Devon, England 09 - 11 Nov 2016Conference item
Why feminist stories matter: Katy Deepwell interviews Clare Hemmings
Deepwell, K. 2017. Why feminist stories matter: Katy Deepwell interviews Clare Hemmings. n.paradoxa: international feminist art journal. 40, pp. 60-68.Article
La alternativa de Bugs Bunny. Matador y Estrella en "Bully for Bugs" (Chuck Jones,1953)
Smith, S. and Summers, S. 2017. La alternativa de Bugs Bunny. Matador y Estrella en "Bully for Bugs" (Chuck Jones,1953). Revista de Estudios Taurinos. 41, pp. 251-278.Article
This tongue is not my own: Dogtooth, phobia and the paternal metaphor
Tyrer, B. 2017. This tongue is not my own: Dogtooth, phobia and the paternal metaphor. in: Kazakopoulou, T. and Fotiou, M. (ed.) Contemporary Greek Film Cultures from 1990 to the Present Peter Lang. pp. 101-129Book chapter
Fellow Creatures360° project
Moar, M. and Charlton, J. 2017. Fellow Creatures360° project.Portfolio
Collection Collective
Morariu, V., Angel, J., Voinea, R. and Collection Collective Members 2017. Collection Collective. Middlesex University Research Repository.Portfolio
The value of culture in conflict
Raina, N. and Hussain, F. 2017. The value of culture in conflict. National College of Art, Rawalpindi, Islamabad 17 Oct 2017Show or exhibition
Religion in fantasy: propaganda, blasphemy or nonsense?
Dalton, A. 2017. Religion in fantasy: propaganda, blasphemy or nonsense? BFS Journal. (17), pp. 54-65.Article
Can absolute pitch be learned by adults?
Leak, S. 2017. Can absolute pitch be learned by adults? University of Cambridge.Discussion paper
The punk reader: research transmissions from the local and the global
Dines, M., Gordon, A. and Guerra, P. (ed.) 2017. The punk reader: research transmissions from the local and the global. Porto Universidade do Porto, Faculdade de Letras.Book
Keynote at 'Responding to a Landscape', Midlands Art Centre, Birmingham (Symposium)
Billingham, R. 2017. Keynote at 'Responding to a Landscape', Midlands Art Centre, Birmingham (Symposium). Responding to a Landscape. Midlands Art Center, Birmingham, UK 24 Nov 2017Conference keynote
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