Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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(Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images
Machon, J. 2013. (Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images. in: Shaughnessy, N. (ed.) Affective performance and cognitive science Bloomsbury Methuen Drama.Book chapter
On being immersed: the pleasure of being: washing, feeding, holding
Machon, J. 2017. On being immersed: the pleasure of being: washing, feeding, holding. in: Frieze, J. (ed.) Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance Basingstoke, UK Palgrave Macmillan. pp. 29-42Book chapter
Punchdrunk
Machon, J. 2015. Punchdrunk. in: Tomlin, E. (ed.) British theatre companies: 1995-2014 Methuen Drama.Book chapter
(Syn)aesthetics: redefining visceral performance
Machon, J. 2011. (Syn)aesthetics: redefining visceral performance. Basingstoke, UK Palgrave Macmillan.Book
Training and ... body parts
Woods, N., Binyon, C., Turner, J., Igweonu, K., Woodall, E., Walton, R. and Brayshaw, T. 2013. Training and ... body parts. Theatre, Dance and Performance Training. 4 (1), pp. 124-125. https://doi.org/10.1080/19443927.2013.774815Article
African drama and the construction of an indigenous cultural identity: an examination of four major Nigerian plays
Igweonu, K. 2014. African drama and the construction of an indigenous cultural identity: an examination of four major Nigerian plays. in: Diala, I. (ed.) Syncretic arenas: essays on postcolonial African drama and theatre for Esiaba Irobi Amsterdam and New York Rodopi.Book chapter
25th Olense Kartoenale
Mumberson, S. 2013. 25th Olense Kartoenale. Olen, BelgiumShow or exhibition
The 3rd Gold Panda international cartoon and illustration competition
Mumberson, S. 2014. The 3rd Gold Panda international cartoon and illustration competition. Beijing ChinaShow or exhibition
Codes and coding: Sebeok’s zoosemiotics and the dismantling of the fixed-code fallacy
Cobley, P. 2014. Codes and coding: Sebeok’s zoosemiotics and the dismantling of the fixed-code fallacy. Semiotica. 2014 (198), pp. 32-45. https://doi.org/10.1515/sem-2013-0100Article
Professional artefacts: embodying ideas in work-based learning
Nottingham, P. and Akinleye, A. 2014. Professional artefacts: embodying ideas in work-based learning. Higher Education, Skills and Work-based Learning. 4 (1), pp. 98-108. https://doi.org/10.1108/HESWBL-09-2012-0036Article
Parties, causes and political power
Little, B. 2013. Parties, causes and political power. Soundings.Article
Gender and politics in the devolved assemblies
Shaw, S. 2013. Gender and politics in the devolved assemblies. Soundings: a journal of politics and culture. https://doi.org/10.3898/136266213809450301Article
Speak - active sound-space and the performer
Impett, J. 2013. Speak - active sound-space and the performer. in: Re-new digital arts forum 2013: conference proceedings Copenhagen issuu. pp. 128-133Book chapter
"Speak" for metatrumpet and active sound-space
Impett, J. 2013. "Speak" for metatrumpet and active sound-space.Composition
Touching earth and sky
Cowan, J. 2012. Touching earth and sky. Cass Sculpture Foundation, GoodwoodShow or exhibition
The rise of women artists
Cowan, J. 2010. The rise of women artists. Walker Art Gallery, Liverpool 23 Oct 2009 - 14 Mar 2010Show or exhibition
Backbench
Cavusoglu, E. 2010. Backbench.Artefact
Another country XV
Timberlake, J. and Imperial War Museum 2001. Another country XV.Artefact
Ron Haselden / John Timberlake
Timberlake, J. and Haselden, R. 2012. Ron Haselden / John Timberlake. Paris, France 05 May - 23 Jun 2012Show or exhibition
Short film series 1975-2014
Sherwin, G. and LUX London 2014. Short film series 1975-2014.Digital or visual media
Spontaneous combustion
Sachsenmaier, S., Lammers, C. and Franglen, N. 2011. Spontaneous combustion. Theatre Academy Helsinki Jan 2011Performance
Lichtung
Sachsenmaier, S., Lammers, C. and Imori, M. 2011. Lichtung. UniCredit Kunstraum am Viktualienmarkt, Munich Dec 2011Performance
Lichtspur
Sachsenmaier, S. and Lammers, C. 2012. Lichtspur. St. Paulskirche Munich Apr 2012Performance
Remote Collaboration
Sachsenmaier, S., Franglen, N. and Wragg, G. 2013. Remote Collaboration. Independent Dance, Siobhan Davies Studios, London Mar 2013Performance
The perception of potential: interference, dimensionality and knowledge
Impett, J. and Impett, L. 2013. The perception of potential: interference, dimensionality and knowledge. in: Liò, P., Miglino, O., Nicosia, G., Nolfi, S. and Pavone, M. (ed.) Advances in Artificial Life ECAL 2013. Proceedings of the twelfth European Conference on the Synthesis and Simulation of Living Systems The MIT Press. pp. 1126-1131Book chapter
Whose beauty? Women, art, and inter-subjectivity in Luce Irigaray’s writings
Robinson, H. 2000. Whose beauty? Women, art, and inter-subjectivity in Luce Irigaray’s writings. in: Brand, P. (ed.) Beauty Matters Indiana University Press. pp. 224-251Book chapter
Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin
Robinson, H. 1997. Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin. Journal of Gender Studies. 6 (3), pp. 255-267. https://doi.org/10.1080/09589236.1997.9960686Article
On being unique: gender subversion in two graphic novels for young adults
Kahn, A. 2014. On being unique: gender subversion in two graphic novels for young adults. Journal of Graphic Novels and Comics. 5 (3), pp. 336-343. https://doi.org/10.1080/21504857.2014.908403Article
Felicity Sparrow: forming Circles
Deepwell, K. 2014. Felicity Sparrow: forming Circles. n.paradoxa: international feminist art journal. 34, pp. 86-95.Article
An atheist's guide to feminine jouissance: On Black Swan and the other satisfaction
Tyrer, B. 2014. An atheist's guide to feminine jouissance: On Black Swan and the other satisfaction. in: Piotrowska, A. (ed.) Embodied Encounters: New Approaches to Cinema and Psychoanalysis Routledge. pp. 131-146Book chapter
Book-Object-Art
Cleaver, P. 2014. Book-Object-Art.Portfolio
Active Energy (2014-2020)
Leeson, L. 2014. Active Energy (2014-2020). Middlesex University Research Repository.Portfolio
Book-Object-Art (2014 - 2020)
Cleaver, P. 2014. Book-Object-Art (2014 - 2020).Artefact
Presence and resonance (four compositions 2014-2019)
Impett, J. 2014. Presence and resonance (four compositions 2014-2019).Portfolio
The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019)
Kenworth, J. and Charlton, J. 2014. The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019). Middlesex University Research Repository.Portfolio
Creative articulations process: a rhizomatic practice
Bacon, J. and Midgelow, V. 2014. Creative articulations process: a rhizomatic practice. Intellect.Portfolio
Golem
Barritt, P., Andrade, S. and 1927 Theatre Company 2014. Golem. Salzburg State Theatre, Salzburg Festival, Salzburg, Austria 22 - 27 Aug 2014Performance
These sad places, why must you enter them?
Cleaver, P. 2014. These sad places, why must you enter them? London, UK Impress Publishing.Book
Book-Object-Art [Solo exhibitions]
Cleaver, P. 2014. Book-Object-Art [Solo exhibitions]. Ketchum, London, UK 25 Sep - 14 Nov 2014Show or exhibition
7 deadly sins by Louise Gibbs & The deadly 7 [CD]
Gibbs, L., Kofi, T., Whitehead, T., Collins, Q., White, T., Leak, S., Hayhurst, O. and Gardner, S. 2014. 7 deadly sins by Louise Gibbs & The deadly 7 [CD].Digital or visual media
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