Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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'Order out of Chaos' - artists talk and solo exhibition
Billingham, R. 2017. 'Order out of Chaos' - artists talk and solo exhibition. Art Exchange, University of Essex, Colchester, UK 24 Feb - 25 Mar 2017Show or exhibition
Supply hand knitted maribou feather boas, collars and shrugs/boleros
Houghton, E. and McDonell, R. 2017. Supply hand knitted maribou feather boas, collars and shrugs/boleros. London UK TOPSHOP UNIQUE.Other
Demonstration of hand knitting techniques employed in the current handknit sweater made for BAMFORD
Houghton, E. 2017. Demonstration of hand knitting techniques employed in the current handknit sweater made for BAMFORD. Mayfair. London UK BAMFORD. 19 Mossop St. London SW3 2LY.Other
Dances, elegies and epitaphs: the music of Peter Fribbins
Fribbins, P. and Royal Scottish National Orchestra 2017. Dances, elegies and epitaphs: the music of Peter Fribbins.Digital or visual media
Discussion: integrationism, anti-humanism and the suprasubjective
Cobley, P. 2017. Discussion: integrationism, anti-humanism and the suprasubjective. in: Pablé, A. (ed.) Critical Humanist Perspectives: The Integrational Turn in Philosophy of Language and Communication London Routledge. pp. 267-284Book chapter
Transitory erasures: subjects of institutional critique
Morariu, V. 2017. Transitory erasures: subjects of institutional critique. in: Oberprantacher, A. and Siclodi, A. (ed.) Subjectivation in Political Theory and Contemporary Practices Palgrave Macmillan UK. pp. 165-180Book chapter
Grenfell Tower - social media & public narrative
Barling, K. 2017. Grenfell Tower - social media & public narrative. 4th International Conference on Emerging Research Paradigms in Business and Social Sciences. Dubai, UAE 16 - 18 Jan 2018Conference paper
Silent transformations in choreography—Making over time: Rosemary Butcher’s practice of 'Looking Back and Ahead'
Sachsenmaier, S. 2017. Silent transformations in choreography—Making over time: Rosemary Butcher’s practice of 'Looking Back and Ahead'. in: Main, L. (ed.) Transmissions in Dance: Contemporary Staging Practices Palgrave Macmillan. pp. 163-188Book chapter
Guest editors' introduction: Creative practices/resistant acts
Hussein, N. and MacKenzie, I. 2017. Guest editors' introduction: Creative practices/resistant acts. Contention - The Multidisciplinary Journal of Social Protest. 5 (1), pp. iv-107. https://doi.org/10.3167/cont.2017.050102Article
On the beginnings and end of n.paradoxa: international feminist art journal
Deepwell, K. 2017. On the beginnings and end of n.paradoxa: international feminist art journal. n.paradoxa: international feminist art journal. 40, pp. 5-13.Article
"A country with land but no habitat": Women, violent accumulation and negative-value in Yvonne Vera’s The Stone Virgins
Graham, J. 2017. "A country with land but no habitat": Women, violent accumulation and negative-value in Yvonne Vera’s The Stone Virgins. Journal of Postcolonial Writing. 53 (3), pp. 355-366. https://doi.org/10.1080/17449855.2017.1337689Article
A new kind of learning: somatics, dance improvisation and transdisciplinarity
Midgelow, V. 2017. A new kind of learning: somatics, dance improvisation and transdisciplinarity. in: Gibbs, P. (ed.) Transdisciplinary Higher Education: A Theoretical Basis Revealed in Practice Springer. pp. 121-135Book chapter
Art: Process: Change - inside a socially situated practice
Leeson, L. 2017. Art: Process: Change - inside a socially situated practice. London and New York Routledge.Book
Nuclear war as false memory
Timberlake, J. 2017. Nuclear war as false memory. in: Wainwright, L. (ed.) Disturbing Pasts: Memories, Controversies and Creativity Manchester Manchester University Press. pp. 178-183Book chapter
The edge condition: re-use of industrial heritage on urban waterfronts: a case of London’s second river
Evans, G. and House, N. 2017. The edge condition: re-use of industrial heritage on urban waterfronts: a case of London’s second river. Interventions I Adaptive Reuse. 8, pp. 26-33.Article
Writing spaces
Murialdo, F., Thomas, P. and Bonazza, R. 2017. Writing spaces. EATAW (European Association for the Teaching of Academic Writing) 2017. Royal Holloway, University of London in the United Kingdom 19 - 21 Jun 2017Conference paper
Adaptive use and reuse: a time-specific process
Murialdo, F. 2017. Adaptive use and reuse: a time-specific process. 5th Workshop on Conservation/Adaptation. Hasselt/Liège, Belgium 13 - 16 Oct 2015 EAAE: European Association for Architectural Education. pp. 204-216Conference paper
Introduction to the symposium: Ivan Vladislavić, writing visual culture, and the globalization of a South African "artworld"
Reid, K. and Graham, J. 2017. Introduction to the symposium: Ivan Vladislavić, writing visual culture, and the globalization of a South African "artworld". Journal of Commonwealth Literature. 52 (1), pp. 3-10. https://doi.org/10.1177/0021989416683426Article
The quiet editor: Ivan Vladislavić and South African cultural production
Graham, J. 2017. The quiet editor: Ivan Vladislavić and South African cultural production. Journal of Commonwealth Literature. 52 (1), pp. 56-59. https://doi.org/10.1177/0021989416675017Article
Is visual culture a by-product of the repression of nonverbal communication?
Cobley, P. 2017. Is visual culture a by-product of the repression of nonverbal communication? in: Zantides, E. (ed.) Semiotics and Visual Communication II: Culture of Seduction Cambridge Scholars Publishing. pp. 2-14Book chapter
'There is no such thing as a boring place': architecture and the built environment as a televisual experience
Curtis, B. and House, N. 2018. 'There is no such thing as a boring place': architecture and the built environment as a televisual experience. Screen. 59 (1), pp. 105-113. https://doi.org/10.1093/screen/hjy012Article
Traces, clues and palimpsests: toward a forensic design pedagogy
House, N. and Parrinder, M. 2016. Traces, clues and palimpsests: toward a forensic design pedagogy. Design and Time: Design History Society Conference 2016. Middlesex University, London, United Kingdom 08 - 10 Sep 2016Conference paper
Experiencing a multiplicity of self/s
Bacon, T. 2016. Experiencing a multiplicity of self/s. PhD thesis University of Bristol Department of TheatrePhD thesis
Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms
Kokoli, A. 2016. Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms. Feminist Perspectives on Artistic Productions and Theories of Art, 5th edition, organised by Xabier Arakistain and Lourdes Mendez. Azkuna Zentroa, Bilbao 28 - 30 Oct 2016Conference paper
Angry melancholia: towards a performative politics of time in the work of Monica Ross
Kokoli, A. 2016. Angry melancholia: towards a performative politics of time in the work of Monica Ross. in: Monica Ross: Ethical Actions - A Critical Fine Art Practice Berlin Sternberg Press. pp. 22-31Book chapter
Sanitising the city: exploring hegemonic gentrification in London's Soho
Sanders-McDonagh, E., Peyrefitte, M. and Ryalls, M. 2016. Sanitising the city: exploring hegemonic gentrification in London's Soho. Sociological research online. 21 (3). https://doi.org/10.5153/sro.4004Article
Bowed lamps
Spinks, T. and Garrelfs, I. 2016. Bowed lamps. V22, Dartmouth Rd.,Forest Hill, LondonPerformance
Performance for microphone and beach performed by The Lab of Sonic Possibility
Spinks, T. and Garrelfs, I. 2016. Performance for microphone and beach performed by The Lab of Sonic Possibility. Whitstable Beach, Kent 04 Jun 2016Performance
Interpreting Bruce Nauman's 'walking round (the studio) playing one note on the violin' as an invited response to the site specific work Pentagon Petal
Spinks, T., Cottell, F. and Mueller, M. 2016. Interpreting Bruce Nauman's 'walking round (the studio) playing one note on the violin' as an invited response to the site specific work Pentagon Petal. Rootstein Hopkins Chelsea Parade Ground 04 - 30 Jul 2016Performance
The echo of Henry's ballad
Spinks, T. 2016. The echo of Henry's ballad. APT Gallery, Deptford,Performance
'Contrast' / Skyline Project Space / Curated by Kathleen Mullaniff
Mullaniff, K. 2016. 'Contrast' / Skyline Project Space / Curated by Kathleen Mullaniff. East SussexShow or exhibition
'Garland' part of Showcase
Mullaniff, K. 2016. 'Garland' part of Showcase.Artefact
"Four" Kathleen Mullaniff, Eugene Palmer, Charlotte Snook. Skyline Project Space Artists working with Artists. Curated by Kathleen Mullaniff
Mullaniff, K. 2016. "Four" Kathleen Mullaniff, Eugene Palmer, Charlotte Snook. Skyline Project Space Artists working with Artists. Curated by Kathleen Mullaniff.Show or exhibition
"Skyline" Sinéid Codd, Kathleen Mullaniff, Eugene Palmer, Charlotte Snook Kathleen Mullaniff, Senior Lecturer BA Fine Art, curates the exhibition Skyline.
Mullaniff, K. 2016. "Skyline" Sinéid Codd, Kathleen Mullaniff, Eugene Palmer, Charlotte Snook Kathleen Mullaniff, Senior Lecturer BA Fine Art, curates the exhibition Skyline. East Sussex 30 Jul - 07 Aug 2016Show or exhibition
Interiority complex
House, N. and Harriss, H. 2016. Interiority complex. in: A Gendered Profession - A Question of Representation in Space Making London RIBA Publishing.Book chapter
Unearthing the bankers bones
Piper, K. 2016. Unearthing the bankers bones. Bluecoat Liverpool 28 Oct 2016 - 22 Jan 2017Show or exhibition
'A gallery closed in spring: on Maria Eichhorn's 5 weeks, 25 days, 175 hours' Chisenhale Gallery Symposium
Martin, S. 2016. 'A gallery closed in spring: on Maria Eichhorn's 5 weeks, 25 days, 175 hours' Chisenhale Gallery Symposium.Digital or visual media
Sohn-Rethel’s critique of epistemology and art
Martin, S. 2017. Sohn-Rethel’s critique of epistemology and art. in: Gerber, M. and Fugellie, D. (ed.) Das Wissen der Arbeit und das Wissen der Künste Leiden, The Netherlands Wilhelm Fink. pp. 29-48Book chapter
A gallery closed in spring: on Maria Eichhorn’s 5 weeks, 25 days, 175 hours
Martin, S. and Chisenhale Gallery 2016. A gallery closed in spring: on Maria Eichhorn’s 5 weeks, 25 days, 175 hours. in: Guggenheim, K. and Staple, P. (ed.) 5 weeks, 25 days, 175 hours Chisenhale Gallery. pp. 50-58Book chapter
Media portrayals: from leadership cults to celebrity politicians
Simunjak, M. and Street, J. 2016. Media portrayals: from leadership cults to celebrity politicians. in: Storey, J., Hartley, J., Denis, J., Hart, P. and Ulrich, D. (ed.) The Routledge Companion to Leadership Oxon Routledge. pp. 450-464Book chapter
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