Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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The work of Hugh Davies in the context of experimental electronic music in Britain
Palermo, F. 2015. The work of Hugh Davies in the context of experimental electronic music in Britain. PhD thesis Middlesex University School of Media and Performing ArtsPhD thesis
A great friggin' swindle? Sex Pistols, school kids and 1979
Osborne, R. 2015. A great friggin' swindle? Sex Pistols, school kids and 1979. Popular Music and Society. 38 (4), pp. 432-449. https://doi.org/10.1080/03007766.2015.1034496Article
Scaffolding development and the human condition
Cobley, P. and Stjernfelt, F. 2015. Scaffolding development and the human condition. Biosemiotics. 8 (2), pp. 291-304. https://doi.org/10.1007/s12304-015-9238-zArticle
Criticality in the mediation of fashion
Dick, E., Gobin, K. and Thomas, P. 2015. Criticality in the mediation of fashion. Textual Fashion. University of Brighton, Brighton, United Kingdom 08 - 10 Jul 2015Conference paper
Time stands still
Bendon, H. and Butt, M. 2015. Time stands still.Design
A traveller's year [front cover artwork]
Ursell, M. 2015. A traveller's year [front cover artwork].Artefact
Illustrated envelope in "Pushing the envelope" exhibition
Ursell, M. 2015. Illustrated envelope in "Pushing the envelope" exhibition.Artefact
Keeping sketchbooks
Ursell, M. 2016. Keeping sketchbooks. Ramsbury The Crowood Press.Book
Loves, louts and London
Slonims, N. 2015. Loves, louts and London.Artefact
Been on the job too long
Charlton, J. 2015. Been on the job too long. Theatre N16, Stoke Newington, London, UK 26 - 27 May 2015Performance
Revolution Farm
Charlton, J. and Kenworth, J. 2014. Revolution Farm. Newham City Farm 19 - 24 Aug 2014Performance
Illustrated envelope in "Pushing the envelope" exhibition
Slonims, N., House of Illustration and Hereford College of Arts 2015. Illustrated envelope in "Pushing the envelope" exhibition.Artefact
On the Beat
Slonims, N. 2014. On the Beat. Bishop's Stortford MuseumShow or exhibition
On the beat
Slonims, N. Turner, S. (ed.) 2014. On the beat. London UK Bishop's Stortford Museum.Book
Falkenham Saltmarsh tidal management scheme
Read, S., O'Mahony, K., Touching the Tide, Heritage Lottery Fund, Suffolk Coast and Heaths AONB Unit, East Suffolk Internal Drainage Board, Environment Agency, Suffolk County Council, Natural England and Marine Management Organisation 2013. Falkenham Saltmarsh tidal management scheme.Artefact
Wolkenschauen 23 Kunstler betrachten den Himmel
Read, S., Jank, M., Hormann, E., Benning, K., Verena, V., Jan, V., Jung, K., Keiper, E., Schierz, K., Sudbeck, A. and Raith, S. 2014. Wolkenschauen 23 Kunstler betrachten den Himmel.Artefact
Chapter: The power of the Ooze
Read, S. 2014. Chapter: The power of the Ooze. in: Kerr, J. and Payne, C. (ed.) The power of the sea, making waves in British art 1790-2014 Bristol Sansom & Company Ltd. pp. 45-65Book chapter
The performer emerges in the work of Sian Bonnell
Brown, C. 2014. The performer emerges in the work of Sian Bonnell. Photomonitor.Article
Bettina von Zwehl: Made up Love Song
Brown, C. 2012. Bettina von Zwehl: Made up Love Song. Photomonitor.Article
Gayle Chong Kwan 'Arripare', 2013
Brown, C. 2014. Gayle Chong Kwan 'Arripare', 2013. Photomonitor.Article
Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art
Hussein, N. 2015. Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. Contemporary Theatre Review. 25 (3), pp. 357-370. https://doi.org/10.1080/10486801.2015.1049822Article
Narratives of women artists in/out of Vorticism
Deepwell, K. 2015. Narratives of women artists in/out of Vorticism. in: Berghaus, G. (ed.) International Yearbook of Futurism Studies (Vol 5, 2015) Special issue: Women Artists and Futurism Berlin | Boston Walter de Gruyter.Book chapter
Marx, Karl Heinrich
Martin, S. 2014. Marx, Karl Heinrich. in: Oxford Encyclopedia of Aesthetics Oxford University Press (OUP).Book chapter
Political economy of life: Negt and Kluge's history and obstinacy
Martin, S. 2015. Political economy of life: Negt and Kluge's history and obstinacy. Radical Philosophy.Article
Art Strike panel at the Radical Philosophy conference, HKW, Berlin, Jan 2015
Martin, S. 2015. Art Strike panel at the Radical Philosophy conference, HKW, Berlin, Jan 2015.Digital or visual media
Exploring the visual ingredients of a multi-cultural Malaysia
Lewis, C. and Cleaver, P. 2015. Exploring the visual ingredients of a multi-cultural Malaysia. Middlesex University and University Sains Malaysia.Other
Preface
Deepwell, K. 2014. Preface. in: Kosmala, K. (ed.) Sexing the Border, Gender, Art and New Media in Central and Eastern Europe Newcastle upon Tyne Cambridge Scholars Publishing. pp. xv-xviBook chapter
Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review
Dwyer, B. 2007. Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review. The Musical Times. 148 (1899), pp. 89-102.Article
Constellations – the life and music of John Buckley
Dwyer, B. 2011. Constellations – the life and music of John Buckley. Dublin Carysfort Press.Book
Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola
Dwyer, B. 2011. Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti – Of Foreign Lands and Strange Sounds Woodbridge Boydell & Brewer. pp. 19-50Book chapter
Dios los cría...
Dwyer, B. 2014. Dios los cría... Music & Literature.Article
Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran
Dwyer, B. 2014. Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran. Colony.Article
Different voices: Irish music and music in Ireland
Dwyer, B. 2014. Different voices: Irish music and music in Ireland. Germany Wolke.Book
Imagines
Dwyer, B., Campanello, K. and Creasy, J. Creasy, J. (ed.) 2015. Imagines. Dublin New Dublin Press.Book
CHTHONIC (2019) PSYCHOGENESIS SERIES (2018) PERCEPTION:LAB (2015)
Bacon, T. 2015. CHTHONIC (2019) PSYCHOGENESIS SERIES (2018) PERCEPTION:LAB (2015).Portfolio
PERCEPTION:Lab
Bacon, T. 2015. PERCEPTION:Lab. Mobius Inc., Boston USA 20 Jun 2015Public installation
Naomi Wallace and the politics of desire
Machon, J. 2013. Naomi Wallace and the politics of desire. in: Stevens Abbit, E. and Palmer, S. (ed.) The innovative theatre of Naomi Wallace: embodied dialogues Palgrave Macmillan.Book chapter
Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark
Machon, J. 2014. Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark. Theatre in the Dark.. University of Surrey, SeedPOD Nodus Centre. 12 Jul 2014Conference keynote
Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl
Machon, J., Lundahl, C. and Seitl, M. 2017. Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl. in: Alston, A. and Welton, M. (ed.) Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre London Bloomsbury Methuen Drama. pp. 147-168Book chapter
Audience improvisation in the immersive experiences: the sensuous world of the body in the work of Lundahl & Seitl
Machon, J. 2019. Audience improvisation in the immersive experiences: the sensuous world of the body in the work of Lundahl & Seitl. in: Midgelow, V. (ed.) The Oxford Handbook of Improvisation in Dance Oxford University Press (OUP). pp. 671-686Book chapter
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