Middlesex University London
| Title | Middlesex University London |
|---|---|
| Alternative | MDX |
| Campus | London |
Latest research outputs
Sort by Date Title
Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold
Maude-Roxby, A. and Seibold, S. 2017. Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold. MISS READ: Berlin Art Book Fair. Haus der Kulturen der Welt, Berlin 14 - 17 Jul 2017Conference item
Illustration for The Weir
Barritt, S. 2015. Illustration for The Weir.Digital or visual media
Notation as technology
Impett, J. 2016. Notation as technology. Symposium on Notation for New Instruments and Musical Expression. IRCAM, Paris 22 Sep 2016Conference keynote
Spoken
Impett, J. 2017. Spoken. Attacca Amsterdam.Composition
After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]
Impett, J. 2018. After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]. Jornal of Sonic studies.Article
"Anything for the Right Picture" a SLASHSTROKE workshop Commissioned by Barbican as part of THE VULGAR - FASHIONED REDEFINED Exhibition
Fine, L. and Poole, D. 2017. "Anything for the Right Picture" a SLASHSTROKE workshop Commissioned by Barbican as part of THE VULGAR - FASHIONED REDEFINED Exhibition. ANYTHING FOR THE RIGHT PICTURE. Barbican Centre, London, United Kingdom 21 Jan 2017Conference item
Workshop commissioned by Barbican for Basquait - "Boom For Real" as part of the "Too Young For What?" programme.
Fine, L. and Poole, D. 2017. Workshop commissioned by Barbican for Basquait - "Boom For Real" as part of the "Too Young For What?" programme. SLASHSTROKE "Too Young For What?". Barbican Centre, London, United Kingdom 07 Oct 2017Conference item
Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week
Vesty, R., Andrews, M., de la Fe, A., Hamilton, J., Hanne, B. and Di Giovanni, T. 2017. Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices. 8 (1), pp. 131-167. https://doi.org/10.1386/chor.8.1.131_1Article
Towards a British concept musical: the shows of Anthony Newley and Leslie Bricusse
Cottis, D. 2017. Towards a British concept musical: the shows of Anthony Newley and Leslie Bricusse. in: Gordon, R. and Jubin, O. (ed.) The Oxford Handbook of the British Musical New York Oxford University Press (OUP). pp. 309-330Book chapter
Words and dance
Vesty, R. 2017. Words and dance. Choreographic Practices. 8 (1), pp. 3-8. https://doi.org/10.1386/chor.8.1.3_2Article
Improvisation: violin, tabla, guitar
Spinks, T., Chisht, I. and Mohsin, K. 2018. Improvisation: violin, tabla, guitar. RM Naeem studio, National College of Arts,Lahore 30 Jul 2018Performance
Improving procedural fairness in housing possession cases
Whitehouse, L., Bright, S. and Dhami, M. 2019. Improving procedural fairness in housing possession cases. Civil justice quarterly. 38 (3), pp. 351-375.Article
What they didn’t teach you in design school
Cleaver, P. 2014. What they didn’t teach you in design school. 2014 ilex.Book
The contemporary musician and the production of knowledge: practice, research, and responsibility
Impett, J. 2017. The contemporary musician and the production of knowledge: practice, research, and responsibility. in: Impett, J. (ed.) Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute Leuven, BE Leuven University Press. pp. 221-238Book chapter
Those blue remembered sounds
Dack, J. 2014. Those blue remembered sounds. in: Erbe, M. and Blumröder, C. (ed.) Le monde sonore de / The sound world of / Die Klangwelt des François Bayle Verlag der Apfel. pp. 9-41Book chapter
The mediating role of the piano in Karlheinz Stockhausen’s Kontakte für elektronische Klänge, Klavier und Schlagzeug
Dack, J. 2017. The mediating role of the piano in Karlheinz Stockhausen’s Kontakte für elektronische Klänge, Klavier und Schlagzeug. in: Bonardi, A., Bossis, B., Couprie, P. and Tiffon, V. (ed.) Analyser la musique mixte France Éditions Delatour.Book chapter
À l’écoute des langages plastique et musical dans les « Variations pour une porte et un soupir » de Pierre Henry
Dack, J. 2016. À l’écoute des langages plastique et musical dans les « Variations pour une porte et un soupir » de Pierre Henry. in: Marty, N. (ed.) Musiques Électroacoustiques - Analyses-Écoutes France Éditions Delatour. pp. 111-124Book chapter
The new digital interiorscape and the edited Airbnb interior
Murialdo, F. 2019. The new digital interiorscape and the edited Airbnb interior. in: Brooker, G., Harriss, H. and Walker, K. (ed.) Interior Futures : Vol.1 Habituated | Mediated Napa Valley California Crucible Press. pp. 176-190Book chapter
‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind
Inglis, B. 2020. ‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind. in: Boyce-Tillman, J. and Forbes, A. (ed.) Heart's ease: spirituality in the music of John Tavener Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.Book chapter
[Presentation of photographic work]
Lakin, W. 2016. [Presentation of photographic work]. The Extraordinary Everyday: Film and Photography. Institute of Contemporary Arts, London, United Kingdom 24 Nov 2016Conference item
Making a mark: the psychology of composition
Impett, J. 2016. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) The Oxford Handbook of Music Psychology, Second Edition Oxford Oxford University Press (OUP). pp. 651-666Book chapter
Fish consciousness [commentary on Woodruff on Fish Feel]
Gamez, D. 2018. Fish consciousness [commentary on Woodruff on Fish Feel]. Animal Sentience.Article
A brain-inspired cognitive system that mimics the dynamics of human thought
Ji, Y., Gamez, D. and Huyck, C. 2018. A brain-inspired cognitive system that mimics the dynamics of human thought. AI-2018 Thirty-eighth SGAI International Conference on Artificial Intelligence. Cambridge, UK 11 - 13 Dec 2018 Springer. pp. 50-62 https://doi.org/10.1007/978-3-030-04191-5_4Conference paper
Axiom; performance machine
Lane, K. and Wild, J. 2017. Axiom; performance machine. Wimbledon College of Arts 20 - 25 Feb 2017Show or exhibition
Martyn, Sean and Jacob, 2013
Lakin, W. 2014. Martyn, Sean and Jacob, 2013.Artefact
Bedrock
Lakin, W. 2016. Bedrock.Artefact
[Talk based on photographic project work]
Pleasants, P. 2014. [Talk based on photographic project work]. Exposure 1. An event and symposium at the Photographers’ Gallery. Photographers' Gallery, London, UK 26 Nov 2014Conference item
A glimmer of accountability
Lakin, W. 2017. A glimmer of accountability.Artefact
Good times for free
Lakin, W. 2018. Good times for free.Artefact
Feminist art manifestos/feminist politics
Deepwell, K. 2018. Feminist art manifestos/feminist politics. Cambridge Literary Review. 11.Article
Mediating effect of intrinsic motivation on the relationship between Islamic work ethic, job satisfaction, and organizational commitment in banking sector
Gheitani, A., Imani, S., Seyyedamiri, N. and Foroudi, P. 2019. Mediating effect of intrinsic motivation on the relationship between Islamic work ethic, job satisfaction, and organizational commitment in banking sector. International Journal of Islamic and Middle Eastern Finance and Management. 12 (1), pp. 76-95. https://doi.org/10.1108/IMEFM-01-2018-0029Article
Developing effective teams in global multidiscipline engineering and manufacturing organisations
Siakas, K., Georgiadou, E., Siakis, D. and Rahanu, H. 2018. Developing effective teams in global multidiscipline engineering and manufacturing organisations. 25th European Conference, EuroSPI 2018: Systems, Software and Services Process Improvement. Bilbao, Spain 05 - 07 Sep 2018 Springer Verlag. pp. 565-576 https://doi.org/10.1007/978-3-319-97925-0_48Conference paper
Imperative ethical behaviours in making systems development and deployment compliant with health & safety and well-being
Rahanu, H., Georgiadou, E., Siakas, K. and Ross, M. 2018. Imperative ethical behaviours in making systems development and deployment compliant with health & safety and well-being. 25th European Conference, EuroSPI 2018: Systems, Software and Services Process Improvement. Bilbao, Spain 05 - 07 Sep 2018 Springer Verlag. pp. 541-553 https://doi.org/10.1007/978-3-319-97925-0_46Conference paper
In search of a concrete music by Pierre Schaeffer; translated by Christine North and John Dack.
Schaeffer, P., Dack, J. and North, C. 2012. In search of a concrete music by Pierre Schaeffer; translated by Christine North and John Dack. Berkeley University of California Press.Book
Image 1: Dark Dolores III Image 2: Little Pinks I
Slonims, N. 2016. Image 1: Dark Dolores III Image 2: Little Pinks I.Artefact
Treatise on musical objects: an essay across disciplines by Pierre Schaeffer; translated by Christine North and John Dack
Schaeffer, P., North, C. and Dack, J. 2017. Treatise on musical objects: an essay across disciplines by Pierre Schaeffer; translated by Christine North and John Dack. Oakland, USA University of California Press.Book
Image 1: Dora Damage I Image 2: Woman in White III
Slonims, N. 2017. Image 1: Dora Damage I Image 2: Woman in White III.Artefact
image 1: Dora Damage II image 2: Woman in White III
Slonims, N. 2016. image 1: Dora Damage II image 2: Woman in White III.Artefact
Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage
Beale, S. 2017. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage. Mixed Bill - Women and Comedy Symposium. Salford University, United Kingdom 19 Oct 2017Conference paper
Open data today and tomorrow: the present challenges and possibilities of open data
Drakopoulou, S. 2018. Open data today and tomorrow: the present challenges and possibilities of open data. International Journal of Electronic Governance. 10 (2), pp. 151-171. https://doi.org/10.1504/IJEG.2018.093836Article
0
total views0
total downloads0
views this month0
downloads this month