Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Workshop commissioned by Barbican for Basquait - "Boom For Real" as part of the "Too Young For What?" programme.
Fine, L. and Poole, D. 2017. Workshop commissioned by Barbican for Basquait - "Boom For Real" as part of the "Too Young For What?" programme. SLASHSTROKE "Too Young For What?". Barbican Centre, London, United Kingdom 07 Oct 2017Conference item
Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week
Vesty, R., Andrews, M., de la Fe, A., Hamilton, J., Hanne, B. and Di Giovanni, T. 2017. Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices. 8 (1), pp. 131-167. https://doi.org/10.1386/chor.8.1.131_1Article
Towards a British concept musical: the shows of Anthony Newley and Leslie Bricusse
Cottis, D. 2017. Towards a British concept musical: the shows of Anthony Newley and Leslie Bricusse. in: Gordon, R. and Jubin, O. (ed.) The Oxford Handbook of the British Musical New York Oxford University Press (OUP). pp. 309-330Book chapter
Words and dance
Vesty, R. 2017. Words and dance. Choreographic Practices. 8 (1), pp. 3-8. https://doi.org/10.1386/chor.8.1.3_2Article
Theatre: A Recipe for Sloe Gin (Clock Tower) [Review]
Cottis, D. 2018. Theatre: A Recipe for Sloe Gin (Clock Tower) [Review]. Wales Arts Review.Public media contribution
TV: BBC's King Lear [Review]
Cottis, D. 2018. TV: BBC's King Lear [Review]. Wales Arts Review.Public media contribution
The Boring Conference 2018
Cottis, D. 2018. The Boring Conference 2018. Wales Arts Review.Public media contribution
Improvisation: violin, tabla, guitar
Spinks, T., Chisht, I. and Mohsin, K. 2018. Improvisation: violin, tabla, guitar. RM Naeem studio, National College of Arts,Lahore 30 Jul 2018Performance
What they didn’t teach you in design school
Cleaver, P. 2014. What they didn’t teach you in design school. 2014 ilex.Book
Routledge handbook to Luigi Nono and musical thought
Impett, J. 2018. Routledge handbook to Luigi Nono and musical thought. London Routledge.Book
The contemporary musician and the production of knowledge: practice, research, and responsibility
Impett, J. 2017. The contemporary musician and the production of knowledge: practice, research, and responsibility. in: Impett, J. (ed.) Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute Leuven, BE Leuven University Press. pp. 221-238Book chapter
The new digital interiorscape and the edited Airbnb interior
Murialdo, F. 2019. The new digital interiorscape and the edited Airbnb interior. in: Brooker, G., Harriss, H. and Walker, K. (ed.) Interior Futures : Vol.1 Habituated | Mediated Napa Valley California Crucible Press. pp. 176-190Book chapter
Piano Trio: for violin, cello and piano
Inglis, B. 2017. Piano Trio: for violin, cello and piano. Composers Edition.Composition
‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind
Inglis, B. 2020. ‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind. in: Boyce-Tillman, J. and Forbes, A. (ed.) Heart's ease: spirituality in the music of John Tavener Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.Book chapter
Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock)
Inglis, B. and Smith, B. 2019. Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock). London and New York Routledge.Book
[Presentation of photographic work]
Lakin, W. 2016. [Presentation of photographic work]. The Extraordinary Everyday: Film and Photography. Institute of Contemporary Arts, London, United Kingdom 24 Nov 2016Conference item
Making a mark: the psychology of composition
Impett, J. 2016. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) The Oxford Handbook of Music Psychology, Second Edition Oxford Oxford University Press (OUP). pp. 651-666Book chapter
It’s alive! Design as a visual dramaturgy in a collaborative practice
Lane, K. 2016. It’s alive! Design as a visual dramaturgy in a collaborative practice. Costume & Fashion in Context and Practice. University of Huddersfield, United Kingdom 05 - 06 Dec 2016Conference paper
Axiom; performance machine
Lane, K. and Wild, J. 2017. Axiom; performance machine. Wimbledon College of Arts 20 - 25 Feb 2017Show or exhibition
Martyn, Sean and Jacob, 2013
Lakin, W. 2014. Martyn, Sean and Jacob, 2013.Artefact
Bedrock
Lakin, W. 2016. Bedrock.Artefact
[Talk based on photographic project work]
Pleasants, P. 2014. [Talk based on photographic project work]. Exposure 1. An event and symposium at the Photographers’ Gallery. Photographers' Gallery, London, UK 26 Nov 2014Conference item
A glimmer of accountability
Lakin, W. 2017. A glimmer of accountability.Artefact
Good times for free
Lakin, W. 2018. Good times for free.Artefact
Feminist art manifestos/feminist politics
Deepwell, K. 2018. Feminist art manifestos/feminist politics. Cambridge Literary Review. 11.Article
Women artists and modernism
Deepwell, K. (ed.) 1998. Women artists and modernism. Manchester Manchester University Press.Book
Image 1: Dark Dolores III Image 2: Little Pinks I
Slonims, N. 2016. Image 1: Dark Dolores III Image 2: Little Pinks I.Artefact
Image 1: Dora Damage I Image 2: Woman in White III
Slonims, N. 2017. Image 1: Dora Damage I Image 2: Woman in White III.Artefact
image 1: Dora Damage II image 2: Woman in White III
Slonims, N. 2016. image 1: Dora Damage II image 2: Woman in White III.Artefact
Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage
Beale, S. 2017. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage. Mixed Bill - Women and Comedy Symposium. Salford University, United Kingdom 19 Oct 2017Conference paper
Open data today and tomorrow: the present challenges and possibilities of open data
Drakopoulou, S. 2018. Open data today and tomorrow: the present challenges and possibilities of open data. International Journal of Electronic Governance. 10 (2), pp. 151-171. https://doi.org/10.1504/IJEG.2018.093836Article
Printed forms
Mumberson, S. 2018. Printed forms. Printmaking Today. 27 (3), pp. 30 -30.Article
Ayckbourn's Artificial People
McGrath, M. 2017. Ayckbourn's Artificial People. Foundation: The International Review of Science Fiction. 46 (128), pp. 60-72.Article
Alexandra Palace: war on the home front
Kerr, P. 2014. Alexandra Palace: war on the home front.Digital or visual media
Feminist contributions to artworks in Slide-Tape
Deepwell, K. 2018. Feminist contributions to artworks in Slide-Tape. in: White, M. (ed.) Slide / Tape Birmingham Vivid Projects. pp. 10-18Book chapter
3D prints - Wharepuke Editions, New Zealand
Mumberson, S. 2018. 3D prints - Wharepuke Editions, New Zealand.Artefact
n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies
Deepwell, K. 2019. n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies. in: Crimmins, G. (ed.) Strategies for resisting sexism in the academy UK, Australia Palgrave Macmillan.Book chapter
“A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’
Kerr, P. 2011. “A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’. in: McNally, K. (ed.) Billy Wilder, Movie-Maker: Critical Essays on the Films North Carolina McFarland. pp. 117-131Book chapter
Light Cycles
Sherwin, G. 2016. Light Cycles. Christine Park Gallery, LondonShow or exhibition
Paper Landscape #2
Sherwin, G. 2017. Paper Landscape #2. Studio Kura Japan 01 Oct 2016Performance
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