Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities
Leeson, L. 2014. Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities. Women Environmental Artists Directory. (7).Article
What the humanities are for - A semiotic perspective
Cobley, P. 2014. What the humanities are for - A semiotic perspective. The American Journal of Semiotics. 30 (3-4), pp. 205-228. https://doi.org/10.5840/ajs2014303/411Article
Damien Hirst: the capitalism sublime?
White, L. 2012. Damien Hirst: the capitalism sublime? Marxism in Culture. Institute of Historical Research, University College London 01 Jun 2012Conference paper
Ten decades: careers of ten women artists born 1897-1906
Deepwell, K. Checketts, L. (ed.) 1992. Ten decades: careers of ten women artists born 1897-1906. Norwich Norwich Gallery, Norwich School of Art & Design.Book
New feminist art criticism: critical strategies
Deepwell, K. (ed.) 1995. New feminist art criticism: critical strategies. Manchester Manchester University Press.Book
Beatrice Cussol: feminist not feminine
Deepwell, K. 2013. Beatrice Cussol: feminist not feminine. in: Sundberg, M. (ed.) Beatrice Cussol: Rude Girls Stockholm Art and Theory Publishing: Spritmuseum and Absolut Art Collection. pp. 25-35Book chapter
We don't need another heroine: Sanja Ivekovic's counter-narratives
Deepwell, K. 2013. We don't need another heroine: Sanja Ivekovic's counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - a Reader London Calvert 22 Foundation. pp. 110-113Book chapter
Cairo: my city, my revolution
Hussein, N. 2013. Cairo: my city, my revolution. in: Solga, K. and Hopkins, D. (ed.) Performance and the global city Basingstoke, UK Palgrave Macmillan. pp. 223-243Book chapter
Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train
Machon, J. 2013. Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train. in: Jenzen, O. and Munt, S. (ed.) The Ashgate research companion to paranormal cultures Ashgate. pp. 241-254Book chapter
The Art of Intervention
Maude-Roxby, A. 2009. The Art of Intervention. Fleur Gallery, Kyoto, Japan; UKShow or exhibition
12 Approaches to 12 Shooters
Maude-Roxby, A. 2009. 12 Approaches to 12 Shooters. in: Maizlish, J. (ed.) Marcia Farquhar's 12 shooters London Live Art Development Agency. pp. 177-189Book chapter
Performing memory
Maude-Roxby, A. 2010. Performing memory. Kunstraum Niederösterreich, Vienna, AustriaShow or exhibition
Anti-academy
Maude-Roxby, A. 2013. Anti-academy. John Hansard Gallery, Southampton, UKShow or exhibition
Foreword [to Generation yacht: Lee Valley leisure]
Brown, C. 2005. Foreword [to Generation yacht: Lee Valley leisure]. in: Generation yacht: Lee Valley leisure Generation Press. pp. 1-3Book chapter
Ville Mona: a proper kind of house
Ryley, M., Brown, C. and Ryley, B. 2006. Ville Mona: a proper kind of house. Dorset TRACE editions.Book
Introduction
Brown, C. 2007. Introduction. in: The hitcher / Chris Coekin Walkout Books. pp. 3-5Book chapter
The grand tour: Gayle Chong Kwan
Brown, C. and Chaney, E. Boyd, A. and Bonnell, P. (ed.) 2009. The grand tour: Gayle Chong Kwan. Hampshire ArtSway.Book
Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production
Kerr, P. 2013. Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production. Historical Journal of Film, Radio and Television. 33 (3), pp. 434-453. https://doi.org/10.1080/01439685.2013.823028Article
Immersive performance, (syn)aesthetics and the phenomenology of technologies
Machon, J. 2013. Immersive performance, (syn)aesthetics and the phenomenology of technologies. in: Shaughnessy, N. (ed.) Affective performance and cognitive science: body, brain and being Bloomsbury.Book chapter
Robert Cohan teaching: body of knowledge
Bannerman, C. and Donnelly, A. 2013. Robert Cohan teaching: body of knowledge.Design
The invisible expert practitioner: theorising performer expertise in contemporary performance-making
Sachsenmaier, S. 2010. The invisible expert practitioner: theorising performer expertise in contemporary performance-making. PhD thesis Middlesex University Performing ArtsPhD thesis
On curation: The development of Danscross and walking with Zhuangzi
Bannerman, C. 2013. On curation: The development of Danscross and walking with Zhuangzi. ResCen Research Centre.Other
Intuition
Sachsenmaier, S. Intuition.Design
Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance
Sachsenmaier, S. 2012. Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance. in: Behrens, C., Burkhard, H., Fleischle-Braun, C. and Obermaier, K. (ed.) Tanzerfahrung und Weltkenntnis Leipzig Henschel Verlag. pp. 95-107Book chapter
Reinventing the past: Rosemary Butcher encounters Allan Kaprow's 18 happenings in 6 parts
Sachsenmaier, S. 2013. Reinventing the past: Rosemary Butcher encounters Allan Kaprow's 18 happenings in 6 parts. Choreographic Practices. 4 (2), pp. 223-244. https://doi.org/10.1386/chor.4.2.223_1Article
Beyond Allan Kaprow: an interview with Rosemary Butcher
Sachsenmaier, S. 2012. Beyond Allan Kaprow: an interview with Rosemary Butcher. Journal of Dance and Somatic Practices. 4 (2), pp. 267-281. https://doi.org/10.1386/jdsp.4.2.267_1Article
Defining the problem: women artists, feminism and globalization (English title of Russian text)
Deepwell, K. 2013. Defining the problem: women artists, feminism and globalization (English title of Russian text). in: Kamenetskaya, N., Loshak, M. and Turkina, O. (ed.) Celebrating International Women’s Day (8 March): Feminism: from avant-garde to present day (English title of Russian exhibition catalogue) Moscow Manege. pp. 23-29Book chapter
When creation, translation and adaptation meet: SignDance Collective's New gold
de Senna, P. 2013. When creation, translation and adaptation meet: SignDance Collective's New gold. in: Krebs, K. (ed.) Translation and adaptation in theatre and film Routledge.Book chapter
Voice (a retracing)
Williams, T., Midgelow, V. and Halliday, T. 2012. Voice (a retracing).Digital or visual media
Points of view
Sandiland, N. 2011. Points of view. London, UK 03 - 09 Oct 2011Performance
Hepworth and her critics
Deepwell, K. 1998. Hepworth and her critics. in: Deepwell, K. (ed.) Women Artists and Modernism Manchester Manchester University Press. pp. 97-111Book chapter
It's time for action (there's no option): about feminism
Jones, A., Bunz, M., Buszek, M. and Deepwell, K. Munder, H. (ed.) 2007. It's time for action (there's no option): about feminism. Zurich, Switzerland J. P. Ringier.Book
Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis
Diedrich, A. 2013. Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis. Modern Drama. 56 (3), pp. 374-398. https://doi.org/10.3138/md.0356Article
Half a penny & The other side of the coin
de Senna, P. and Signdance Collective International 2012. Half a penny & The other side of the coin. Croydon, UK Apr 2012Performance
ArtsCross Beijing 2012: light and water
Bannerman, C., Beijing Dance Academy (BDA), ResCen Research Centre, Middlesex University (ResCen) and School of Dance, Taipei National University of the Arts (TNUA) 2012. ArtsCross Beijing 2012: light and water. Beijing, China 2012Performance
A tragédia de Ismene, princesa de Tebas
de Senna, P. 2013. A tragédia de Ismene, princesa de Tebas. Mobile Editorial.Book
A Haydn prelude
Fribbins, P. A Haydn prelude. Guild, Music Haven.Composition
The last slave (2007): the genealogy of a British television history programme
Kerr, P. 2009. The last slave (2007): the genealogy of a British television history programme. Historical Journal of Film, Radio and Television. 29 (3), pp. 381-397. https://doi.org/10.1080/01439680903145629Article
Women artists between the wars: a fair field and no favour
Deepwell, K. 2010. Women artists between the wars: a fair field and no favour. Manchester University Press.Book
The young person's guide 2 East London
Leeson, L. and cSPACE 2012. The young person's guide 2 East London. cSPACE.Other
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