Faculty of Arts and Creative Industries

Title	Faculty of Arts and Creative Industries
Alternative	ACI
University	Middlesex University London
Campus	London

Latest research outputs

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Nuclear war as false memory

Timberlake, J. 2017. Nuclear war as false memory. in: Wainwright, L. (ed.) Disturbing Pasts: Memories, Controversies and Creativity Manchester Manchester University Press. pp. 178-183

Book chapter

The edge condition: re-use of industrial heritage on urban waterfronts: a case of London’s second river

Evans, G. and House, N. 2017. The edge condition: re-use of industrial heritage on urban waterfronts: a case of London’s second river. Interventions I Adaptive Reuse. 8, pp. 26-33.

Article

Murialdo, F., Thomas, P. and Bonazza, R. 2017. Writing spaces. EATAW (European Association for the Teaching of Academic Writing) 2017. Royal Holloway, University of London in the United Kingdom 19 - 21 Jun 2017

Conference paper

Adaptive use and reuse: a time-specific process

Murialdo, F. 2017. Adaptive use and reuse: a time-specific process. 5th Workshop on Conservation/Adaptation. Hasselt/Liège, Belgium 13 - 16 Oct 2015 EAAE: European Association for Architectural Education. pp. 204-216

Conference paper

Introduction to the symposium: Ivan Vladislavić, writing visual culture, and the globalization of a South African "artworld"

Reid, K. and Graham, J. 2017. Introduction to the symposium: Ivan Vladislavić, writing visual culture, and the globalization of a South African "artworld". Journal of Commonwealth Literature. 52 (1), pp. 3-10. https://doi.org/10.1177/0021989416683426

Article

The quiet editor: Ivan Vladislavić and South African cultural production

Graham, J. 2017. The quiet editor: Ivan Vladislavić and South African cultural production. Journal of Commonwealth Literature. 52 (1), pp. 56-59. https://doi.org/10.1177/0021989416675017

Article

Is visual culture a by-product of the repression of nonverbal communication?

Cobley, P. 2017. Is visual culture a by-product of the repression of nonverbal communication? in: Zantides, E. (ed.) Semiotics and Visual Communication II: Culture of Seduction Cambridge Scholars Publishing. pp. 2-14

Book chapter

'There is no such thing as a boring place': architecture and the built environment as a televisual experience

Curtis, B. and House, N. 2018. 'There is no such thing as a boring place': architecture and the built environment as a televisual experience. Screen. 59 (1), pp. 105-113. https://doi.org/10.1093/screen/hjy012

Article

Traces, clues and palimpsests: toward a forensic design pedagogy

House, N. and Parrinder, M. 2016. Traces, clues and palimpsests: toward a forensic design pedagogy. Design and Time: Design History Society Conference 2016. Middlesex University, London, United Kingdom 08 - 10 Sep 2016

Conference paper

Experiencing a multiplicity of self/s

Bacon, T. 2016. Experiencing a multiplicity of self/s. PhD thesis University of Bristol Department of Theatre

PhD thesis

Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms

Kokoli, A. 2016. Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms. Feminist Perspectives on Artistic Productions and Theories of Art, 5th edition, organised by Xabier Arakistain and Lourdes Mendez. Azkuna Zentroa, Bilbao 28 - 30 Oct 2016

Conference paper

Angry melancholia: towards a performative politics of time in the work of Monica Ross

Kokoli, A. 2016. Angry melancholia: towards a performative politics of time in the work of Monica Ross. in: Monica Ross: Ethical Actions - A Critical Fine Art Practice Berlin Sternberg Press. pp. 22-31

Book chapter

Sanitising the city: exploring hegemonic gentrification in London's Soho

Sanders-McDonagh, E., Peyrefitte, M. and Ryalls, M. 2016. Sanitising the city: exploring hegemonic gentrification in London's Soho. Sociological research online. 21 (3). https://doi.org/10.5153/sro.4004

Article

Bowed lamps

Spinks, T. and Garrelfs, I. 2016. Bowed lamps. V22, Dartmouth Rd.,Forest Hill, London

Performance

Performance for microphone and beach performed by The Lab of Sonic Possibility

Spinks, T. and Garrelfs, I. 2016. Performance for microphone and beach performed by The Lab of Sonic Possibility. Whitstable Beach, Kent 04 Jun 2016

Performance

Interpreting Bruce Nauman's 'walking round (the studio) playing one note on the violin' as an invited response to the site specific work Pentagon Petal

Spinks, T., Cottell, F. and Mueller, M. 2016. Interpreting Bruce Nauman's 'walking round (the studio) playing one note on the violin' as an invited response to the site specific work Pentagon Petal. Rootstein Hopkins Chelsea Parade Ground 04 - 30 Jul 2016

Performance

The echo of Henry's ballad

Spinks, T. 2016. The echo of Henry's ballad. APT Gallery, Deptford,

Performance

'Contrast' / Skyline Project Space / Curated by Kathleen Mullaniff

Mullaniff, K. 2016. 'Contrast' / Skyline Project Space / Curated by Kathleen Mullaniff. East Sussex

Show or exhibition

'Garland' part of Showcase

Mullaniff, K. 2016. 'Garland' part of Showcase.

Artefact

"Four" Kathleen Mullaniff, Eugene Palmer, Charlotte Snook. Skyline Project Space Artists working with Artists. Curated by Kathleen Mullaniff

Mullaniff, K. 2016. "Four" Kathleen Mullaniff, Eugene Palmer, Charlotte Snook. Skyline Project Space Artists working with Artists. Curated by Kathleen Mullaniff.

Show or exhibition

"Skyline" Sinéid Codd, Kathleen Mullaniff, Eugene Palmer, Charlotte Snook Kathleen Mullaniff, Senior Lecturer BA Fine Art, curates the exhibition Skyline.

Mullaniff, K. 2016. "Skyline" Sinéid Codd, Kathleen Mullaniff, Eugene Palmer, Charlotte Snook Kathleen Mullaniff, Senior Lecturer BA Fine Art, curates the exhibition Skyline. East Sussex 30 Jul - 07 Aug 2016

Show or exhibition

Interiority complex

House, N. and Harriss, H. 2016. Interiority complex. in: A Gendered Profession - A Question of Representation in Space Making London RIBA Publishing.

Book chapter

Unearthing the bankers bones

Piper, K. 2016. Unearthing the bankers bones. Bluecoat Liverpool 28 Oct 2016 - 22 Jan 2017

Show or exhibition

'A gallery closed in spring: on Maria Eichhorn's 5 weeks, 25 days, 175 hours' Chisenhale Gallery Symposium

Martin, S. 2016. 'A gallery closed in spring: on Maria Eichhorn's 5 weeks, 25 days, 175 hours' Chisenhale Gallery Symposium.

Digital or visual media

Sohn-Rethel’s critique of epistemology and art

Martin, S. 2017. Sohn-Rethel’s critique of epistemology and art. in: Gerber, M. and Fugellie, D. (ed.) Das Wissen der Arbeit und das Wissen der Künste Leiden, The Netherlands Wilhelm Fink. pp. 29-48

Book chapter

A gallery closed in spring: on Maria Eichhorn’s 5 weeks, 25 days, 175 hours

Martin, S. and Chisenhale Gallery 2016. A gallery closed in spring: on Maria Eichhorn’s 5 weeks, 25 days, 175 hours. in: Guggenheim, K. and Staple, P. (ed.) 5 weeks, 25 days, 175 hours Chisenhale Gallery. pp. 50-58

Book chapter

Media portrayals: from leadership cults to celebrity politicians

Simunjak, M. and Street, J. 2016. Media portrayals: from leadership cults to celebrity politicians. in: Storey, J., Hartley, J., Denis, J., Hart, P. and Ulrich, D. (ed.) The Routledge Companion to Leadership Oxon Routledge. pp. 450-464

Book chapter

Improvisation practices and dramaturgical consciousness: a workshop

Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Callison, D. and Hansen, P. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123

Book chapter

[Film stills from 'Feel my way' (1997) and 'The man with the beatiful eyes' (1999) in TYPEMOTION: Type as Image in Motion]

Hodgson, J. 2015. [Film stills from 'Feel my way' (1997) and 'The man with the beatiful eyes' (1999) in TYPEMOTION: Type as Image in Motion]. in: Scheffer, B., Stenzer, C., Weibel, P. and Zehle, S. (ed.) TYPEMOTION: Type as Image in Motion Centre fort Art and Media,Karlsruhe, Germany Hatje Cantz Verlag.

Book chapter

The man with the beautiful eyes

Hodgson, J. and Hannah, J. 2000. The man with the beautiful eyes.

Artefact

Feeling my way [in TYPE MOTION exhibition]

Hodgson, J. 1997. Feeling my way [in TYPE MOTION exhibition].

Artefact

Feeling my way

Hodgson, J. 1997. Feeling my way.

Digital or visual media

Guantanamo Bay: the hunger strikes, animated documentary film [included in Animated Wonderworlds exhibition]

Hodgson, J. 2015. Guantanamo Bay: the hunger strikes, animated documentary film [included in Animated Wonderworlds exhibition].

Artefact

The trouble with love & sex

Hodgson, J. 2013. The trouble with love & sex.

Artefact

Jonathan Hodgson [Animation Sketchbook]

Hodgson, J. 2013. Jonathan Hodgson [Animation Sketchbook]. in: Heit, L. (ed.) Animation Sketchbooks London, United Kingdon Thames and Hudson Ltd.

Book chapter

At home in Johannesburg? Rethinking cosmopolitanism through TJ/Double Negative, the joint project between David Goldblatt and Ivan Vladislavić

Graham, J. 2016. At home in Johannesburg? Rethinking cosmopolitanism through TJ/Double Negative, the joint project between David Goldblatt and Ivan Vladislavić. ariel: A Review of International English Literature. 47 (1-2), pp. 193-222. https://doi.org/10.1353/ari.2016.0017

Article

Early photographic work included in the group exhibition 'The Human Document: The Photography of Persuasion from 1930s America to Present Day', Mead Gallery, University of Warwick, Coventry

Billingham, R. 2016. Early photographic work included in the group exhibition 'The Human Document: The Photography of Persuasion from 1930s America to Present Day', Mead Gallery, University of Warwick, Coventry.

Artefact