Faculty of Arts and Creative Industries
| Title | Faculty of Arts and Creative Industries |
|---|---|
| Alternative | ACI |
| University | Middlesex University London |
| Campus | London |
Latest research outputs
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Painting as a Foreign Language.
Mullaniff, K., The British Council, Goldsmiths College, University of London and Takano and Editora Cultural Inglesa 2002. Painting as a Foreign Language. Centro Brasileiro Britanico, São Paulo, Brasil 02 - 16 Mar 2002Show or exhibition
A stranger to this place
Mullaniff, K. 2002. A stranger to this place. Bankfield Museum, Halifax 28 Sep 2002 - 12 Jan 2003Show or exhibition
Beauty Matters
Deepwell, K. 2001. Beauty Matters. caa.reviews. https://doi.org/10.3202/caa.reviews.2001.89Article
On The Tent and working in dialogue: an interview with Lea Kantonen
Deepwell, K. 2001. On The Tent and working in dialogue: an interview with Lea Kantonen. n.paradoxa: international feminist art journal. 7, pp. 6-17.Article
Cross Female: metaphors of the female in art in the 1990s
Deepwell, K. 2001. Cross Female: metaphors of the female in art in the 1990s. n.paradoxa: international feminist art journal. 7, pp. 87-89.Article
Mea Culpa: interview with Mary Kelly
Deepwell, K. 2001. Mea Culpa: interview with Mary Kelly. n.paradoxa: international feminist art journal. 8, pp. 49-58.Article
Solo exhibition, 49th Venice Biennale, Venice
Billingham, R. 2001. Solo exhibition, 49th Venice Biennale, Venice. Venice, Italy 10 Jun - 04 Nov 2001Show or exhibition
'Landscapes: 2001-2003': 3 solo exhibitions, London, Budapest and Brussels
Billingham, R. 2001. 'Landscapes: 2001-2003': 3 solo exhibitions, London, Budapest and Brussels. Anthony Reynolds Gallery, London 15 Mar - 17 Apr 2003Show or exhibition
Richard Billingham international solo touring exhibition: Ikon Gallery, Birmingham; Douglas Hyde Gallery, Dublin; Nikolaj Contemporary Art Centre, Copenhagen; Brno House of Arts, Brno; Hasselblad Centre, Göteberg and Kunsthalle Willhelmshaven, Willhelmshaven
Billingham, R. 2001. Richard Billingham international solo touring exhibition: Ikon Gallery, Birmingham; Douglas Hyde Gallery, Dublin; Nikolaj Contemporary Art Centre, Copenhagen; Brno House of Arts, Brno; Hasselblad Centre, Göteberg and Kunsthalle Willhelmshaven, Willhelmshaven. Ikon Gallery, Birmingham, UK 07 Jun - 16 Jul 2000Show or exhibition
The cost of Blood/Monoprint Relief [in Contemporary London Prints - Helen E.Copeland Gallery Montana State university USA]
Mumberson, S. 2001. The cost of Blood/Monoprint Relief [in Contemporary London Prints - Helen E.Copeland Gallery Montana State university USA].Artefact
Life in the UK: the creative partnership of Lawrence Alloway and Sylvia Sleigh
Massey, A. 2001. Life in the UK: the creative partnership of Lawrence Alloway and Sylvia Sleigh. in: An unnerving romanticism : the art of Sylvia Sleigh and Lawrence Alloway (Catalogue of an exhibition held at Philadelphia Art Alliance (Philadelphia), 22 Mar. - 13 May 2001.) Philadelphia Art Alliance.Book chapter
Feminism-art-theory: 1968-2000
Robinson, H. (ed.) 2001. Feminism-art-theory: 1968-2000. Oxford WileyBlackwell.Edited Book
Symbols, stimulus equivalence and the origins of language
Dickins, T. and Dickins, D. 2001. Symbols, stimulus equivalence and the origins of language. Behavior and Philosophy. 29, pp. 221-244. https://doi.org/2-s2.0-0038752299Article
Evolution, development and learning - a nested hierarchy?
Dickins, T. and Levy, J. 2001. Evolution, development and learning - a nested hierarchy? in: French, R.M. and Sougné, J.P. (ed.) Connectionist Models of Learning, Development and Evolution: Proceedings of the Sixth Neural Computation and Psychology Workshop, Liège, Belgium, 16–18 September 2000 Springer. pp. 263-270Book chapter
After 'After the Wall': an interview with curator Bojana Pejic
Deepwell, K. 2000. After 'After the Wall': an interview with curator Bojana Pejic. n.paradoxa: international feminist art journal. 5, pp. 49-57.Article
Ray's a laugh
Billingham, R. 2000. Ray's a laugh. Zurich Scalo.Authored Book
Hollywood beyond the screen: design and material culture
Massey, A. 2000. Hollywood beyond the screen: design and material culture. London Berg Publishers.Authored Book
Gender, language and floor apportionment in political debates
Shaw, S. 2000. Gender, language and floor apportionment in political debates. Discourse and Society. 11 (3), pp. 401-418. https://doi.org/10.1177/0957926500011003006Article
Interview with Kirsten Justesen
Deepwell, K. 1999. Interview with Kirsten Justesen. n.paradoxa: international feminist art journal. 3, pp. 30-43.Article
Suzanne Lacy: new genre public art
Deepwell, K. 1999. Suzanne Lacy: new genre public art. n.paradoxa: international feminist art journal. 4, pp. 25-33.Article
“...it was true! How can you laugh?”: the conflation of history and memory in the reception of Titanic in Britain and Southampton’
Massey, A. and Hammond, M. 1999. “...it was true! How can you laugh?”: the conflation of history and memory in the reception of Titanic in Britain and Southampton’. in: Studlar, G. and Sandler, K. (ed.) Titanic: Anatomy of a Blockbuster Rutgers University Press. pp. 239-264Book chapter
The metropolis and its image: constructing identities for London, c. 1750-1950
Arnold, D. (ed.) 1999. The metropolis and its image: constructing identities for London, c. 1750-1950. WileyBlackwell.Edited Book
London Bridge and its symbolic identity in the Regency Metropolis: the dialectic of civic and national pride
Arnold, D. 1999. London Bridge and its symbolic identity in the Regency Metropolis: the dialectic of civic and national pride. Art History. 22 (4), pp. 545-566. https://doi.org/10.1111/1467-8365.00175Article
Rewriting conceptual art
Newman, M. and Bird, J. (ed.) 1999. Rewriting conceptual art. London Reaktion Books.Edited Book
Digital sampling: ideas suggested by some women's art practices from Europe, Australia, Canada and America
Deepwell, K. 1998. Digital sampling: ideas suggested by some women's art practices from Europe, Australia, Canada and America. in: Cutting Edge, The Women's Research Group (ed.) Desire by Design: Body, territories and new technologies I.B.Tauris. pp. 77-94Book chapter
Interview with Catherine de Zegher: curator of 'Inside the Visible'
Deepwell, K. 1998. Interview with Catherine de Zegher: curator of 'Inside the Visible'. n.paradoxa: international feminist art journal. 1, pp. 15-23.Article
Feminist aesthetics in an international frame
Deepwell, K. 1998. Feminist aesthetics in an international frame. n.paradoxa: international feminist art journal. 1, pp. 39-43.Article
Interview with Gisela Breitling, founder of Das Verborgene Museum in Berlin
Deepwell, K. 1998. Interview with Gisela Breitling, founder of Das Verborgene Museum in Berlin. n.paradoxa: international feminist art journal. 1, pp. 72-76.Article
Negotiating models of feminist research
Deepwell, K. 1998. Negotiating models of feminist research. Art History. 21 (3), pp. 436-440. https://doi.org/10.1111/1467-8365.00118Article
Art Criticism and Africa
Deepwell, K. (ed.) 1998. Art Criticism and Africa. England Saffron Books.Edited Book
Nueva crítica de arte feminista: Estrategias críticas
Deepwell, K. (ed.) 1998. Nueva crítica de arte feminista: Estrategias críticas. Ediciones Cátedra.Edited Book
Fishtank [TV Contribution]
Billingham, R. 1998. Fishtank [TV Contribution].Digital or visual media
Women artists and modernism
Deepwell, K. (ed.) 1998. Women artists and modernism. Manchester Manchester University Press.Edited Book
Introduction
Deepwell, K. 1998. Introduction. in: Deepwell, K. (ed.) Art Criticism and Africa Saffron Books.Book chapter
Introduction
Brown, C. 1998. Introduction. in: Willie Doherty: Somewhere else Liverpool Tate Gallery Publishing. pp. 1-3Book chapter
Mapping feminism is necessary
Deepwell, K. 1997. Mapping feminism is necessary. Siksi. 12 (4), pp. 88-89.Article
Photographic work included in 'Sensation' at the Royal Academy of Arts, London touring to Hamburger Bahnhof, Berlin and the Brooklyn Museum, New York City
Billingham, R. 1997. Photographic work included in 'Sensation' at the Royal Academy of Arts, London touring to Hamburger Bahnhof, Berlin and the Brooklyn Museum, New York City.Artefact
Sassy, or not?
Deepwell, K. 1996. Sassy, or not? Siksi. 11 (4), pp. 88-90.Article
Ray's a laugh
Billingham, R. 1996. Ray's a laugh. Zurich Scalo.Authored Book
Photographic work included in 'New Photography 12', Museum of Modern Art, New York
Billingham, R. 1996. Photographic work included in 'New Photography 12', Museum of Modern Art, New York.Artefact
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