Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Ville Mona: a proper kind of house
Ryley, M., Brown, C. and Ryley, B. 2006. Ville Mona: a proper kind of house. Dorset TRACE editions.Book
Introduction
Brown, C. 2007. Introduction. in: The hitcher / Chris Coekin Walkout Books. pp. 3-5Book chapter
The grand tour: Gayle Chong Kwan
Brown, C. and Chaney, E. Boyd, A. and Bonnell, P. (ed.) 2009. The grand tour: Gayle Chong Kwan. Hampshire ArtSway.Book
Girlfriends and postfeminist sisterhood
Winch, A. 2013. Girlfriends and postfeminist sisterhood. Palgrave Macmillan.Book
Intimate adventures: sex blogs, sex 'blooks' and women's sexual narration
Attwood, F. 2009. Intimate adventures: sex blogs, sex 'blooks' and women's sexual narration. European Journal of Cultural Studies. 12 (1), pp. 5-20. https://doi.org/10.1177/1367549408098702Article
Film in space: an exhibition of film and expanded cinema selected by Guy Sherwin
Sherwin, G. 2012. Film in space: an exhibition of film and expanded cinema selected by Guy Sherwin. London, UK 15 Dec 2012 - 24 Feb 2013Show or exhibition
The Secret Gardens Festival of Mass Narrative
Haywood, P. and McArdle, K. 2012. The Secret Gardens Festival of Mass Narrative.Show or exhibition
Colouredge
Kennedy, M. and Haywood, P. 2012. Colouredge.Show or exhibition
Supporting arts and enterprise skills in communities through creative engagement with the local area
Haywood, P. and Ingleson, S. 2011. Supporting arts and enterprise skills in communities through creative engagement with the local area. International Journal of the Arts in Society. 5 (6), pp. 211-224.Article
Brands, markets and charitable ethics: MTVs EXIT campaign
Arthurs, J. 2009. Brands, markets and charitable ethics: MTVs EXIT campaign. Participations: Journal of Audience and Reception Studies. 6 (2), pp. 301-319.Article
Distant suffering, proper distance: cosmopolitan ethics in the film portrayal of trafficked women
Arthurs, J. 2012. Distant suffering, proper distance: cosmopolitan ethics in the film portrayal of trafficked women. International Journal of Media & Cultural Politics. 8 (2), pp. 141-158. https://doi.org/10.1386/macp.8.2-3.141_1Article
Deliciously consumable: the uses and abuses of irony in sex trafficking campaign films
Arthurs, J. 2011. Deliciously consumable: the uses and abuses of irony in sex trafficking campaign films. in: Ross, K. (ed.) The handbook of gender, sex and media WileyBlackwell. pp. 470-486Book chapter
Celebrity, gender and reputation management at the BBC
Arthurs, J. 2013. Celebrity, gender and reputation management at the BBC. in: Daymon, C. and Demetrious, K. (ed.) Gender and public relations: critical perspectives on voice, image and identity Routledge. pp. 132-155Book chapter
Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production
Kerr, P. 2013. Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production. Historical Journal of Film, Radio and Television. 33 (3), pp. 434-453. https://doi.org/10.1080/01439685.2013.823028Article
Feminism meets the big exhibition: 2005 onwards
Robinson, H. 2013. Feminism meets the big exhibition: 2005 onwards. Anglo Saxonica. 3 (6).Article
Immersive performance, (syn)aesthetics and the phenomenology of technologies
Machon, J. 2013. Immersive performance, (syn)aesthetics and the phenomenology of technologies. in: Shaughnessy, N. (ed.) Affective performance and cognitive science: body, brain and being Bloomsbury.Book chapter
Robert Cohan teaching: body of knowledge
Bannerman, C. and Donnelly, A. 2013. Robert Cohan teaching: body of knowledge.Design
New events in historic venues: a case of London
Evans, G. 2010. New events in historic venues: a case of London. Rivista di Scienze del Turismo. 2, pp. 149-166.Article
The invisible expert practitioner: theorising performer expertise in contemporary performance-making
Sachsenmaier, S. 2010. The invisible expert practitioner: theorising performer expertise in contemporary performance-making. PhD thesis Middlesex UniversityPhD thesis
On curation: The development of Danscross and walking with Zhuangzi
Bannerman, C. 2013. On curation: The development of Danscross and walking with Zhuangzi. ResCen Research Centre.Other
Intuition
Sachsenmaier, S. Intuition.Design
Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance
Sachsenmaier, S. 2012. Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance. in: Behrens, C., Burkhard, H., Fleischle-Braun, C. and Obermaier, K. (ed.) Tanzerfahrung und Weltkenntnis Leipzig Henschel Verlag. pp. 95-107Book chapter
Reinventing the past: Rosemary Butcher encounters Allan Kaprow's 18 happenings in 6 parts
Sachsenmaier, S. 2013. Reinventing the past: Rosemary Butcher encounters Allan Kaprow's 18 happenings in 6 parts. Choreographic Practices. 4 (2), pp. 223-244. https://doi.org/10.1386/chor.4.2.223_1Article
Beyond Allan Kaprow: an interview with Rosemary Butcher
Sachsenmaier, S. 2012. Beyond Allan Kaprow: an interview with Rosemary Butcher. Journal of Dance and Somatic Practices. 4 (2), pp. 267-281. https://doi.org/10.1386/jdsp.4.2.267_1Article
Becoming women: Irigaray, Ireland and visual representation
Robinson, H. 2003. Becoming women: Irigaray, Ireland and visual representation. in: Bhreathnach-Lynch, S. and Cusack, T. (ed.) Art, Gender and Nation: Ethnic Landscapes, Myths and Mother-Figures Aldershot Ashgate. pp. 113-127Book chapter
The pedagogic significance of 20th Century modern dance training on the 21st Century dancing body, with reference to Doris Humphrey’s dance technique and movement philosophy
Main, L. 2009. The pedagogic significance of 20th Century modern dance training on the 21st Century dancing body, with reference to Doris Humphrey’s dance technique and movement philosophy. in: Randall, T. (ed.) Global perspectives on dance pedagogy: research and practice : special conference, 25-27 June 2009, The Centre for Excellence in Performance Arts, De Montfort University, Leicester, UK Congress on Research in Dance. pp. 47-53Book chapter
Defining the problem: women artists, feminism and globalization (English title of Russian text)
Deepwell, K. 2013. Defining the problem: women artists, feminism and globalization (English title of Russian text). in: Kamenetskaya, N., Loshak, M. and Turkina, O. (ed.) Celebrating International Women’s Day (8 March): Feminism: from avant-garde to present day (English title of Russian exhibition catalogue) Moscow Manege. pp. 23-29Book chapter
When creation, translation and adaptation meet: SignDance Collective's New gold
de Senna, P. 2013. When creation, translation and adaptation meet: SignDance Collective's New gold. in: Krebs, K. (ed.) Translation and adaptation in theatre and film Routledge.Book chapter
Voice (a retracing)
Williams, T., Midgelow, V. and Halliday, T. 2012. Voice (a retracing).Digital or visual media
Points of view
Sandiland, N. 2011. Points of view. London, UK 03 - 09 Oct 2011Performance
'I am not an Honourable Lady': gender and language in the National Assembly for Wales
Shaw, S. 2011. 'I am not an Honourable Lady': gender and language in the National Assembly for Wales. Journal of Applied Linguistics and Professional Practice. 8 (3), pp. 275-294.Article
Hepworth and her critics
Deepwell, K. 1998. Hepworth and her critics. in: Deepwell, K. (ed.) Women Artists and Modernism Manchester Manchester University Press. pp. 97-111Book chapter
It's time for action (there's no option): about feminism
Jones, A., Bunz, M., Buszek, M. and Deepwell, K. Munder, H. (ed.) 2007. It's time for action (there's no option): about feminism. Zurich, Switzerland J. P. Ringier.Book
Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis
Diedrich, A. 2013. Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis. Modern Drama. 56 (3), pp. 374-398. https://doi.org/10.3138/md.0356Article
Half a penny & The other side of the coin
de Senna, P. and Signdance Collective International 2012. Half a penny & The other side of the coin. Croydon, UK Apr 2012Performance
ArtsCross Beijing 2012: light and water
Bannerman, C., Beijing Dance Academy (BDA), ResCen Research Centre, Middlesex University (ResCen) and School of Dance, Taipei National University of the Arts (TNUA) 2012. ArtsCross Beijing 2012: light and water. Beijing, China 2012Performance
A tragédia de Ismene, princesa de Tebas
de Senna, P. 2013. A tragédia de Ismene, princesa de Tebas. Mobile Editorial.Book
Interaction, simulation, and invention
Impett, J. 2013. Interaction, simulation, and invention. in: Carayannis, E. (ed.) Encyclopedia of creativity, invention, innovation and entrepreneurship Springer.Book chapter
West's world: the extraordinary life of Dame Rebecca West
Gibb, L. 2013. West's world: the extraordinary life of Dame Rebecca West. Macmillan.Book
The last slave (2007): the genealogy of a British television history programme
Kerr, P. 2009. The last slave (2007): the genealogy of a British television history programme. Historical Journal of Film, Radio and Television. 29 (3), pp. 381-397. https://doi.org/10.1080/01439680903145629Article
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