Middlesex University London

Title	Middlesex University London
Alternative	MDX
Campus	London

Latest research outputs

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[Art work featured in group exhibition: Dark Frame / Deep Field (Caroline Corbasson, Dan Holdsworth, Philippe Pleasants, Sophy Rickett, Vintage NASA Photographs, We Colonised the Moon)]

Pleasants, P. 2015. [Art work featured in group exhibition: Dark Frame / Deep Field (Caroline Corbasson, Dan Holdsworth, Philippe Pleasants, Sophy Rickett, Vintage NASA Photographs, We Colonised the Moon)].

Artefact

Music, blockchains and data: overview and analysis of the music blockchain and data landscape

O'Dair, M. 2018. Music, blockchains and data: overview and analysis of the music blockchain and data landscape. Music 4.5.

Working paper

Music and AI: overview and analysis of the music AI landscape

O'Dair, M. 2018. Music and AI: overview and analysis of the music AI landscape. Music 4.5.

Working paper

Insight 4.5: Music sync – the evolving deals: Overview and analysis of the music sync landscape

O'Dair, M. 2018. Insight 4.5: Music sync – the evolving deals: Overview and analysis of the music sync landscape. Music 4.5.

Working paper

Pacts, paratext and polyphony: writing the authorised biography of Robert Wyatt

O'Dair, M. 2019. Pacts, paratext and polyphony: writing the authorised biography of Robert Wyatt. Life Writing. 16 (2), pp. 279-294. https://doi.org/10.1080/14484528.2019.1548265

Article

Distributed creativity: how blockchain technology will transform the creative economy

O'Dair, M. 2018. Distributed creativity: how blockchain technology will transform the creative economy. Palgrave Macmillan.

Book

Revitalising audience research: innovations in European audience research [Book review]

O'Dair, M. 2018. Revitalising audience research: innovations in European audience research [Book review]. Participations: Journal of Audience and Reception Studies. 15 (1), pp. 460-462.

Article

Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music

O'Dair, M. 2018. Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music. Journal of World Popular Music. 5 (1), pp. 122-124. https://doi.org/10.1558/jwpm.29433

Article

"Even the ghost was more than one person": authorship and authorisation in I'm Not There

O'Dair, M. 2017. "Even the ghost was more than one person": authorship and authorisation in I'm Not There. IASPM Journal. 7 (1), pp. 88-106. https://doi.org/10.5429/2079-3871(2017)v7i1.7en

Article

Campaign for fashion activism - Slashstroke interactive gallery take over & publication

Fine, L. and Poole, D. 2014. Campaign for fashion activism - Slashstroke interactive gallery take over & publication. Slashstroke website Slashstroke / Fashion Space Gallery.

Other

Dances and Laments

Fribbins, P. 2013. Dances and Laments.

Digital or visual media

Dances & Laments

Fribbins, P. 2015. Dances & Laments. Music Haven, London.

Composition

Sonata for solo violin

Fribbins, P. 2017. Sonata for solo violin. Music Haven, London.

Composition

An Art of Change - photomontage 1977-2017

Leeson, L. 2018. An Art of Change - photomontage 1977-2017. Photomontage Then and Now. Four Corners, 121 Roman Road London E2 0QN 20 Sep 2018

Conference item

Fast Fashion 2D mix Fix - a Slashstroke project

Fine, L. and Poole, D. 2014. Fast Fashion 2D mix Fix - a Slashstroke project. Fast Fashion 2d mix Fix. Ram Place London 19 Jul 2014

Conference item

DNA SWAP Exhibition & Live interactive program Led by Slashstroke

Fine, L. and Poole, D. 2015. DNA SWAP Exhibition & Live interactive program Led by Slashstroke. The Grad Gallery London 04 - 11 Jun 2015

Show or exhibition

Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]

Hussein, N. 2017. Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]. Theatre Research International. 42 (3), pp. 353-355. https://doi.org/10.1017/S0307883317000669

Article

Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]

Dwyer, B. 2018. Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times. 159 (1943), pp. 109-118.

Article

The “independent” condition: perspectives on Eastern Europe’s cultural sector

Morariu, V. 2016. The “independent” condition: perspectives on Eastern Europe’s cultural sector. Mezosfera.org.

Article

[Experimental and perfomative provocations]

Maude-Roxby, A. 2018. [Experimental and perfomative provocations]. Writing Photographs Conference. Tate Modern 13 Oct 2018

Conference item

Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold

Maude-Roxby, A. and Seibold, S. 2017. Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold. MISS READ: Berlin Art Book Fair. Haus der Kulturen der Welt, Berlin 14 - 17 Jul 2017

Conference item

Illustration for The Weir

Barritt, S. 2015. Illustration for The Weir.

Digital or visual media

Notation as technology

Impett, J. 2016. Notation as technology. Symposium on Notation for New Instruments and Musical Expression. IRCAM, Paris 22 Sep 2016

Conference keynote

Spoken

Impett, J. 2017. Spoken. Attacca Amsterdam.

Composition

After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]

Impett, J. 2018. After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]. Jornal of Sonic studies.

Article

"Anything for the Right Picture" a SLASHSTROKE workshop Commissioned by Barbican as part of THE VULGAR - FASHIONED REDEFINED Exhibition

Fine, L. and Poole, D. 2017. "Anything for the Right Picture" a SLASHSTROKE workshop Commissioned by Barbican as part of THE VULGAR - FASHIONED REDEFINED Exhibition. ANYTHING FOR THE RIGHT PICTURE. Barbican Centre, London, United Kingdom 21 Jan 2017

Conference item

Workshop commissioned by Barbican for Basquait - "Boom For Real" as part of the "Too Young For What?" programme.

Fine, L. and Poole, D. 2017. Workshop commissioned by Barbican for Basquait - "Boom For Real" as part of the "Too Young For What?" programme. SLASHSTROKE "Too Young For What?". Barbican Centre, London, United Kingdom 07 Oct 2017

Conference item

Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week

Vesty, R., Andrews, M., de la Fe, A., Hamilton, J., Hanne, B. and Di Giovanni, T. 2017. Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices. 8 (1), pp. 131-167. https://doi.org/10.1386/chor.8.1.131_1

Article

Towards a British concept musical: the shows of Anthony Newley and Leslie Bricusse

Cottis, D. 2017. Towards a British concept musical: the shows of Anthony Newley and Leslie Bricusse. in: Gordon, R. and Jubin, O. (ed.) The Oxford Handbook of the British Musical New York Oxford University Press (OUP). pp. 309-330

Book chapter

Words and dance

Vesty, R. 2017. Words and dance. Choreographic Practices. 8 (1), pp. 3-8. https://doi.org/10.1386/chor.8.1.3_2

Article

Theatre: A Recipe for Sloe Gin (Clock Tower) [Review]

Cottis, D. 2018. Theatre: A Recipe for Sloe Gin (Clock Tower) [Review]. Wales Arts Review.

Public media contribution

TV: BBC's King Lear [Review]

Cottis, D. 2018. TV: BBC's King Lear [Review]. Wales Arts Review.

Public media contribution

The Boring Conference 2018

Cottis, D. 2018. The Boring Conference 2018. Wales Arts Review.

Public media contribution

Improvisation: violin, tabla, guitar

Spinks, T., Chisht, I. and Mohsin, K. 2018. Improvisation: violin, tabla, guitar. RM Naeem studio, National College of Arts,Lahore 30 Jul 2018

Performance

Improving procedural fairness in housing possession cases

Whitehouse, L., Bright, S. and Dhami, M. 2019. Improving procedural fairness in housing possession cases. Civil justice quarterly. 38 (3), pp. 351-375.

Article

What they didn’t teach you in design school

Cleaver, P. 2014. What they didn’t teach you in design school. 2014 ilex.

Book

Routledge handbook to Luigi Nono and musical thought

Impett, J. 2018. Routledge handbook to Luigi Nono and musical thought. London Routledge.

Book

The contemporary musician and the production of knowledge: practice, research, and responsibility

Impett, J. 2017. The contemporary musician and the production of knowledge: practice, research, and responsibility. in: Impett, J. (ed.) Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute Leuven, BE Leuven University Press. pp. 221-238

Book chapter

Those blue remembered sounds

Dack, J. 2014. Those blue remembered sounds. in: Erbe, M. and Blumröder, C. (ed.) Le monde sonore de / The sound world of / Die Klangwelt des François Bayle Verlag der Apfel. pp. 9-41

Book chapter

The mediating role of the piano in Karlheinz Stockhausen’s Kontakte für elektronische Klänge, Klavier und Schlagzeug

Dack, J. 2017. The mediating role of the piano in Karlheinz Stockhausen’s Kontakte für elektronische Klänge, Klavier und Schlagzeug. in: Bonardi, A., Bossis, B., Couprie, P. and Tiffon, V. (ed.) Analyser la musique mixte France Éditions Delatour.

Middlesex University London

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